"An amusement park for the mind." That was how, some years ago, one engineer described the Audio Engineering Society's biannual conventions, which alternate between European and American venues. The 111th convention, subtitled "Advancing the Art of Sound," was held at the cavernous Jacob Javits Center on Manhattan's west side in early December. (It had originally been scheduled to take place last September, but was postponed for the obvious reason.)
Trees. All I could see from Route 44 was trees. Many, many trees. How many trees? Exactly 251.1 million maples, hickories, pines, hemlocks, ashes, and oaks of all colors, with trunks 5" or greater in diameter, according to an online survey I later found on the Web. Once you get away from I-95 and the coast, Connecticut seems to be one large forest, its towns peeking out from barely adequate clearings. And not just "seems"—the same online survey says that 57% of the Constitution State's 3,205,760 acres are officially classified as "forest."
Loudspeaker lore has it that a "good big'un will always beat a good small'un." But my experience has been that the traditional wisdom is often wrong. Price for price, large speakers often have larger errors compared with minimonitors, the smaller speakers offering more rigid cabinets, better-defined stereo imaging, and, because the owner can experiment with stand height, a better chance of being optimally sited in a room. So while I was as impressed as Stereophile reviewer Kalman Rubinson with what I heard from the floorstanding, $3500/pair Revel Performa F30 (footnote 1) when we visited the Revel facility in California's San Fernando Valley in spring 2000 (footnote 2), it was the big speaker's smaller sibling, the $2000/pair Performa M20, that caught my eye—and ear.
My friend Ed (not necessarily his name) used to be an audiophile. Ed had a great-sounding pair of floorstanding Joseph speakers, optimally placed so as to create a magic soundstage when he sat in the sweet spot. His component rack featured such famous high-end names as Mark Levinson, Meridian, and Z-Systems. But then Ed went DSL and discovered MP3s. Pretty soon, he was hanging as many hard drives on his PC as he could manage. His Josephs and his Levinson CD player gathered dust. Ed was enjoying his music sitting in front of his high-end Dell, with an active NHT Pro mini on either side of the monitor.
It was an unusually fine day for a New York September. The W train crept from the subway tunnel into the sunlight of the Manhattan Bridge—"My God, the World Trade Center's on fire!" came the voice of the woman driving the train. I vividly remember what I did the rest of that day—the day the world terribly changed.
Nestled south of the North Downs in England's southeast, the Kentish dormitory town of Sevenoaks is about as sleepy a place as you can imagine. Yet 20 years ago, in the unlikely circumstances of the back room of a Sevenoaks pub, I witnessed the world of consumer loudspeakers changing. Meridian's Steve Hopkins was showing a pair of the company's active M2 loudspeakers connected directly to a 101 preamplifier.
Sad news this week: We heard from Ken Kessler of the passing of legendary UK engineer Stanley Kelly, who died in his sleep on November 13, after suffering a stroke the previous week. Stan would have been 89 next month. While he was, of course, the "Kelly" of the classic Kelly Ribbon Tweeter, he was also one of the founders of Hi-Fi News and was the only person to have been listed on the English magazine's masthead since Vol.1 No.1, the June 1956 issue. In recent years, Stan had developed a series of high-sensitivity speakers for UK manufacturer Musical Fidelity.
It is with great sadness that I report that Howard Mandel, the main man of manufacturer Altis Audio, passed away on September 27 after a long battle with, I believe, leukemia. No age was given in his obituary in the Danbury News Times (CT), but I believe Howard was in his early 50s.