MILES DAVIS QUINTET: The Great Prestige Recordings Includes: The New Miles Davis Quintet, Cookin', Relaxin', Workin', Steamin' Miles Davis, trumpet; John Coltrane, tenor sax; Red Garland, piano; Paul Chambers, bass; Philly Joe Jones, drums. Analogue Productions APJ 035 (5 LPs). 1996. Bob Weinstock, original prod.; Rudy Van Gelder, original eng.; Chad Kassem, reissue prod.; Stan Ricker, mastering eng. AAA. TT: 3:11:09 Music ***** Sonics *****
DON BYRON: Bug Music Don Byron, clarinet, baritone saxophone, vocals; Steve Wilson, alto saxophone; Robert DeBellis, tenor saxophone; Charles Lewis, Steve Bernstein, James Zollar, Trumpet; Craig Harris, trombone; Uri Crane, piano; Paul Meyers, banjo; David Gilmore, guitar; Kenny Davis, bass; Pheeroan akLaff, Billy Hart, Joey Baron, drums; Dean Bowman, vocals. Nonesuch 79438-2 (CD only) 1996. Don Byron, prod.; Danny Kapilian, assoc. prod.; Tom Lazarus, eng.; David Merrill, assist eng.; Alan Tucker, mastering eng. Carol Yaple, exec. prod. ??? TT: 51:07 Music **** Sonics ****
Please let me explain. Because I've never been especially adept at making lifelong commitments and irrevocable decisions, when it came to naming this new column, Managing Editor Debbie Starr and I decided that we would gather the passionate (and supremely efficient) minds of the Stereophile production staff, add a near–life-threatening amount of margaritas, and put the question to them.
MILES DAVIS & GIL EVANS: The Complete Columbia Studio Recordings Gil Evans (arranger/conductor); Miles Davis, Ernie Royal, Johnny Coles (trumpet); Cannonball Adderley, Lee Konitz, (alto sax); Gunther Schuller (french horn); Paul Chambers (bass); Philly Joe Jones (drums); many others. Columbia 67397 (6-CD set) Michael Cuscuna, exec. prod.; Phil Schaap, Mark Wilde, Bob Belden, reissue producers; additional engineering, Tom Ruff. TT: 6:56:39.
It's the first rule of being a stereophile: sound quality is serious business. Simon Gibson, one of the engineers at Abbey Road Studios who worked on EMI's new Signature Collection of hybrid SACD/CDs, knows the drill: remaster and change the sound of a much-loved classical recording from the label's glorious back catalog and you risk becoming a target of blogs and forums. Gibson's aware that the more hallowed the recording, the more quickly knives come out at the mention of remastering.