Art Dudley

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Art Dudley Posted: Mar 22, 2013 5 comments
The same qualities I strive for in my system at home—a sense of touch and drive, rich sonic textures and colors, musical momentum and flow—seem often to be abundant in the systems put together by the New York-based distributor and retailer High Water Sound. Given that, and the fact that HWS proprietor Jeff Catalano has superb taste in music, I was sad when the time came to leave this room and move on.
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Art Dudley Posted: Mar 22, 2013 0 comments
Granted, I know little to nothing about the home theater market, but I thought this was kind of cool: a paint called Screen Goo, available through all Sherwin-Williams dealers, that can be used to transform any flat, paintable surface into a projection screen. This two-stage treatment—a reflective undercoat, topped with a semi-translucent diffusive top coat—is 100% acrylic, with a very low VOC content. Screen Goo is available with different degrees of pigmentation; the photo above compares unity-gain white, on the far right, with two other shades. This company’s biggest market? According to Kevin Nute of Goo Systems, it’s theme-park installations (eg, the Haunted Mansion at Disney World).
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Art Dudley Posted: Mar 21, 2013 6 comments
Meredith Gabor shows off a Qv2 “harmonizer,” manufactured in Massachusetts by QRT and distributed by Nordost. The Qv2, which contains both passive and active components, is meant to be plugged into an available AC socket in the user’s listening room, as (electrically) close as possible to the system itself, and is claimed to effectively “clean up” the soundstage and improve detail and resolution. Qv2s, the effects of which are said to be cumulative, sell for $350 each.
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Art Dudley Posted: Mar 21, 2013 1 comments
The wigs, that is: The reliably beautiful women of Montreal’s annual Salon Son et Image have, for 2013, traded their signature blue wigs for blue slacks and a trace of blue hair dye. This morning they showed off their fetching new look while looking for and fetching my press badge, just two hours before the start of the show’s trade day. Salon Son et Image, at the Montreal Hilton Bonaventure, opens to the public on Friday, March 22, and runs through Sunday.
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Art Dudley Posted: Mar 21, 2013 1 comments
When Bernard Brien started his company BIS a number of years ago, the refurbishing of vintage electronics comprised the bulk of his business—but over time, he says, he was struck by the sonic weaknesses of older wiring, and the potential for improvement by swapping it for new. A peripheral involvement in aeronautics led Brien to discover the suitability of that industry’s cabling for audio purposes: “It has low mass, low resistance, high bandwidth, and, especially, low mass,” he says, “and it isn’t very expensive.” Brien also touted the simplicity of his products with a phrase, the alliteration of which is lost in translation: “C’est un fil, pas un filtre.” Bien sur!
Art Dudley Posted: Mar 07, 2013 9 comments
Let's say you're lucky enough, or just plain old enough, to have bought a copy of Truman Capote's In Cold Blood on January 12, 1966. Let's say you're lucky enough or just plain smart enough to have held on to it and kept it in perfect shape for the past 47 years. And let's say it was one of the first 500 copies, which the author signed. If so, congratulations: For once in your life, even the smuggest collector can't claim that his copy of a book is "better" or more valuable than yours.
Art Dudley Posted: Feb 28, 2013 Published: Mar 01, 2013 6 comments
Whether one was surprised, in 2010, by the success of Peachtree Audio's iDecco may have more to do with age than anything else. My peers and I wondered, at first, who would want their high-end integrated amps to come bundled not only with digital-to-analog converters but with iPod docks, of all things; at the same time, younger hobbyists wondered who in the world still wanted their integrated amps to contain phono preamplifiers. (Respect for the elderly, myself especially, prevents me from adding "and mono switches.") Color me chastened.
Art Dudley Posted: Feb 06, 2013 1 comments
In a perfect world, all a serious record lover would need to enjoy music at home would be a single source component, one or two loudspeakers, and one good integrated amplifier. Speaker wire would be given by the dealer, free of charge, to any shopper who spent x number of dollars on new gear. Cable risers would come in cereal boxes.
Art Dudley Posted: Feb 06, 2013 2 comments
Sad though they may be, Flat Earthers endure in getting two things right: In any music-playback system, the source is of primary importance; and in a music system in which LPs are the preferred medium, the pickup arm is of less importance than the motor unit—but of greater importance than just about everything else.
Art Dudley Posted: Jan 04, 2013 4 comments
In late 1996, as Listener magazine entered its third year of existence, the Spendor SP100 became my reference loudspeaker, and would remain so for a considerable time. My decision to try the SP100 was influenced by John Atkinson's review of its antecedent, the nearly identical Spendor S100, in the December 1991 issue of Stereophile. But my purchase decision came down to two things: The SP100 did virtually everything one could ask a modern loudspeaker to do, requiring in the process far less amplifier power than usual. Just as important at the time, it sold for only $3300/pair—which explains how I could afford them on the spotty salary of a teacher turned fledgling publisher.

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