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John Atkinson Posted: Aug 08, 2013 Published: Mar 01, 2005 9 comments
"Nothing is too wonderful to be true, if it be consistent with the laws of nature . . ."—Michael Faraday

"When a true genius appears in the world you may know him by this sign: that all the dunces are in confederacy against him."—Jonathan Swift

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John Atkinson Posted: Jan 07, 2005 0 comments
One of the themes of the 2005 CES, which we touched on in our first day's coverage, regarding Thiel's new version of its best-selling PowerPoint loudspeaker, is the increasing importance of the custom-install market to manufacturers best known for their two-channel products.
John Atkinson Posted: Feb 06, 2005 Published: Jan 06, 2005 0 comments
Like the Reference Studio/60, which was enthusiastically reviewed in the December 2004 issue by Kalman Rubinson, Paradigm's floorstanding Reference Studio/100 is now available in a v.3 version. The '100 is the flagship model in the Canadian manufacturer's Reference line. Its earlier incarnations, the original Studio/100 and the Studio/100 v.2, were reviewed by Tom Norton and Robert Deutsch in the August 1997 and June 2000 issues of Stereophile, respectively, and both writers were well impressed at how much sound quality could be wrought from this competitively priced speaker design. Bob Deutsch, in particular, referred to the v.2 as a "a serious high-end contender, and a formidable one for just about any speaker in its price range and even well above."
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John Atkinson Stephen Mejias Posted: Dec 12, 2004 0 comments
Stereophile's "Products of the Year," now in its 13th year, recognizes those rare components that prove capable of giving musical pleasure beyond the formal review period. These are the components that can be recommended with no ifs or buts, that will grace any system in which they are used.
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John Atkinson Posted: Nov 08, 2004 Published: Nov 01, 2004 0 comments
"Bugger!" A Pennsylvania state trooper had stepped out from behind the overpass on the Turnpike and was aiming his radar gun straight at me. I reflexively jammed on the anchors, which was a) pointless and b) downright dangerous, considering I was in the middle of a phalanx of cars and trucks all cruising 5-10mph over the speed limit. But what can you do?
John Atkinson Posted: Nov 08, 2004 Published: Nov 01, 2004 0 comments
The integration of computers into high-end audio is contentious. A reader poll last spring on our website indicated that a significant proportion of audiophiles—a quarter—is dead set against the idea, yet both Microsoft, with Windows Media Player 9, and Apple, with iTunes, seem convinced that the future of domestic music reproduction involves computers. To support that idea, both Apple- and Windows-based computers (the latter with Intel's about-to-be-launched HD Audio technology) are promoting hi-rez audio playback.
John Atkinson Posted: Oct 15, 2004 Published: Oct 01, 2004 0 comments
One of the highlights of recent Consumer Electronics and Home Entertainment shows has been the demonstrations of sound quality put on by Australian amplifier manufacturer Halcro with Wilson Audio loudspeakers. At my first exposure to one of these demos—described in my April 2002 "As We See It"—enormous dynamic range was coupled with a grain-free presentation and almost holographic stereo imaging to produce a breathtaking sweep of sound. Paul Bolin reviewed Halcro's dm58 monoblock in October 2002, and that amplifier was subsequently voted this magazine's "Amplification Component of 2002" by our reviewers.
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John Atkinson Posted: Oct 15, 2004 Published: Oct 01, 2004 0 comments
"Let's face it, we recommend way too many components."

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