John Atkinson

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John Atkinson Posted: Sep 06, 2013 0 comments
The door to a professional reviewer's listening room is one that revolves: As one product leaves, another enters. After a while, it becomes difficult to remember exactly when you auditioned any specific component. But some products stick in your memory—you fondly remember the time you spent with them, and wish they hadn't departed quite so quickly. With loudspeakers, I recall a few such: Revel's Ultima Salon2 ($22,000, footnote 1), MBL's 111B ($17,000), Dynaudio's Confidence C4 ($16,000), Sonus Faber's Amati Futura ($36,000), Vivid's B1 ($14,990), TAD's Compact Reference CR1 ($40,600 with stands), and even the much less expensive Harbeth P3ESR ($2195–$2395) and KEF LS50 ($1500). Among the most recently reviewed of those fondly remembered speakers is Sony's SS-AR2ES ($20,000).
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John Atkinson Posted: Sep 05, 2013 36 comments
It was like old times. A major consumer electronics company was presenting a press conference in a high-rent venue to introduce its new audio products. These events used to be commonplace; now they are rare. But on September 4, in Manhattan's Jazz at Lincoln Center, to an audience that included record company executives from Universal, Warner, and Sony Music, HDTracks' Norman and David Chesky, Chad Kassem and Marc Sheforgen from Acoustic Sounds, whose new DSD download store was last week's big news, musician Herbie Hancock, and veteran mastering engineer Mark Wilder, Phil Molyneux, President and Chief Operating Officer of Sony Electronics since September 2010, announced that the company saw high-resolution audio as the future of recorded music playback.
John Atkinson Posted: Aug 01, 2013 2 comments
Boston Acoustics made its name in the early 1980s with the A40, an inexpensive two-way bookshelf design that became one of that decade's best-selling speakers. Stephen Mejias was impressed by the A40's spiritual descendant, the Boston Acoustics A25 bookshelf speaker ($299.98/pair), when he reviewed it in November 2011, and I was similarly impressed when I had the speaker on the test bench for measurement. So when, in the fall of 2012, Boston's soon-to-be-departing PR representative Sara Trujillo let me know that the company was introducing a range of more expensive speakers, I asked to review the top-of-the-line, floorstanding M350.
John Atkinson Posted: Jul 25, 2013 Published: Aug 01, 2013 18 comments
Apple's iPod came of age in the fall of 2003, when, with the release of iTunes 4.5, the player was no longer restricted to lossy compressed MP3 or AAC files. Instead, it could play uncompressed or losslessly compressed files with true "CD quality"; users no longer had to compromise sound quality to benefit from the iPod's convenience.

Enter Astell&Kern. At the beginning of 2013, this brand from iRiver, a Korean portable media company, introduced its AK100, a portable player costing a dollar short of $700 and capable of handling 24-bit files with sample rates of up to 192kHz.

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John Atkinson Posted: Jun 24, 2013 Published: Jul 01, 2013 9 comments
In the wrap-up of his coverage of the 2013 Salon Son & Image show in Montreal, which took place at the end of March, Robert Deutsch asked if there were too many audio shows. The Chicago AXPONA show was held two weeks before SSI, the second New York Audio Show followed less than three weeks later. In May, there was the humongous High End 2013, in Munich, followed two weeks later by the third T.H.E. Show Newport Beach, followed by: the Capital AudioFest, in Washington, DC (July 26–28); the fourth California Audio Show, in the Bay Area (August 8–11); the tenth Rocky Mountain Audio Fest (October 11–13); and TAVES in Toronto (November 1–3).

While this is no more shows than took place in 2011 or 2012, many exhibitors, manufacturers and distributors alike, to whom I talked at the spring events felt that the high-end audio industry is suffering from an overload of audio shows.

John Atkinson Posted: Jun 25, 2013 Published: Jul 01, 2013 48 comments
The advertisements run by Colorado manufacturer YG Acoustics in 2008, when it launched its flagship loudspeaker model, the Anat Reference II Professional, unequivocally claimed it to be "The best loudspeaker on Earth. Period." They caused a stir. The YGA speaker cost $107,000/pair at the time of Wes Phillips's review in the March 2009 issue. Wes didn't disagree with the claim, concluding that, "Like my pappy used to say, it ain't braggin' if you can actually do it."
John Atkinson Posted: Jun 17, 2013 0 comments
For the past few years, one of Stereophile's go-to recommendations for affordable high-performance D/A processors has been the M1DAC from British company Musical Fidelity. The M1DAC was enthusiastically reviewed by Sam Tellig in March 2011, and I wrote about the most recent version in January 2013. "Purity of tone was exceptional," decided Mr. T., which I found to be accompanied by superb measured performance, all at a very reasonable price: $749.
John Atkinson Posted: Jun 10, 2013 2 comments
The second Audio Element room was one of my best-sounding systems at the show: Sonus Faber Elipsa speakers were being driven by Ayre’s new VX-5 power amplifier and KX-5 preamplifier, with source the latest version of the QB-9 USB DAC, which can handle DSD data. The sound was more open, less dark than in the other Audio Element room, with more space around the instruments. The new Ayre preamp and power amp have much in common with the new AX-5 integrated amplifier, which Art Dudley will be reviewing in the August 2013 issue of Stereophile.
John Atkinson Posted: Jun 10, 2013 0 comments
It was a treat to visit the Red Wine Audio room, which featured Harbeth Super HL5 monitors ($5690/pair) driven by Red Wine’s battery-powered Liliana Renaissance Edition monoblocks ($5995/pair) and Isabella Renaissance Edition 6H30 preamplifier ($3995), and hear Grammy-winning engineer David Reitzas mixing songs from Madonna and Barbra Streisand from his MacBook Pro running Pro Tools.
John Atkinson Posted: Jun 10, 2013 0 comments
The Taiwanese company Lawrence Audio was founded in 1996 but was new to me. Their speakers are impeccably finished and are all named after string instruments: the large Cello (right) features twin ribbon tweeters and two 8" woofers and costs $18,000/pair; the smaller Violin ($7500/pair) a single ribbon tweeter; and the smallest Mandolin (just out of shot on the left) costs $5500/pair. Demmed with the new 125Wpc Model 125 stereo amplifier from Jeff Rowland Design Group, with the source a Bryston BDP-1 media player, the Cellos produced a clean, clear sound on a Japanese transcription for tenor saxophone of the first Bach Cello Suite, with none of the otherwise ubiquitous upper-bass boom I heard at the Hilton.

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