Paul Bolin

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Paul Bolin Posted: Aug 15, 2004 Published: Aug 01, 2004 0 comments
It's true—you never forget your first love. And no, I'm not talking about little Jackie Lynn Neeck in my second-grade class when I was seven years old. I still remember her, almost as vividly as I remember my first encounter with a fantastic stereo system, and therein hangs a tale.
Paul Bolin Posted: Aug 22, 2004 Published: Aug 01, 2004 0 comments
Power-line conditioning and exotic power cords, once considered the lunatic fringe of tweaking, have become normal parts of audiophile life. Over the last several years Shunyata Research, founded by former NSA research scientist Caelin Gabriel, has established itself as a leading innovator in the area. The company's latest efforts include the Hydra Model 8 power-distribution center ($1995), for use with whole systems or front ends; the two-outlet "mini" Hydra Model 2 ($395), intended for use with power amplifiers; and the Anaconda Alpha and Anaconda vX power cords ($1995), the new top models in the PowerSnakes line.
Paul Bolin Posted: Jul 18, 2004 Published: Jul 01, 2004 0 comments
Consider the plight of solid-state muscle amps. Often derided as brutes lacking sophistication or subtlety, particularly by the SET set (ie, fans of single-ended triodes), these powerhouses are taken for granted and often, like Rodney Dangerfield, they get no respect. And once upon a time, the stereotypes were true. Every veteran audiophile has at some time heard an immensely powerful transistor amp that had the soft sonic allure of a sheet of sandpaper, a lumbering oaf of a component with nothing whatsoever to recommend it save for a bulging set of mighty moose muscles.
Paul Bolin Posted: Jun 13, 2004 Published: Jun 01, 2004 0 comments
Symphony orchestras once had definable national characters. When high-end audio came along, those characters became the national sounds of the gear. While most audio manufacturers, like most symphony orchestras, have tended in recent decades to homogenize into an "international" sound, most French audio gear has remained distinct.
Paul Bolin Posted: Apr 23, 2004 Published: Apr 01, 2004 0 comments
My last visit to Planet Halcro transformed my audio life. All but the newest readers will recall that the Australian dm58 power amplifier was Stereophile's Amplification Component of the Year and overall Component of the Year for 2002. To this day, I have yet to hear any amplifier that equals the dm58's combination of complete neutrality, harmonic generosity, lightning reflexes, and a sense of boundless power that is difficult to describe. Though some others have come close, the dm58 shines as a singular beacon of excellence among power amplifiers.
Paul Bolin Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
For better or for worse, appearances can make a profound first impression. Think of the bold, muscular curves of an Audi TT coupe, the planes and facets of a Lamborghini Murcielago, the sleek lines of a Gulfstream jet. In these vehicles, function and art are combined with smooth facility and perfect aesthetic balance.
Paul Bolin Posted: Jan 18, 2004 Published: Jan 01, 2004 0 comments
I was introduced to Legacy Audio at the CEDIA Expo in September 2002, and I'll long remember it. A pair of Legacy's huge new Helix loudspeakers anchored the company's silent display, and I was irresistibly drawn to them. Sales manager Bob Howard introduced himself, and, after a few minutes of chatting, introduced me to Bill Dudleston, Legacy's founder and chief designer. Within two minutes, Dudleston had told me "I don't design speakers for hi-fi people. I design speakers for people who love music."
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Paul Bolin Posted: Dec 07, 2003 Published: Nov 01, 2003 0 comments
Rudyard Kipling said that "never the twain shall meet." He was speaking of East and West, but in the world of audio, his adage has most often been applied to what has been the traditional chasm between the sounds of tubes and solid-state. Tube advocates thump the tub for the timbral and spatial glow, the absence of harsh, odd-order harmonic distortions, the harmonic completeness and holistic spatiality that only fire bottles can provide. Solid-state advocates point out the superiority of their preferred gear in terms of bass depth, power and control, low noise, and ultimate detail resolution. That chasm between the characteristic sounds of tube and transistor has narrowed appreciably in the latest generations of gear, as each type of circuit has become capable of embodying some of the other's trademark characteristics. But between the camps, friendly competition continues.
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Paul Bolin Posted: Oct 12, 2003 0 comments
What comes to mind when you think of VTL? If you're like most of us, enormously powerful tube power amplifiers are inseparable from the name. To contemplate VTL is to think of some of the finest-sounding, most potent amps ever built—from the late-1980s, 400Wpc Ichiban, the first massively powerful tube monoblock of the audiophile era, to the mighty Wotan and Siegfried amplifiers of today. All well and good, as far as it goes.
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Paul Bolin Posted: Sep 21, 2003 0 comments
Trickle-down technology is a grand thing. It's comparatively easy to build an exceptional audio component when there are no constraints on technology, cost, user-friendliness, or lack thereof, but top designers are now packing more and more of the excellence of damn-the-torpedoes components into more affordable and accessible packages. Which brings us to the Aesthetix Rhea, a tubed phono preamplifier of exceptionally distinguished lineage.

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