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John Atkinson Posted: Nov 19, 2013 Published: Oct 01, 2005 84 comments
When I became Stereophile's editor in 1986, the median age of the magazine's readership was the same age as I was then, 38; ie, half the readers were younger than 38, half older. According to our most recent reader survey, the median reader age is now 48, meaning that in the intervening 19 years, that median reader has aged at half the rate of the rest of us. A nice trick. But older that reader certainly has become, which has led to cries of doom from some quarters of the audio industry.
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John Atkinson Posted: Sep 18, 2005 0 comments
Back in the spring of 1986, I was visiting a hi-fi show in Lucerne, Switzerland. In the KEF/McIntosh/Perreaux room, I was engaged by a voluble American, who wanted to talk about the changes I was making with the English magazine Hi-Fi News. The conversation shifted to the hotel bar, then to a restaurant. The American was one Tony Federici, who at that time was distributing Perreaux gear in the US. With an education in the philosophy of science, Tony's comments were insightful and challenging. He was never at a loss for an opinion! After I moved to the US to take the editorial reins at Stereophile, Tony stayed in touch, and many were the conversations we had about audio magazines, the audio business, and music.
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John Atkinson Posted: Sep 04, 2005 0 comments
Among the terrible news coming out of the Gulf states these past few days, we heard the sad news that Gary Warzin, one of the co-founders, with Tony Gregory, of high-end distribution company Audiophile Systems, had died on Saturday August 27 at just 56. Audiophile Systems had grown to prominence in the 1970s and '80s marketing Linn components in the US, and after Linn had set up their own distribution, had worked hard to establish the Arcam and dCS brands in the US. We reproduce below the email we received from Audiophile Systems, telling us of the news, but I'd like to offer my own memory of someone whose abilities as a serious expert on marketing—he was a Disney Fellow—were matched by his penchant for practical jokes:
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John Atkinson Posted: Jul 16, 2013 Published: Aug 01, 2005 2 comments
"It's not just it doesn't work as well, it doesn't sound as good!"

Veteran audio reviewer Martin Colloms and I were taking a preprandial walk across London's Hampstead Heath, following Cream's reunion concerts at the Royal Albert Hall last May. Martin was getting animated:

"And don't ask about the whiskers!"

Of course, I had to ask about the whiskers.

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John Atkinson Posted: Jul 17, 2005 0 comments
On mornings when I can get up early enough after a late-night listening session, I take the last express bus from my Brooklyn suburb to Stereophile's Manhattan office. An inveterate people watcher, I notice that while my fellow travelers and I don't form a traditional queue at the bus stop, preferring instead to mill around in something that resembles a jelly donut, we still enter the bus in the order in which we arrived at the stop. The balance between individualism and social necessity is thus preserved.
John Atkinson Posted: Jul 17, 2005 0 comments
Canadian company Paradigm has made a name for itself over the past 20 years with affordably priced, high-performance loudspeakers. Its Reference Series designs have garnered much praise from this magazine—I was well impressed by the floorstanding Series 3 Reference Studio/100 ($2300/pair) last January, my review following hard on the heels of Kalman Rubinson's enthusiastic recommendation of the smaller Studio/60 v.3 ($1600/pair) in December 2004, while the bookshelf Reference Studio/20 ($800/pair) has been a resident of Stereophile's "Recommended Components" listing ever since Bob Reina's original review in February 1998.
John Atkinson Posted: Feb 12, 2014 Published: Jul 01, 2005 8 comments
If there's one article in Stereophile that generated more reader response than any other, it was Peter Breuninger's review of the classic Fisher 500-C tubed receiver in June 2005. Peter reviewed another classic component from the 1960s, the Bozak B-410 Concert Grand loudspeaker; my involvement in the review, in the October 2005 issue, brought home to me with a vengeance how much the science of speaker design has evolved in the 40 years since this armoire-sized model was introduced.
John Atkinson Posted: Jun 05, 2005 0 comments
Not every interesting audio component gets a full review in Stereophile. Many more products are covered in Sam Tellig's, Art Dudley's, Michael Fremer's, Kal Rubinson's, and John Marks' regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.
Kalman Rubinson John Atkinson Posted: May 22, 2005 0 comments
This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with Quad ESL-63s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.
John Atkinson Posted: May 08, 2005 4 comments
Usually, a Stereophile "Follow-Up" follows up (duh!) a full review of the component in question. This review, however, is intended to flesh out a cryptic comment made by Wes Phillips in April's "As We See It": "When Apple introduced its AirPort Express wireless multimedia link," Wes wrote, "it even included a digital port so that an audiophile—such as Stereophile's editor—could network his system, using the AE to feed his Mark Levinson No.30.6 outboard D/A converter. 'Sounds okay,' deadpans JA."


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