Art Dudley

Sort By: Post Date | Title | Publish Date
Art Dudley Posted: Feb 17, 2011 3 comments
Two years ago, I was drawn to the Wilson Audio Sophia Series 2—then as now, the company's entry-level floorstander—by its good reputation among lovers of low-power tube amplifiers. "Forget the specs," they said. "Sophia is the one to hear." In fact, with its 89dB sensitivity (slightly lower than most of Wilson's other domestic loudspeakers) and mildly challenging impedance curve (less daunting than those of its stablemates, but not by a lot), the Sophia seemed, on paper, no better than average for use with flea-watt amps. But when I tried a pair at home with my 25W Shindo Corton-Charlemagne mono amps, I was impressed: The Sophia Series 2 was, as I suggested in my "Listening" column in the February 2010 issue, the product that will forever mark Wilson Audio's progress toward not merely excellent sound but beautiful sound.
Filed under
Art Dudley Posted: Mar 04, 2011 Published: Feb 04, 2011 1 comments
Now I remember why I'm no longer a car enthusiast. I haven't got the time.

In my youth, when I wasn't driving my beloved car, I was washing it. Polishing it. Waxing its engine compartment. Spraying Armor All on its hoses and bushings. Cleaning its interior vents with cotton swabs, and its shifter boot with Lexol. I did all of my own maintenance and some of my own repairs—those of the latter that didn't require specialized tools, at least—and I kept the car covered with a car cover I bought from a mail-order house, along with lots of other crazy junk.

Filed under
Art Dudley Posted: Jan 25, 2011 4 comments
At the start of my teaching career, I discovered that it was more difficult to maintain order in a sixth-grade classroom early in the day than at any other time. First thing in the morning the kids were noisy and aimless, and banging my open palm on the chalkboard for their attention worked only once. So I gave my students that which most children crave, consciously or un-: a simple, clear explanation of what I expected of them.

What I expected of them—in the short term, at least—was this: They were required to answer three new questions, written for their benefit on that still-vibrating chalkboard, at the beginning of each and every school day. If the children didn't hand in their answers before the first-period classes began, I would not accept their homework from the night before, thus earning them a score of nothing. On the other hand, a good record of correct or at least entertaining answers to those morning questions would, I promised, be used to nudge upward any borderline report-card grade at the end of each quarter.

Art Dudley Posted: Jan 24, 2011 0 comments
There's home cooking on one side of the hedge and fast food on the other, and the world moves farther from the former and nearer to the latter with each passing day. So it goes in domestic audio, where virtually every new milestone of the past quarter-century has pointed far more toward convenience than toward quality.

Depressed? Don't be. Those of us in the perfectionist community have a history of dealing with such things, howsoever slowly and inefficiently. (footnote 1). We're getting better at it, too, year by year. An example: Chord Electronics, of sunny southern England, has now brought to market their Chordette Gem D/A converter ($799) which they offer as an affordable means of getting perfectionist-quality sound from computer-music files.

Art Dudley Posted: Dec 20, 2010 9 comments
When you play recorded music, you have before you a work of art with almost no physical existence at all; reconstituting it requires electricity, which will itself imitate the musical continuum represented by the bumps in the groove or the zeros in the datastream. When you listen to recorded music, you are listening to your household AC, and better AC equals better playback. That sounds obvious to me and you, even as it sends the technocodgers into paroxysms of puritanical indignation.
Art Dudley Posted: Dec 13, 2010 4 comments
As with so many other things, from cell phones to soy milk, the idea of a portable MP3 player was something I at first disdained, only to later embrace with the fervor of any reformed sinner. But not so the idea of a high-fidelity iPod dock: Given that I now carry around several hundred high-resolution AIFF files on my own Apple iPod Touch, the usefulness of a compatible transport seemed obvious from the start. Look at it this way: In 1970, whenever I bought a music recording, I could enjoy it on any player, in any room in the house. In 2010, why shouldn't I enjoy at least that degree of convenience and flexibility—without resorting to a pair of tinny, uncomfortable earbuds?
Filed under
Art Dudley Posted: Nov 21, 2010 0 comments
The English public may not like music, but they absolutely love the sound it makes.—Sir Thomas Beecham

Just as car magazines are filled with descriptions of how fast their subjects don't go and how surely they don't stop, magazines such as ours are filled with descriptions of how neutrally our subjects don't play tones, and how precisely they don't place images in space.

Art Dudley Posted: Oct 18, 2010 0 comments
If you've followed their story here and elsewhere, you probably know that Tokyo's Shindo Laboratory (footnote 1) has a reputation for defying the two most monolithic of all high-end audio commandments.
Art Dudley Posted: Sep 23, 2010 0 comments
One more word for unhappy consumers, in any marketplace, who confuse praise for the new with rebuke for the old: 20 years on, I continue to admire the best qualities of my Linn Sondek LP12 turntable (itself not the first LP12 I've owned). I smile to think of all the records I enjoyed during those two decades.
Art Dudley Posted: Sep 13, 2010 0 comments
One of my favorite parental duties is dispensing advice that's calculated to make me sound wiser than I am. Among those pearls: Every so often you should change your point of view—your philosophies—just to see if your opinions can stand the strain. In doing so, you may discover a few things that are better than you expected them to be!

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading