Some of the nicest analog playback I heard at the show came courtesy of GTT Audio, in whose suite the reliably well-dressed Philip O'Hanlon spun vinyl on a Brinkmann Balance turntable ($24,000, closest to camera) with Brinkmann 12.1 tonearm ($7500) and an Air Tight PC1 Supreme cartridge ($15,000). Of special delight were selections from Ray LaMontagne's God Willin' & the Creek Don't Rise and advance pressings from the forthcoming LP reissue series, by Analogue Productions, of the Doors catalog. The rest of the system featured YG's Anat III Professional Signature speakers ($119,000/pair) driven by Soulution 501 monoblocks ($55,000/pair), a Soulution 750 phono stage ($25,000), Soulution 720 preamp ($45,000), all wired with Kubala-Sosna Elation cables.
Renowned journalist (and owner of originally Wilson speakers and now Audio Note speakers) Carl Bernstein (left) and reviewer/set-up specialist Michael Trei, seen browsing the 18th floor during the show's first evening.
In the Audio Note UK room, managing director Peter Qvortrup demonstrated the company’s new Jinro Shochu power amplifier ($32,250). This is essentially a Jinro integrated amp (see Stereophile’s April 2011 issue) without the volume control and with a single pair of true balanced inputs. During my visit the combination of Jinro Shochu and Audio Note AN-E Lexus Signature loudspeakers ($19,000/pair) sounded natural, engaging, and just plain musical on selections by those two great exponents of British music, Vaughan Williams and Led Zeppelin.
German amplifier specialists AVM have been in business since 1986, but until now have served only the European market. The company's new owner, Udo Besser, who was with Burmester for many years, has decided to broaden their target and is now exporting their high-end electronics line to the US. Of the products on display at the New York Audio and AV show, I was especially intrigued by the AVM C8: an all-in one package that combines a 150Wpc stereo integrated amp with a phono stage, FM tuner, USB and SPDIF D/A converter, and a (hermetically sealed!) CD drive. The styling is elegant and spare, and the projected price is $4200.
The Viola electronics on display included their four-chassis, dual-mono Solo preamplifier ($45,000) and Bravo II stereo amp ($59,000). The latter is supplied in two chassis, and provides 700Wpc channel into 4 ohms: the nominal impedance of the TAD CR1s. DAC was the highly regarded Bricasti M1.
The TAD CR1 (for Compact Reference) loudspeaker ($37,000/pair) was demonstrated with Viola amplification and a digital front end comprising the Weiss Man301 server ($9000) and Weiss Medea+ D-to-A converter ($19,000). The CR1, which has been on the market for a little over three years, has a rated sensitivity of 86dB and uses the same type of CST coincident driver as featured in the company's flagship Reference One loudspeaker. The TAD had satisfying bass extension for such a relatively small enclosure, but the system was being played way too loud for my comfort, so I can't offer a more nuanced appraisal. JA, however, was very impressed when he reviewed the CR1 last January.
Furniture designer Robert Lighton used the New York Audio and AV show to debut his first audio product, the RL10 loudspeaker ($20,000/pair), offering a solid wood enclosure (even the rear-firing reflex port is turned from solid wood), 1” fabric-dome tweeter, 10” paper-cone woofer, and a sensitivity rating of 95dB. Selections from Lighton’s impressive collection of jazz LPsone Roland Kirk number in particularsounded tactile and convincing through his speakers and an 8Wpc Audio Note Meishu Silver Signature integrated amp with phono section ($18,850), Audio Note AN S8 phono transformer ($10,800), and Audio Note TT3.5 Reference three-motor turntable ($39,600), the latter using a Sogon-wired Audio Note tonearm ($13,156) and Yamamoto Y-03s cartridge ($1200).
Well Rounded Sound, a US company that specializes in high quality desktop loudspeakers, exhibited a number of eye-catching models, including their new Corgi ($799/pair), which is scheduled to begin production in July.
Robert Stein of Ultra Systems (and of the innovative retail outlet The Cable Company) introduced an accessory called the WA Quantum Chip. Available in different sizes, ranging in price from $7.50 to $65 each, the German-made WA Chip is a removable sticker that contains an impregnated film, which is reportedly subjected to a special treatment. Sized for everything from fuses to cell phones to speakers, WA Chips are claimed to increase component efficiency and current flow, for audibly enhanced performance.