THE POLICE: Every Breath You Take: The Classics A&M Chronicles 069 493 607-2 (hybrid SACD/CD). 2003. The Police, Hugh Padgham, Laurie Latham, orig. prods.; Nigel Gray, Chris Gray, Hugh Padgham, Phil Nicolo, orig. engs.; David Tickle, Martin Pradler, 5.1 remixes (tracks 1-12); Bob Ludwig, 5.1 remixes (tracks 13-14) and SACD mastering; Bill Levenson, reissue supervision. A?D. TT: 59:43 Performance ***** Sonics ** to *****
The listing for the Rogue Audio M-120 monoblock power amplifier in the current issue's "Recommended Components" includes the comment, "Specified output power is 120W; JA measured just 100W into 8 ohms at clipping," which seems to suggest that Rogue Audio is overstating the amplifier's output power. This is not the case. The M-120 can be operated in both ultralinear pentode mode, in which it delivers the specified 120W, and in triode mode, in which it is specified at 60W. Our measurements were performed in triode mode; thus the 100W clipping power does, in fact, exceed the M-120's claimed output power of 60 watts in triode mode. Our apologies to Rogue Audio and to anyone confused by our lack of clarity.
Judging absolute sound quality under the unfamiliar circumstances of an audio show is always fraught with difficulty. If a system sounds bad, there are so many possible reasons for it to do so that pointing a finger of blame at the components is possibly unfair. Conversely, when a room sounds good at a show, it is probable that the components being used deserve some recognition. Such was the case at Home Entertainment 2002 in New York last May, when Dynaudio's Confidence C4 made its debut.
The very last review I wrote for Hi-Fi News & Record Review (these days just plain Hi-Fi News)—before crossing the Atlantic to take up the reins at Stereophile in May 1986—was of KEF's then-new flagship speaker, the Reference 107. That rave review appeared in the English magazine's July 1986 issue, and was followed by equally positive reports from Stereophile's writers.
"What? What??? No Smiths?" asks reader Steven J. Wilder in this issue's "Letters" (p.9), regarding my interjection in the "Honorable Mentions" sidebar of last November's "40 Essential Albums." Hey, I think The Smiths suck—okay, Mr. Wilder? Morrissey's self-absorbed adolescent whining had no place on a list that included music from such grownups as Morrison, Mitchell, and Mingus. I'm not alone in this sentiment. Jon Iverson, www.stereophile.com's webmaster, almost stapled together the pages of Mojo magazine's April 2001 retrospective of Morrissey's and Marr's music so he could skip over it without running the risk of the veins on his forehead exploding.
Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.
Surfing the Usenet newsgroups and the Web audio forums recently, it struck me that the old wisdom is correct: If you keep your mouth shut, you won't say anything with which anyone can disagree. A topic that seems to be of perennial interest is how Stereophile chooses the products it reviews. Yet the more I have explained how it's done, the greater the criticism that is heaped on the magazine.
"Suicide junctions," I calls 'em. The ones with which I'm most familiar are on I-278, just north of the Verrazano Narrows Bridge in Brooklyn, New York, and along North Mopac in Austin, Texas, but they must exist all over the US. Traffic about to enter the freeway must first cross the line of faster-traveling offcoming cars, the intersection's on- and off-ramps crossing in a shallow X.