Hop hop hop! Who is Richard the bunny visiting today? It’s the Oracle Audio Technologies room, where veteran designer Jacques Riendeau introduced a relatively affordable new turntable called the Paris. Available in a variety of configurationsand colorsthe fully-loaded version of the Oracle Paris offers an acrylic-and-aluminum platter (plus Delrin record clamp), a sophisticated suspension system, a new Oracle-designed carbon-fiber tonearm, and an Oracle MC cartridgeall for $3150 without the cartridge or $5000 with. I was impressed with the Paris samples on display, and Jacques Riendeau has promised that a review sample will follow in short order.
Hop hop hop! Who’s that on top of the DeVore Fidelity Orangutan O/96 loudspeaker? It’s Richard the bunny, and he’s come to thank Stephen Mejias for staying behind and getting Stereophile’s June issue off to the printers while JA, RD, and I frittered away the hours in sunny Montreal, eating snails, duck livers, and pig-leg shavings. Richard thoroughly enjoyed the DeVore Orangutans. (More on that later.)
I admit: I’m impressed that the Danish loudspeaker manufacturer Peak Consult has made such a name for itself in little more than a decade. (Adding to my surprise is the fact that “Peak Consult” does not, at first glance, seem to mean anythingalthough the name makes sense once it’s been explained.) Now Jay Rein and Bluebird Music, North American distributors of Chord and Exposure electronics, Spendor loudspeakers, and van den Hul cables, have taken on the line.
While visiting Gradient’s North American distributor, Simplifi, I listened to the current version of their classic Revolution loudspeaker ($7995), which had been favorably reviewed in Stereophile back in 1995. Earlier in the show I’d been impressed with the uncanny spatial realism in the MBL room; the interestingly shaped, dipolar Gradient Revolution was at least its equal in that regard. On one record, singer Willie Nelson was right damn there, and when someone in his band started giving hell to a tambourine, the effect was almost nerve-rattlingly real. What a cool speaker!
The first time I heard a PHY driver was in an enclosure designed and made by Ocellia Audio, 15-odd years ago. During the years since then, Ocellia head Samuel Furon has continued to refine his complex, intentionally thin-walled designs, and the line has expanded to include some new models. The latest of these is the Calliope.21 Signature ($14,000 as shown, with configurations of this model starting at $9900), which was demonstrated at SSI with an Ocellia Quero integrated amp ($14,000), prototype Ocellia Quero phono preamp (price TBD), and a vintage Platine Verdier turntable with EMT 997 tonearm and Ocellia-modified Denon 103 cartridge.
This looks like Jonathan Halpern, owner of the New York distribution firm Tone Imports, but it’s really the devil. Every time JA and I attempted to leave the Coup de Foudre room in which products by DeVore, Leben, EMT, Box Furniture, and Brinkmann were being demonstrated, the devil coaxed us to stay, just by playing one! more! song! We finally broke temptation’s chains and left to the strains of James Brown’s “Sex Machine”: JA and I had to literally back our way out of the room. Carefully.
Dear Mikey: I know you spend a lot more time outside of the US than I doheck, you probably get out of the house more often than Iso it’s with non-snotty glee that I must inform you: For once in my life I beat you to the draw on the coolest new analog toy in the known universe. At the Teo Audio room, Dr. Chris Feickert gave me a copy of his 7” Adjust+ Test Record ($20), which comes in a red jacket. Its use requires only that you download a special app from Apple App Store (search on “platterspeed”), fit your iPod/iPad/iPhone/whatever with an accessory microphone (I already have one for use with my über-cool Peterson strobe tuner app), cue up the Feickert disc, and measure away. Tests include wow and flutter, crosstalk, skating force, and channel balance. You’ll probably get one soon. Luv yaArtie.
On my last day at the show I got to meet the founder and chief designer of Gradient, Jorma Salmi: a trim, quietly intense man with a boyish mop of hair. I introduced myself and complimented the originality of his designs; Dr. Salmi looked at me over the tops of his steel-rimmed glasses, smiled kindly, and said, “A little strange, aren’t they?” A moment later he quoted Becket, saying that, in his next design, he would “fail better.” What a cool guy!
Verity Audio’s entry-level Finn ($6495/pair) was an intriguing beast: a 91 dB sensitive loudspeaker that sounded open, authoritative, and smooththe latter quality more so than the dearer Verity Sarastro II, which sounded overly sibilant in another room. (But the good Lord knows that might have been caused by something else in the chain, so do keep these comments in perspective.) Music was supplied by digital files on a MacBook Pro (running Amarra playback software), addressing the digital inputs of a Musical Fidelity M6CD CD player ($2499), while the controller was Musical Fidelity’s new M1 CliC ($1999). Power was supplied by another new Musical Fidelity product, their M6500 integrated amplifier ($6995): a seemingly sweet-sounding 500Wpc monster that’s dual-mono from A through Z.
My reputation preceded me: Everywhere I went, people who knew me stopped and asked, “Have you heard the new Lowther yet?” The speaker in question was actually a Lowther-alike from the German firm Voxativ, named the Ampeggio ($29,750/pair), and as I told everyone who askedunsmugly, I hopeI’ve had a loaner pair in my house since mid-March.