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Art Dudley Posted: Apr 18, 2012 0 comments
Andy Singer, the retailer whose name and likeness have come to epitomize the high-end audio scene in New York City, brought two complete systems to the New York Audio Show, the more ambitious of which was built around the Verity Amadis loudspeaker ($30,000/pair). This three-way design uses a separate enclosure for its reflex-loaded woofer, which is then separated from the midrange/high frequency enclosure by means of a specially damped aluminum platform. Fed by a Playback Designs MPS-5 D/A converter with CD/SACD drive ($17,000) and driven by the VAC Statement Mk.IIA preamp ($19,000 including phono section) and VAC Statement 450S stereo amp ($39,000), and with Nordost cabling throughout, the Verity Amadis sounded open, clear, and nicely textured.
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Art Dudley Posted: Apr 18, 2012 3 comments
High Water Sound, the New York City-based retailer and distributor, created one of my favorite demonstrations at the show, as much for proprietor Jeffrey Catalano's choice of music—Gabor Szabo's instrumental version of Donovan's "Three King Fishers" was playing when I came in—as for the exotic and unassailably musical system on display: TW Acustic Raven Black Night turntable ($40,000) and 10.5 tonearm ($5500), Tron Seven GT line-level preamp and phono preamp ($18,000 each), Tron Telstar 211 SET amplifier ($40,000), and the striking Affascinate loudspeaker ($62,000) from Cessaro Horn Acoustics, the latter using an 11" woofer in a back-loaded horn, a proprietary compression driver for the spherical midrange horn, and a modified horn-loaded TAD beryllium tweeter. The sound was tactile, impactful, and thoroughly involving on every recording I heard.
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Art Dudley Posted: Apr 14, 2012 Published: Apr 17, 2012 1 comments
Bill Leebens, who serves as Vice President of the Chester Group—the organization that produced the New York Audio and AV Show—did a hell of a job getting this thing off the ground, alongside the Chester Group’s Roy Bird, Justin Bird, and Scott Humphrey, not to mention the enduringly beloved publicist Lucette Nicoll and T.H.E. Show's Richard Beers. Leebens, seen here in one of the Waldorf's intimate little rooms, is an audio industry stalwart whom I’ve known for years yet never actually met!
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Art Dudley Posted: Apr 17, 2012 0 comments
Sony Electronics launched their new SS-AR2 loudspeaker ($20,000/pair), seen here with the X600.5 mono amplifiers from Pass Labs. The SS-AR2 is a three-way, four-driver floorstander that’s crafted from select Japanese maple laminate (the front baffle) and Finnish birch plywood (the remainder of the cabinet). Twin aluminum-cone woofers are said to extend bass response down to 42Hz.
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Art Dudley Posted: Apr 16, 2012 2 comments
At the Audio Arts suite I was enchanted by the sound of my favorite 1960s-era folk trio (although I confess that that wasn't the Corries, whose debut album is seen here in the hands of Audio Arts proprietor Gideon Schwartz). "Tiny Sparrow" and other selections from the cannily titled Peter, Paul & Mary album Moving sounded colorful and clear on a system comprising the Holborne Analog 2 turntable ($5275), Holborne Analog 2 tonearm ($3475), Holborne MC1 cartridge ($1975), David Berning ZOTL preamp with phono stage ($12,300), David Berning ZH230 mono amplifiers ($18,400/pair), and the very interesting Zellaton Concert loudspeakers ($59,750/pair), the drive-units of which—even the tweeter—are all descended from the Pawel laminated metal-foil cone woofer.
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Art Dudley Posted: Apr 16, 2012 0 comments
New Jersey retailer Audio Doctor demonstrated the Merrill-Williams R.E.A.L. turntable ($7200 with clamping ring), fitted with the latest version of the long-lived Triplanar tonearm ($5800).
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Art Dudley Posted: Apr 16, 2012 0 comments
Some of the nicest analog playback I heard at the show came courtesy of GTT Audio, in whose suite the reliably well-dressed Philip O'Hanlon spun vinyl on a Brinkmann Balance turntable ($24,000, closest to camera) with Brinkmann 12.1 tonearm ($7500) and an Air Tight PC1 Supreme cartridge ($15,000). Of special delight were selections from Ray LaMontagne's God Willin' & the Creek Don't Rise and advance pressings from the forthcoming LP reissue series, by Analogue Productions, of the Doors catalog. The rest of the system featured YG's Anat III Professional Signature speakers ($119,000/pair) driven by Soulution 501 monoblocks ($55,000/pair), a Soulution 750 phono stage ($25,000), Soulution 720 preamp ($45,000), all wired with Kubala-Sosna Elation cables.
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Art Dudley Posted: Apr 16, 2012 0 comments
Renowned journalist (and owner of originally Wilson speakers and now Audio Note speakers) Carl Bernstein (left) and reviewer/set-up specialist Michael Trei, seen browsing the 18th floor during the show's first evening.
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Art Dudley Posted: Apr 16, 2012 2 comments
In the Audio Note UK room, managing director Peter Qvortrup demonstrated the company’s new Jinro Shochu power amplifier ($32,250). This is essentially a Jinro integrated amp (see Stereophile’s April 2011 issue) without the volume control and with a single pair of true balanced inputs. During my visit the combination of Jinro Shochu and Audio Note AN-E Lexus Signature loudspeakers ($19,000/pair) sounded natural, engaging, and just plain musical on selections by those two great exponents of British music, Vaughan Williams and Led Zeppelin.
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Art Dudley Posted: Apr 16, 2012 0 comments
German amplifier specialists AVM have been in business since 1986, but until now have served only the European market. The company's new owner, Udo Besser, who was with Burmester for many years, has decided to broaden their target and is now exporting their high-end electronics line to the US. Of the products on display at the New York Audio and AV show, I was especially intrigued by the AVM C8: an all-in one package that combines a 150Wpc stereo integrated amp with a phono stage, FM tuner, USB and SPDIF D/A converter, and a (hermetically sealed!) CD drive. The styling is elegant and spare, and the projected price is $4200.

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