"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
—Peter Walker and D.T.N. Williamson, writing in the Journal of the Audio Engineering Society in 1954
Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product categories as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time—yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.
I wish the domestic audio industry of 2005 were more like the pop-music industry of 2005, with its variety, vitality, and ability to reach beyond its boundaries to move people. And its sense of fun, which hi-fi often seems to entirely lack.
Jimmy Martin, the self-styled "King of Bluegrass," died at a hospice near his home in Hermitage, TN on May 14. Martin had been diagnosed with bladder cancer in 2003, but the progress of the disease was slow, and the first of two hospice stays was cut short by an apparent recovery. Significantly, Martin never gave up his plans to perform at this year's Bill Monroe Bluegrass Festival in Bean Blossom, IN.
Living with a brand-new Cyrus amp was a pleasantly nostalgic thing to do, even from the start: It arrived in a clean and downright attractive carton that seemed designed specifically to contain a brand-new Cyrus amplifier. Think of it! And I haven't even mentioned the nice owner's manual or the balance control or the headphone jack. As I said: the good old days.