Art Dudley

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Art Dudley  |  Mar 26, 2012  |  0 comments
Tim Ryan of SimpliFi Audio demonstrated the always-enjoyable Gradient Helsinki loudspeaker ($6000/pair) in tandem with Gradient's SWS dipole bass speakers (also $6000/pair, outboard crossover included), to excellent effect. Ryan says the SWS, to whose development the late Peter Walker contributed, also works a treat with the Harbeth P3 and other smallish speakers from that line. (That's exactly how he said it, too.)
Art Dudley  |  Mar 26, 2012  |  2 comments
A tonic for the homesick: I entered the Audio Note room and saw, in the far corners, a pair of their reliable AN-E Spe/HE loudspeakers ($9000/pair): the very speakers I own and love. (This pair was veneered in a strikingly grained raw rosewood, while mine are done up in glossy yew.) There, too, was the brand new Audio Note CD 4.1x CD player ($12,000), my review sample of which arrived at my home on the very day I left for Montreal (this according to my wife). The sound in this room was so extraordinarily good—with especially fine bass reach and drama—that I feel compelled to tweak, slightly, the positions of my own AN-Es when I get home.
Art Dudley  |  Mar 26, 2012  |  0 comments
This Devialet D-Premier D/A integrated amplifier seemed to be flashing its own price: $16.5k, for which the lucky owner gets 240Wpc, sleek styling, and a great deal of up-to-date technology, including 192/24 WiFi capability. I had hoped to learn more about the D-Premier (and the impressive Focal loudspeakers it was driving), but the pleasant young fellow who was running the booth couldn't make himself understood over the very loud playback levels—and the latter finally drove me from the room. John Atkinson will be reviewing the Devialet D-Premier, which he says combines a highly linear class-A amplifier with a class-D output stage in a topology somewhat similar to the late Peter Walker's "current dumping" circuit, in a summer issue of Stereophile.
Art Dudley  |  Mar 26, 2012  |  4 comments
So another SSI has come and gone. On the downside, the trade-only day was slow, a surprising number of SSI stalwarts—Legacy, Luxman, Vivid, Reference 3a, Ocellia, AvantGarde, and Antique Sound Lab among them—were missing in action, and the blue-wig thing is getting kind of old. On the up side, there was good traffic on the consumer days, the food and drink were great—even on-site at the Hilton—and the Coup de Foudre party was a blast (thank you, Graeme, Jennifer, et al). I was genuinely impressed by several new products, especially the Michael Tang tonearm, AudioQuest Dragonfly USB DAC, LM Audio 211IA integrated amp, Audio Note DD 4.1x CD player, and Naim NDS two-box network player. And, best of all, it was good to see some old friends, many for the first time since SSI 2011. It was a busy, fun time, a sort of a four-day moment, and I congratulate organizers Michel Plante and Sarah Tremblay for succeeding once again.
Art Dudley  |  Mar 24, 2012  |  4 comments
California-based Constellation Audio, represented by the well-known engineer Peter Madnick, supplied the amplification for the Magico Q3 loudspeakers. On audition were their Virgo preamplifier ($19,000) and Centaur amplifier ($24,000), set up with elegant looking (and apparently effective) loudspeaker cables and interconnects from Argento Audio of Denmark. Source components were the C1 D/A converter and D1 disc transport from CH Precision of Switzerland.
Art Dudley  |  Mar 24, 2012  |  0 comments
Loudspeaker specialists Magico were on hand with their recent Q3 ($38,950/pair), which boasts a 90dB sensitivity rating and 5 ohm nominal impedance: not quite SET territory, but easily the California firm's most sensitive speaker yet. Magico rep and fellow bluegrass fan Irv Gross put the Q3 through its paces for me; I was impressed with its speed, scale, drama, and sheer grip—not only in the lowest frequencies but all the way up through its well fleshed-out treble range.
Art Dudley  |  Mar 24, 2012  |  0 comments
I was delighted by the sound being made by Montreal dealer Audiophonie—partly, I admit, because they were demonstrating an all-new version of the venerable Spendor SP100, now in R2 form ($11,900/pair), an earlier version of which I owned and loved for years. Its tone, touch, spatial presentation, and vibe were all just about perfect. I will beg—yes, beg—for the opportunity to write about the Spendor in the months to come.
Art Dudley  |  Mar 24, 2012  |  3 comments
The curiously named Line Magnetic company of China has begun making a series of relatively affordable tube electronics, all hand-wired, and all with styling details that recall classic products from the first half of the 20th Century. LM's model 211IA integrated amplifier ($1650) was used to drive the new Gibbon 88s from DeVore Fidelity. Each channel of the amp produces 32Wpc from a pair of EL34s running in Ultralinear mode—the 211IA can also be switched to triode operation—with all-tube preamp and driver stages and a silicon-rectified power supply.
Art Dudley  |  Mar 24, 2012  |  1 comments
One of the many rooms sponsored by Montreal retailer Coup de Foudre was dedicated to the new DeVore Fidelity Gibbon 88 loudspeaker ($5000/pair), which replaces the Super 8 in DeVore's line. The 88 uses an entirely new woofer, which designer John DeVore says was influenced by the recent work he did on the DeVore Orangutan model; technical distinctions include a paper (instead of plastic) cone and a larger motor overall than its predecessor, with double the voice-coil travel. Consequently, sensitivity is up in the Gibbon 88, to approximately 91dB.
Art Dudley  |  Mar 24, 2012  |  0 comments
Every hi-fi show seems to harbor a few restful rooms where the music is well selected and the playback quality is serenely good; at SSI, the exhibit space shared by Scandinavian manufacturers Hegel and Amphion served that purpose for me. (The white fabric walls probably added to the sense of calm.) The Amphion Argon7 L loudspeakers ($6k–$7k/pair, depending on finish) sounded clear, smooth, and altogether lovely with Hegel amplification and digital source components.

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