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John Atkinson Posted: Feb 25, 2007 Published: Dec 25, 1994 0 comments
As far as I can tell, Santa Fe–based speaker engineer John Bau had designed but four commercial loudspeakers before the TC-60 was launched at the 1994 Winter CES: in order of appearance, they were the Spica SC50i (1980), the TC-50 (1983), the Angelus (1987), and the SC-30 (1989). None were expensive, and all garnered much praise, both in Stereophile's pages and elsewhere.
John Atkinson Posted: Dec 10, 2006 Published: Dec 10, 1994 0 comments
The SC-I ($995/pair) is the smallest model in the "Signature Collection" to come from Dunlavy Audio Labs, the company founded by John Dunlavy after he left Duntech. The largest model in this series used to be the $4995/pair SC-IV that Robert Deutsch so enthusiastically reviewed last April, and that this month was voted Stereophile's 1994 "Product of the Year." There is now also a huge SC-VI available.
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John Atkinson Posted: Dec 10, 2007 Published: Dec 01, 1994 0 comments
As easy as it is to communicate electronically, some things are still better done in person. At too-infrequent intervals, I visit Stereophile's writers, listen to their systems, and basically get them to show'n'tell the components they're reviewing. In this way, if they describe what I'm hearing, I have the confidence to publish their review, even if its findings run counter to accepted wisdom.
John Atkinson Posted: Nov 19, 1994 0 comments
"What's that noise?" Bob Harley and I looked at each other in puzzlement. We thought we'd debugged the heck out of the recording setup, but there, audible in the headphones above the sound of Robert Silverman softly stroking the piano keys in the second Scherzo of Schumann's "Concerto Without Orchestra" sonata, was an intermittent crackling sound. It was almost as if the God of Vinyl was making sure there would be sufficient surface noise on our live recording to endow it with the Official Seal of Audiophile Approval. Bob tiptoed out of the vestry where we'd set up our temporary control room and peeked through a window into the church, where a rapt audience was sitting as appropriately quiet as church mice.
John Atkinson Posted: Sep 09, 2007 Published: Nov 09, 1994 1 comments
If there's a phrase that increasingly gets my dander up, it's "mid-fi." I'm even starting to lose patience with the term "High End."
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John Atkinson Posted: Oct 25, 1994 0 comments
More than 20 years ago, when the turntable was considered a perfectly neutral component in the playback chain, Ivor Tiefenbrun single-handedly demonstrated to the world that the turntable was not only an important part of a hi-fi system, but perhaps the most important part. That radical idea was the basis for the legendary Linn Sondek LP12 turntable, the product that launched Linn, and which is still in production 22 years later.
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John Atkinson Posted: Sep 24, 1994 0 comments
During a recent visit to Canada's National Research Council, I noticed stuck to the wall of the prototype IEC listening room a page of results from one of Floyd Toole's seminal papers on the blind testing of loudspeakers. The scoring system was the one that Floyd developed, and that we adopted for Stereophile's continuing series of blind tests. "0" represents the worst sound that could possibly exist, "10" the perfection of live sound—a telephone, for example, rates a "2." The speakers in Floyd's test pretty much covered the range of possible performance, yet their normalized scoring spread, from the worst to the best, was just 1.9 points.
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John Atkinson Posted: Dec 05, 2007 Published: Aug 05, 1994 0 comments
I was once in a sushi bar in Osaka; sitting next to me was a live abalone, stoically awaiting its fate. It stuck its siphon out of its shell, the waiter tapped the tip with a spoon, the siphon withdrew. Again the siphon appeared, again the waiter tapped it with a spoon, again it withdrew.
John Atkinson Posted: Jul 30, 1995 Published: Jul 30, 1994 0 comments
A truly great preamplifier lets everything through, both music and distortion, but with such generosity that neither...is cramped and narrow.Larry Archibald (footnote 1)
John Atkinson Posted: Jul 24, 1995 Published: Jul 24, 1994 0 comments
A truly great preamplifier lets everything through, both music and distortion, but with such generosity that neither...is cramped and narrow.Larry Archibald(footnote 1)

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