Imagine two people who have been audiophiles for 20 years. When they first met, Audiophile #1 had just decided that he would do his best to buy a system that he could keep for the indefinite future, without anxiety about upgrades. Let alone get off the "equipment upgrade" merry-go-round, he never wanted to get on it in the first place. Audiophile #1 also decided that having a truly great music system in his home was more important to him than buying a new car every three years. He found a dealer who sold systems based on value rather than on price. He ended up both exhilarated and intimidated, not only at the amount of money he had spent but at how good his stereo system sounded. He then stopped messing with it, sat back, and enjoyed the music.
Home Entertainment 2004 West in San Francisco might have been called off last November, but I wasn't about to let that stop me from taking a trip to visit the wine country—except that the wine country in question turned out to be the wine country of Southern New England.
Medford, Long Island–based manufacturer Shahinian Acoustics has announced a recapitalization and a manufacturing-facilities expansion to meet demand for its quasi-omnidirectional loudspeakers. In a related development, Vasken Shahinian has succeeded his father as president and managing director.
Perhaps I first should have consulted my horoscope in the local newspaper. But I can't imagine what it could have said that might have warned me off. So, in blissful ignorance, I went to the local big-box consumer-electronics chain retailer and laid down my lettuce. I thought I was buying the SACD version of Norah Jones' Come Away With Me (Blue Note 5 41472 8), but, by the end of the affair, I felt I'd gotten The Royal Scam (footnote 1).
Wilson Benesch, distributed in the US by The Sound Organisation, is a Sheffield, UK-based engineering firm that made its début in the audio world by making a tonearm from carbon fiber. (See Jonathan Scull's report on his visit to the WB factory in December 1996, Vol.19 No.12).
TEMPLES OF SOUND: Inside the Great Recording Studios
by Jim Cogan and William Clark; Foreword by Quincy Jones San Francisco: Chronicle Books, 2003. Softcover, 7.5" by 10", 224 pp. $24.95. ISBN 0-8118-3394-1.
The other night I heard The Tallis Scholars—the world's foremost exponents of Renaissance polyphony—sing in the Chorus of Westerly's performance hall, in Rhode Island: an 1886-vintage former Roman Catholic church with nearly all of its original horsehair plaster intact (footnote 1). Even sitting back in the cheap seats, the sound was glorious. I have never heard a vocal ensemble sing with more finesse, pitch security, or blend of tone.