On passive display in the room adjoining their demonstration room was a single Magico Ultimate v.3 horn speaker, shown here with Magico's Alon Wolf for scale. A five-way design costing a mind-boggling $600,000/system, the speaker’s higher-frequency horns feature a Tractrix flare, the lower-midrange horn a trapezoidal flare, all of which blend smoothly into the baffle. A 15" sealed-box woofer handles frequencies below 125Hz.
I can’t believe it was five years ago that I first heard the Wilson Sasha W/P speaker at a CES. Funnily enough, it was in the same suite at the Mirage so when I first entered this year I didn’t notice anything new. But then I realized that the speaker on the right in my photo was the same size as the Sashaokay, it’s ½” taller than the original Sasha, shown on the leftbut now resembles the larger Alexia that I reviewed in December, though the tweeter is now mounted in the same enclosure as the midrange unit. The Mk.2 Sasha costs $29,900/pair compared with the Mk.1's $27,900/pair.
Daft Punk's "Within" was playing when I entered Magico's suite at the Venetian. The sound produced by the pair of the new S3s ($22,600/pair) was large and dynamic, with rich low frequencies. A solo version of "God Bless the Child" followed, and Gregory Porter's baritone was uncolored, with a well-defined, palpable image hanging between the loudspeakers. Finally, the bass drum on Copland's Fanfare for the Common Man pressurized the large room with low frequencies, all this from a a pair of speakers, each with two 8" woofers in a sealed enclosure powered by 100Wpc of amplification, with source an Aurender server feeding data to a dCS Vivaldi DAC and a Vitus preamp.
Though English manufacturer Naim Audio has had some very affordable products in their line, like the original Nait integrated amplifier from the mid-1980s, their reputation for sound quality was established with relatively expensive models. But nothing in the company’s history prepared me for the Naim Statement six-piece preamplifier/twin monoblock system (center in photo) that made its debut at CES. To be available in July, the Statement, which comprises the NAC S1 line preamplifier and two NAP S1 power amplifiers, will be priced at $200,000 and is specified as delivering one horsepower (740W) into 8 ohms! Its weight matches its power: the preamp weighs 135 lbs and the power amplifiers each weigh 222 lbs.
I am sure that contributing to the superbly neutral, well-balanced, uncolored, full-range sound in this room was the acoustic treatment from Swedish company SMT, which provided a combination of absorbers and diffusors. And dig the treatment applied to the ceiling by SMT, with different-radius sphere segments. Other exhibitors could take lessons from Martin and its US distributor Dan Meinwald.
Having gotten used to John DeVore showing off his high-sensitivity Orangutan O/96 and O/93 speakers at recent shows, both of which have been very favorably received by Stereophile’s reviewers, driven by low-power Shindo and Line Magnetic amplification, I was somewhat surprised to see the new and more conventional Gibbon X towers driven by a high-powered VTL S-200 Signature amplifier in Triode mode via Auditorium cabling in his suite at the Venetian. The new Gibbon is projected to sell for $12,000/pair and features all-new drive-units: a ¾” tweeter asymmetrically mounted beneath a paper-cone midrange unit based on that first used in the DeVore Silverback, which features what John calls an adaptive surround, and two long-throw 7” woofers.
At almost 6’ high, weighing 507 lbs, and costing $480,000/pair, the Coltrane Supreme 2 from Swedish company Marten was one of the more extreme loudspeakers at the 2014 CES. But to my surprise, playing my own recording of the Jerome Harris Quartet playing Duke Ellington’s “The Mooche,” from the CD Rendezvous, it sounded delicately detailed, with a superbly stable rendering of the recording venue, Chad Kassem’s Blue Heaven Studio in Salina, KS.
The Enigmacoustics company from Irvine in California has become renowned for the self-energized, horn-loaded Sopranino electrostatic supertweeter they introduced a couple of years back. They were still promoting the tweeter at CES, demonstrating a pair with Magico speakers in one of their rooms. But I was more interested in their second room, where they were introducing a complete loudspeaker, the Mythology M1 standmount. Intended to sell for >$12,000/pair, the M1 adds the Sopranino supertweeter to a two-way design featuring a 35mm dome tweeter that crosses over at a low 1kHz to a proprietary 6” woofer in a rear-ported enclosure made from a laminated birchwood and glass, with an aluminum front baffle.
Second up from the bottom in YG’s speaker line has been the Kipod ($38,800/pair), named after YG founder Yoav Geva’s daughter Hailey, whose nickname was “Kipod” or “Hedgehog” in Hebrew. But as Hailey is growing up fast (as daughters do), it was time to name a new speaker after her; CES saw the premier of the YG Hailey. Priced at $42,800/pair, the three-way, floorstanding Hailey uses technology trickled down from the top-of-the line Sonja that I reviewed last July. YG’s “Billet-core” drivers, where the cones are machined from solid aluminum stock, are combined with a 1" dome tweeter in a machined aluminum enclosure that eschews the Sonja’s double-cabinet construction.