AudioQuest also announced their entry into the world of Ethernet cables, with a line that includes nine distinct models; seen here is the Audioquest Cinnamon Ethernet cable, priced at $69 for a 1.5-meter length. "USB won't go away," said the company's Steve Silberman, "But Ethernet will continue to grow.
The family-owned electronics chain Son X Plus sponsored a number of exhibits at SSI, including this active display of Skech wireless headphones, in a rainbow of colors. I gave them a brief trynot the pink onesand was mildly impressed at the progress being made in Bluetooth audio.
It only looks as though Steve Silberman of Audioquest is trying to ignore a corpse behind the loudspeakers; in actual fact he's explaining the finer points of JRiver playback softwarea topic in which he is remarkably conversantwhile a colleague works on their system's cabling.
Here's a closer look at one of Plurison's customized Regas. The face motif, according to Michel Plante, plays on the idea that an LP has two "faces" (French for "sides"), and the notion that music itself has many faces. Exact prices were not immediately available, but the plan is to sell each of the silk-screened Regas for 15% above the normal price; all of that premium will go directly to the artists who created the designs.
In addition to AudioQuest cabling, the demo system put together by Montreal retailer Audioville comprised a pair of KEF Blade loudspeakers ($30,000), stirred into action by Chord electronics: the SPM5000 amplifier ($25,000), CPA3000 preamplifier ($10,000), and DSX1000 DAC/streamer ($13,000). The sound, as noted in Steve Silberman's demonstration, was explicit without being relentless about it: Music flowed naturally, and with decent color and very good impact, especially at the louder end of the spectrum.
Here’s the trick to show reporting: accomplish as much as possible ahead-of-time. Thus my decision, while riding the Amtrak train from Albany, NY to Montreal for this year’s Salon Son et Image, to write about the journey itself, and to illustrate my post with a photo of something I’d seen along the way.
I’ve reported from Salon Son et Image almost every year since joining Stereophile in 2003, and as much as I enjoy the show itself, my favorite part remains the evening before the opening day. That’s when, in accordance with an informal tradition, members of the industry and the press gather together at the Hilton Bonaventure’s hotel barwhich also happens to serve the best food of any hotel bar in my experienceto shake the dust of the town from our boots, as it were. Pictured here, from left to right, are Peter McGrath (Wilson Audio), Mike Manousselis (Dynaudio), Lionel Goodfield (Simaudio), Keith Pray (publisher, Stereophile), Philip O’Hanlon (On a Higher Note), and Costa Koulisakis (Simaudio).
In the wake of my October 2013 "Listening" column and its negative take on the Pete Riggle Woody tonearm, I was surprised and gratified by the offer of another new arm: a gesture of trust not unlike sending one's children to a sleepover at Casey Anthony's house. The supplier was Phillip Holmes, of Texas-based Mockingbird Distribution, and the new tonearm was the Abis SA-1, the design and manufacture of which was commissioned by the Japanese firm Sibatech, itself a distributor of dozens of high-end audio brands, including Zyx, Mactone, Zerodust, and, perhaps most famously, Kondo.
I know someone who bought, for his own kitchen, a stove intended for the restaurant trade, simply because it enhances his enjoyment of cooking. Another friend, a motoring enthusiast, has equipped his garage with a brace of tools, including a hydraulic lift, that would be the envy of some humbler repair shops. Yet another friend indulges her enthusiasm for ceramics with a potter's wheel and kiln that one might find in a well-endowed art school. Among the most serious consumers, it seems, the watchword is professional; odd, then, that professional-quality monitors don't account for an even bigger chunk of the domestic loudspeaker market.
Ken Shindo, the Japanese audio designer whose electronics, loudspeakers, and accessories have influenced the parallel worlds of tube audio and analog audio, and who is shown above (right) with loudspeaker designer John DeVore, died late last month after a brief illness. He was 74.