John Atkinson

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John Atkinson Posted: Mar 14, 2004 Published: Oct 01, 1998 0 comments
"There, that's where you should put the microphone, 5' from the end of my bow."
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John Atkinson Posted: May 09, 2004 Published: Sep 01, 1998 0 comments
Nicholas Negroponte, Professor of Media Technology at MIT's Media Lab, is somewhat of a hero of mine, not the least because in his 1995 book Being Digital (Alfred A. Knopf), he mentioned specialty magazines as being a paradigm (of a sort) for the information-rich future. The role of a magazine such as Stereophile is to act as an intelligent (we hope) filter applied to the breadth and depth of human activity. Those who define themselves by their interest in the publication's specialty can therefore go to just one source to find everything of relevance.
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John Atkinson Posted: Aug 16, 1998 0 comments
As with past HI-FI Shows, we asked visitors to HI-FI '98 to vote for the room that offered what they thought to be the best sound. The ballot in the Show Guide asked visitors to list the best, second-best, third-best, and worst sounds, for which I allocated 3 points, 2 points, 1 point, and -1 point, respectively. Any exhibitor that received more than 0.7% of the total votes cast is listed in the Table. I've tried to include both the exhibitors and the brands demonstrated, as listed in the Show Guide and in our report text in the September issue of the paper Stereophile. My apologies if I've left anyone out.
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John Atkinson Posted: Aug 16, 1998 0 comments
It's the voice that grabs you first, balanced preternaturally high in the mix. As the singer effortlessly projects the vocal line, imperceptibly grabbing breath without disturbing the long, meandering melody, you can't help but realize what a superb instrument she had. As the song's harmonies modulate their way to the dominant, the bass guitar stubbornly sticks to the tonic so that what would otherwise be a conventional chord progression is transformed into a yearning series of suspensions echoing the lyric's despair. As guitarist Tony Peluso hammers down on his power solo, his instrument so fuzzed and compressed that the very plectrum strokes are thrown forward as disconnected transients, it becomes evident that there are layers upon layers to the backing vocals, each carefully placed upon the others by a master orchestrator, each appropriately filling in the gaps in the harmonies without turning the mix to glutinous syrup.
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John Atkinson Posted: Jul 09, 2007 Published: Jun 09, 1998 0 comments
"What the heck is that icon trying to tell me?" I had switched on Denon's new DVD-3000 player—a cute "Welcome to DVD World" message scrolled across its display—and put a disc in its drawer. The icon, which looked at best like a Japanese character and at worst like a child's drawing of a house (complete with windows), was lit up in light blue on the display. But the game was given away by the magic words "96kHz 24 bit" illuminated in red below the mysterious icon. For this was no DVD movie, but a test pressing of Chesky's new Super Audio Disc, The Super Audio Collection & Professional Test Disc, which makes use of the DVD-Video specification's provision for including a two-channel, linear-PCM signal encoded with a 96kHz sampling rate and a word depth of up to 24 bits. (Contrary to what you may have read in the popular press, using DVD-Video to carry high-definition sound quality does not introduce a new and incompatible standard.)
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John Atkinson Posted: May 24, 1998 0 comments
I don't know how many of you buy disposable diapers, but while Harry (now 6) and Emily (now 5) were still toddlers, diapers played a large role in my life. I can still remember my panic when I first saw the miles of drugstore shelves devoted to Pampers and Huggies—not just large, medium, and small, but such a variety that it could almost have been possible that each child had a diaper tailored for him or her. I'm sure that even the weirdly shaped backside of Tommy Pickles could have been securely wrapped.
John Atkinson Posted: May 02, 1998 0 comments
Back in my bass-player days in the 1970s, I used to do a regular cabaret gig, providing musical support for sundry British stand-up comic acts. I flashed back on those days when I recently watched Fierce Creatures, the John Cleese/Jamie Lee Curtis/Kevin Kline/Michael Palin vehicle, on satellite. There, playing the part of a zookeeper, was pint-size comedian Ronnie Corbett, whom I backed a few times. (He always bought the band a bottle of Scotch—you remember stuff like that!) Ronnie used to open his act with the old "They said Thomas Edison was crazy...they said Henry Ford was crazy...they said Albert Einstein was crazy..." gag, which ends with "They said my Uncle Charlie was crazy...actually, my Uncle Charlie was crazy!"
John Atkinson Posted: Mar 14, 2004 Published: Apr 01, 1998 0 comments
It's a beautiful drive, considering you're on a freeway. You take I-25 north out of Albuquerque, Sandia Peak to your right and the Jemez Caldera and Mount Taylor dimly visible in the distance to your left. As you broach La Bajada hill south of Santa Fe, the Sangre de Cristo range—the "Blood of Christ Mountains" described by Paul Simon in "Hearts & Bones"—appears before your windshield. You take the Old Pecos Trail exit to the City Different, but before you reach town you bear to the left, then take another left opposite St. Vincent Hospital. There, in a cul-de-sac, you peer up at the street sign: "Stereophile Way," it says (footnote 1). "Not just a street, but a philosophy," I kidded Larry Archibald when the city told him that he could name the road where the magazine's headquarters would one day be situated.
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John Atkinson Posted: Mar 29, 1998 0 comments
The DVD Forum's Working Group 4 (WG-4) is expected to deliver the "0.9" version of its official DVD-Audio specification this month, with "1.0" to follow shortly. While information is scarce, it appears that WG-4 is talking about four different kinds of disc, each of which will be playable on one or two of three different kinds of players. And that doesn't include Sony's and Philips' "Super Audio CD" proposal (see Peter van Willenswaard's report on SACD a couple of weeks back on the website), or the Classic Records-led "DAD" format, which uses the provision of the DVD-Video specification for 24-bit/96kHz audio data. (DADs will play on DVD-Video players that have appropriate D/A sections---also see the past item on the web site.)

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