Every hi-fi show seems to harbor a few restful rooms where the music is well selected and the playback quality is serenely good; at SSI, the exhibit space shared by Scandinavian manufacturers Hegel and Amphion served that purpose for me. (The white fabric walls probably added to the sense of calm.) The Amphion Argon7 L loudspeakers ($6k$7k/pair, depending on finish) sounded clear, smooth, and altogether lovely with Hegel amplification and digital source components.
I was delighted by the sound being made by Montreal dealer Audiophoniepartly, I admit, because they were demonstrating an all-new version of the venerable Spendor SP100, now in R2 form ($11,900/pair), an earlier version of which I owned and loved for years. Its tone, touch, spatial presentation, and vibe were all just about perfect. I will begyes, begfor the opportunity to write about the Spendor in the months to come.
Retailer Coup de Foudre and Canadian distributor Tri-Cell built one of their exhibits around a pair of Joseph Audio Pulsar loudspeakers ($7000/pair, to be reviewed in the June Stereophile by Mikey Fremer), driven by the 70Wpc Brinkmann Audio Vollverstarker integrated amplifier (also $7000), with a MacBook Pro and a Wavelength Audio Brick D/A converter ($2200) as the digital source. As always, Jeff Joseph's room setup was difficult to fault, and the system was smooth, colorful, and dynamic: Listening to the Gypsy swing music of the Howard Fishman quartet, I was happier than I'd been all day.
Rethm, most of whose distinctive loudspeaker designs have been designed and built around full-range Lowther drivers, has now switched to a driver design of their ownwhich, like Rethm's loudspeakers themselves, are manufactured in India. The Rethm Maarga ($8750/pair) supplements a 6" version of that new driver with an isobaric pair of powered, 6.5" paper-cone woofers.
Designer, manufacturer, and vintage audio maven Michael Tang brought so many cool things to SSI, I scarcely knew where to begin. The most compelling of all may have been his new Michael Tang Audio APS tonearm ($900), seen here with a vintage Thorens TD 124 turntable and Decca pickup head from his collection, along with his own custom-manufactured hardwood tonearm board. (Yes, I bought one of the latter while I was there.) The reach of the MTA arm may be limited, however: Its distinctive pickup connector is compatible only with obsolete Decca heads. Still...!
The curiously named Line Magnetic company of China has begun making a series of relatively affordable tube electronics, all hand-wired, and all with styling details that recall classic products from the first half of the 20th Century. LM's model 211IA integrated amplifier ($1650) was used to drive the new Gibbon 88s from DeVore Fidelity. Each channel of the amp produces 32Wpc from a pair of EL34s running in Ultralinear modethe 211IA can also be switched to triode operationwith all-tube preamp and driver stages and a silicon-rectified power supply.
California-based Constellation Audio, represented by the well-known engineer Peter Madnick, supplied the amplification for the Magico Q3 loudspeakers. On audition were their Virgo preamplifier ($19,000) and Centaur amplifier ($24,000), set up with elegant looking (and apparently effective) loudspeaker cables and interconnects from Argento Audio of Denmark. Source components were the C1 D/A converter and D1 disc transport from CH Precision of Switzerland.
In years past, the Montreal record shop Aux 33 Tours operated a generously sized retail booth at SSI, and I invariably helped them to lighten their vinyl load. I was disappointed that they weren't selling records at this year's showuntil I noticed their display in the Hilton's hallway: All day Friday and Saturday, they offered a free shuttle service for people who wished to visit their store. (Sadly, the time was too short for me to take that ride.)
Canada's D2MK Solutions exhibited the interesting new Waterfall Victoria ($6000/pair), a two-way dynamic loudspeaker from France that features an all-glass enclosure. Supporting electronics included the Cary Audio SA2002 solid-state amplifier ($3995), Cary SLP05 preamp (5$8500), and Cary Xciter D/A converter ($1500), the latter playing music files from a laptop computer.
One of the many rooms sponsored by Montreal retailer Coup de Foudre was dedicated to the new DeVore Fidelity Gibbon 88 loudspeaker ($5000/pair), which replaces the Super 8 in DeVore's line. The 88 uses an entirely new woofer, which designer John DeVore says was influenced by the recent work he did on the DeVore Orangutan model; technical distinctions include a paper (instead of plastic) cone and a larger motor overall than its predecessor, with double the voice-coil travel. Consequently, sensitivity is up in the Gibbon 88, to approximately 91dB.