John Atkinson

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John Atkinson Posted: Nov 29, 1997 0 comments
"Comping," they call it at Madrigal. Once a circuit and its board layout have been finalized, passive components are substituted one by one in an exhaustive series of listening tests to determine the places where use of a premium part, or one of closer tolerances, results in an audible benefit. This fine-tuning process cannot be open-ended, however, as products do have to shipped. So what happens when new parts become available, or new manufacturing processes allow a better-sounding part to be used without financial penalty?
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John Atkinson Posted: Sep 10, 2005 Published: Nov 10, 1997 0 comments
"This is offensive!" muttered usually mild-mannered Malcolm Hawksford, who was sitting next to me. "I'm leaving." The good professor was right. One thousand or so attendees at the 103rd Audio Engineering Society Convention, held at the end of September in New York, were being subjected to truly terrible sound. The irony was that the sound was that of 2- and 5-channel recordings made with 24-bit resolution and a 96kHz sampling rate, being played over a colored PA system to demonstrate the future of audio, in the form of DVD-Audio.
John Atkinson Posted: Nov 09, 1997 0 comments
There are many benefits accruing to a loudspeaker when its designer goes the active or powered route. The usual losses and distortions associated with passive crossovers can be circumvented, while the fact that the amplifiers and drive-units can be designed as a package enables the designer to squeeze more performance from each than would otherwise be the case. And the savings gained from the absence of a separate amplifier chassis can be passed on to the consumer.
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John Atkinson Posted: Oct 21, 1997 0 comments
Canadian loudspeaker company PSB International celebrated both its 25th anniversary in July and the 10th anniversary of the introduction of its Stratus series. (I review the latest version of the flagship Stratus speaker, the Gold i, elsewhere in this issue.) Started by Paul Barton and two friends in the summer of 1972, PSB Speakers was named after Paul and his high-school sweetheart Sue (now his wife). Paul & Sue Barton Speakers is now part of Lenbrook Industries, which distributes NAD, Marantz, and Bang & Olufsen in Canada, and which in turn is part of the Canadian conglomerate Lenbrook Inc.
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John Atkinson Posted: Jul 17, 2007 Published: Oct 01, 1997 0 comments
Thirty-five years ago this month, the first issue of a new audio magazine—cover price 50 cents—cautiously made its way out of a Philadelphia suburb. Its black'n'white cover featured a chessboard adorned with tubes and XLR plugs. Its 20 advertising-free pages included a feature on how to write an ad for an audio product, which had been penned by one Lucius Wordburger, a footnote helpfully pointing out that this was the nom de plume for one J. Gordon Holt, "who wishes to remain anonymous."
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John Atkinson Larry Archibald Posted: Jun 05, 2005 Published: Sep 05, 1997 0 comments
An acquaintance in the world of CD distribution recently gave me an astonishing statistic: that the average classical title sells fewer than 2000 copies worldwide in its first year of release; which in turn means that many titles sell only about 500 copies! Given that the cost of producing a classical orchestral album can include up to $100,000 in union-mandated musician fees, such minimal sales guarantee financial disaster.
John Atkinson Posted: Jul 27, 1997 0 comments
Things are changing rapidly in the world of professional digital audio. After a decade of stability, with slow but steady improvement in the quality of 16-bit, 44.1kHz audio, the cry among audio engineers is now "24/96!"—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard.
John Atkinson Hyperion Knight Wes Phillips Posted: Jun 11, 1997 0 comments
Thirteen Ways of Listening to a Recording Session (with apologies to Wallace Stevens): Wes Phillips
John Atkinson Wes Phillips Posted: Jun 03, 1997 0 comments
A science-fiction parable I read too many years ago to remember who wrote it used the image of a glass jar stuffed with colored plastic spheres. The story's protagonist was asked whether the glass was full. "Of course," was his reply, whereupon a hidden faucet was turned, the jar filled up with water, and fish swam in the spaces between the balls.
John Atkinson Posted: Oct 08, 2006 Published: Apr 08, 1997 0 comments
The speaker review in the July 1996 issue of the German audio magazine Stereoplay didn't hold back the praise. "Absolut Spitzenklasse III Referenz" was their overall rating, which I guess translates to "You'd better hear this, buddy," in American English. So when MBL of America's Marc Lawrence called to find out if I wanted to review the subject of that review, the MBL 111, I didn't need to be asked twice.

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