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John Atkinson Posted: Jan 04, 2006 Published: Jan 05, 2006 0 comments
The CES's "Innovations" exhibit at the Sands Convention Center is intended to honor the most technologically advanced and ground-breaking consumer electronic products at the Show. Most of the display cases were still waiting to be populated on set-up day (though we spotted B&W's cute cylindrical subwoofer as well as Krell's Dean Roumanis wheeling in some big boxes). But some of the choices for an award raised our eyebrows, as with this robot intended to train boxers in the comfort of their own homes. Stereophile's Stephen Mejias strikes a suitably pugilistic pose.
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John Atkinson Posted: Jan 03, 2006 0 comments
As more than 100,000 visitors fly in to Las Vegas for the 2006 Consumer Electronics Show, I thought I'd post this shot of an empty Alexis Park Hotel, home of the high-end audio exhibits, on the last day of the 2005 Show. Tomorrow, this joint will be jumping!
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John Atkinson Posted: Jan 01, 2006 0 comments
In his January "Sam's Space" column, while writing about the system he used with Sutherland's Director line stage (p.32), Sam Tellig wrote "For the most part, I used now-discontinued XLO interconnects and speaker cables. XLO itself has been discontinued, alas. I do miss its founder, Roger Skoff."
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John Atkinson Posted: Dec 25, 2005 0 comments
English digital audio company dCS has announced a major change in its management and ownership structure. David Steven, marketing manager for the last four years, has purchased the majority shareholding in the company. Derek Fuller, who was the business manager, has left the company, while Mike Story, dCS's founder, will continue as chief digital designer. A dCS press release says that the change should result in "products and programs that have a much more customer-centric focus."
John Atkinson Posted: Oct 23, 2005 Published: Nov 23, 2005 0 comments
"I can't make out the words."
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John Atkinson Posted: Nov 13, 2005 0 comments
Michael Fremer's review of the AudioPhysic Caldera III loudspeaker in this issue (p.81) reminded me of a subject I have written about many times in the past: what happens when a manufacturer submits a faulty sample for review. I formalized Stereophile's policy on this matter in late 1988, following both an unfortunate series of reviews in which the samples either arrived broken or broke during the auditioning, and my learning about how much went on behind closed doors at other audio magazines, where reviewers and editors too often appeared to collude with manufacturers.1 I wrote back then that:
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John Atkinson Posted: Nov 06, 2005 0 comments
The 2006 edition of the Stereophile Buyer's Guide is out now. Listing the specifications of more than 5000 audio components within its 212 large-format pages, the Buyer's Guide is exclusively concerned with products for music reproduction, as opposed to the bangs, bonks, and battle noises typical of movie soundtracks.
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John Atkinson Posted: Nov 19, 2013 Published: Oct 01, 2005 85 comments
When I became Stereophile's editor in 1986, the median age of the magazine's readership was the same age as I was then, 38; ie, half the readers were younger than 38, half older. According to our most recent reader survey, the median reader age is now 48, meaning that in the intervening 19 years, that median reader has aged at half the rate of the rest of us. A nice trick. But older that reader certainly has become, which has led to cries of doom from some quarters of the audio industry.
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John Atkinson Posted: Sep 18, 2005 0 comments
Back in the spring of 1986, I was visiting a hi-fi show in Lucerne, Switzerland. In the KEF/McIntosh/Perreaux room, I was engaged by a voluble American, who wanted to talk about the changes I was making with the English magazine Hi-Fi News. The conversation shifted to the hotel bar, then to a restaurant. The American was one Tony Federici, who at that time was distributing Perreaux gear in the US. With an education in the philosophy of science, Tony's comments were insightful and challenging. He was never at a loss for an opinion! After I moved to the US to take the editorial reins at Stereophile, Tony stayed in touch, and many were the conversations we had about audio magazines, the audio business, and music.
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John Atkinson Posted: Sep 04, 2005 0 comments
Among the terrible news coming out of the Gulf states these past few days, we heard the sad news that Gary Warzin, one of the co-founders, with Tony Gregory, of high-end distribution company Audiophile Systems, had died on Saturday August 27 at just 56. Audiophile Systems had grown to prominence in the 1970s and '80s marketing Linn components in the US, and after Linn had set up their own distribution, had worked hard to establish the Arcam and dCS brands in the US. We reproduce below the email we received from Audiophile Systems, telling us of the news, but I'd like to offer my own memory of someone whose abilities as a serious expert on marketing—he was a Disney Fellow—were matched by his penchant for practical jokes: