John Atkinson

Sort By: Post Date | Title | Publish Date
John Atkinson Posted: Jun 09, 2013 1 comments
“That sounds like the Crusaders,” I said as I sat down to listen to the Kharma DB9 Signature speakers ($36,000/pair) driven by Exquisite Signature monoblocks ($88,000/pair) and an Exquisite preamplifier ($40,000), hooked up with Transparent cables. It was, the Second Crusade LP from the Jazz Crusaders, played on a Spiral Groove SG1.1 turntable with a Zesto phono preamplifier sounding very good indeed.
John Atkinson Posted: Jun 09, 2013 0 comments
“I recognize those speakers,” I thought to myself as I entered Cary Audio’s room. They were ADAM Audio’s Column MK3 towers ($7500/pair), that Kalman Rubinson had very favorably reviewed in August 2012. New in the room was Cary’s promising DAC-100T tubed D/A processor ($2995), which uses an ESS Sabre 9023 DAC chip with a USB input using an XMOS USB chip running Gordon Rankin’s Streamlength asynchronous code. There are also two each coaxial and TosLink S/PDIF inputs and both balanced and single-ended analog outputs.
John Atkinson Posted: Jun 09, 2013 0 comments
That was the message on the poster in Magnepan’s room. Wendell Diller, celebrating his 40th anniversary with the Minnesota company, explained that Magneplanar speakers use 90% US-sourced parts and demmed the new, 48”-tall, two-way-plus-woofer Super MMG ($1199/pair with one bass panel, $1750 /pair with two) with an Ati amplifier and a Theta Casablanca preamplifier. The sound on a varied program was sweet, almost full-range. I couldn’t see the bass panels; Wendell pointed to the end tables on the outside edges of the speakers. To increase the Spouse Acceptance Factor, he had disguised the planar woofers.
John Atkinson Posted: Jun 09, 2013 4 comments
I was unfamiliar with the Vapor Audio Nimbus speakers Empirical Audio’s Steve Nugent was using, which combine a 15” woofer with an MTM array based on a Raal ribbon tweeter, and cost $7895/pair. But with the speakers driven by 40W single-ended, class-A mono amps from Arte-Forma ($7495/pair), each using an 845 output tube, vocals, whether it was Frank Sinatra singing “What’s New?”, Julie London “Cry Me a River,” or Diana Krall “Girl in the Other Room,” sounded effortlessly real, with an ease to the presentation. (Note the corner traps and ATS Diffusors used to tame the room’s acoustics in the photo.) and RPG Diffusors used to tame the room’s acoustics in the photo.)
John Atkinson Posted: Jun 07, 2013 0 comments
I missed the Saturday night concert from six-time Grammy nominee Nnenna Freelon, but I did catch her afternoon soundcheck, where she rocked several songs with a quartet led by Reference Recordings keyboardist Mike Garson. It was a joy to hear the interplay between Freelon and Garson, the singer in total command of the music.
John Atkinson Posted: Jun 07, 2013 2 comments
T.H.E. Show featured a full program of live music all weekend. As they have done at many recent shows, Cardas Audio sponsored concerts by electric bassist Dean Peer, accompanied by percussionist Bret Mann, poolside at the Atrium Hotel. Dean fed his bass through a variety of effects pedals to produce a wide variety of sounds, but the music came from his hands. In vain did I peer (ha!) at those hands to see how he was producing those chords of harmonics and the underlying rhythmic pulse while floating melodies on top. The man is a monster!
John Atkinson Posted: Jun 07, 2013 14 comments
Your room is the most important part of your overall sound quality,” said Anthony Grimani of MSR Acoustics, who gave two well-attended lectures at T.H.E.Show showing how room acoustics problems can be tamed. “Come learn how to use absorption, diffusion, bass filters and traps to enhance your room’s acoustics and get the best from your system.”
John Atkinson Posted: Jun 07, 2013 5 comments
I have to hand it to Stereophile’s Michael Fremer (right), who also edits AnalogPlanet.com. The man has large attachments! I find cartridge set-up intimidating and I don’t even attempt it until I am in the “zone.” But Mikey does it in public with a video camera amplifying his every motion. At one point in one of his two packed 90-minute seminars at T.H.E. Show, he even picked up the VPI turntable he was working, provided by David Weinhart (left), founder/owner of Ambrosia Audio & Video and owner of Los Angeles retailer Weinhart Design, Inc., to rotate it with the stylus still resting in the groove so the video camera could get a better view! As I said, large attachments.
Filed under
John Atkinson Posted: Apr 23, 2013 0 comments
As they had in 2012, Manhattan dealer Innovative Audio both participated in the Chester Group's NY Audio Show and held an open house at their 58th Street location after the show closed Friday and Saturday.
Filed under
John Atkinson Posted: Apr 23, 2013 7 comments

John Atkinson at the 2012 Rocky Mountain Audio Fest

Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading