Sort By: Post Date | Title | Publish Date
Filed under
Robert Baird Posted: Mar 18, 2016 0 comments
Gotta have a Robbie!
Filed under
Robert Baird Posted: Mar 16, 2016 11 comments
What exactly is the message here?
Filed under
Robert Baird Posted: Mar 16, 2016 2 comments
If we live in an economy of ideas, then SXSW interactive is full of them, good, bad and indifferent.
Filed under
Robert Baird Posted: Mar 16, 2016 5 comments
Robert Baird Posted: Feb 23, 2016 Published: Mar 01, 2016 1 comments
The Beach Boys Today!
Analogue Productions AAPP064 (LP). TT: 27:35
Summer Days (And Summer Nights!!)
Analogue Productions AAPP065 (LP).
TT: 27:44
Both: 1965/2016. Brian Wilson, orig. prod.; Chuck Britz, orig. eng.; Mark Linett, Alan Boyd, stereo mixes; Kevin Gray, mastering. ADA.
Performance *****
Sonics *****

It's a classic case of addition by subtraction. On December 23, 1964, on a flight from Houston to Los Angeles, Brian Wilson had a panic attack—or, perhaps, a full-fledged nervous breakdown. Two more such episodes followed in quick succession, and Brian realized that he could no longer tour with the Beach Boys. At first, Glen Campbell was brought in to replace him in the band's touring edition, until Bruce Johnston permanently took his spot. In an interview conducted by Earl Leaf, quoted by Tom Nolan in the October 28, 1971, issue of Rolling Stone, Wilson had this to say about his decision:

"I told them I foresee a beautiful future for the Beach Boys group but the only way we could achieve it was if they did their job and I did mine. They would have to get a replace ment for me ... I didn't say 'they' I said 'we' because it isn't they and me, it's 'us.'

Robert Baird Posted: Feb 24, 2016 3 comments
All band photos copyright Capitol Photo Archives

Although there was a fall chill in the air, the front windows were open, and the sounds of perhaps the greatest Beach Boys ballad of all wafted into the Massachusetts night.

Perched on the edge of the couch, dear friend and Stereophile contributing music editor David Sokol—former editor-in-chief of New Country and Disney magazines, a man who's written about music for over 40 years and has yet to lose his passion for the stuff—was waxing poetic and weeping, ever so slightly, as the room filled with the intricate mix of voices that is "Kiss Me, Baby."

Filed under
Robert Baird Posted: Feb 19, 2016 2 comments
Tribute records are often a fascinating mix of those who try, who put emotion and thought into their tracks, and those who turn in lukewarm efforts.
Filed under
Robert Baird Posted: Feb 16, 2016 17 comments
Watching Johnny Depp play rock guitar dude was a bit squirm-inducing.
Filed under
Robert Baird Posted: Feb 05, 2016 4 comments
This is not a soundtrack record.
Robert Baird Posted: Feb 02, 2016 1 comments
"With all due respect, what the hell is the matter with you?"

Over the years, I've felt obligated to ask this question of several friends who somehow concluded that their life's work involved founding a record label.

"That is the best question isn't it?" Shane Buettner said with a big laugh. "Why do I want to hurt myself this badly and spend a lot of money doing it?" He smiled again, with a mild shake of the head.

"Actually, yes—that's exactly what I mean."

Pages

X