Sort By: Post Date | Title | Publish Date
Filed under
Robert Baird Posted: Aug 02, 2016 1 comments
In writing for magazines, there's a basic rule: Don't become the subject. And in writing about the arts, it's best to remember that you aren't in the music business or the film business: you're in the publishing business. Despite this, there are arts writers who fancy they're a part of the world they write about. All famous musicians are their "friends." The music business values their opinions. They're caught up in the delusion that the Rolling Stones sang about so deliciously in "Star Star," the closing number on Goats Head Soup.
Filed under
Robert Baird Posted: Jul 16, 2016 3 comments
In New York City or more specially Corona, Queens, July is the month when thoughts turn to the legacy of one Louis Armstrong. Last weekend, I made the pilgrimage with my patient wife to the Pops home in Corona, to view what is now the Louis Armstrong House Museum.
Filed under
Robert Baird Posted: Jul 14, 2016 3 comments
Vosgien's new masters have a fuller, rounder sound, many of the bright edges have been softened.
Robert Baird Posted: Jun 14, 2016 Published: Jul 01, 2016 1 comments
Allen Toussaint: American Tunes
Nonesuch 554644 (CD). 2016. Joe Henry, prod.; Ryan Freeman,, eng.; Wesley Seidman, Monique Eveleyin, asst engs. ADD? TT: 49:31
Performance ****½
Sonics ****½

David Bowie, Glenn Frey, Phife Dawg, Merle Haggard, Dan Hicks, Ernestine Anderson, Lonnie Mack, Maurice White, Blowfly, Otis Clay, Steve Young, George Martin, Keith Emerson, Henry McCullough, Prince. Was there a genre or subgenre of music that did not grieve in the closing months of 2015 through spring 2016—a period that must rank among the most devastating ever for the loss of important and influential songwriters and musicians?

Filed under
Robert Baird Posted: Jun 17, 2016 4 comments
They’re arguably the best recordings Elvis ever made.
Robert Baird Posted: Jun 10, 2016 1 comments
Eine kleine Nachtmusik it ain't. And yet, in 1992, lightning struck, tectonic plates shifted, and the third symphony of Polish composer Henryk Mikolaj Górecki (1933–2010) became a bona-fide hit. Defying both skeptics and logic, a recording of this decidedly sepia-toned work, subtitled The Symphony of Sorrowful Songs, by the London Sinfonietta conducted by American maestro David Zinman, and featuring soprano soloist Dawn Upshaw, eventually sold over a million copies, making it the largest-selling recording of modern classical music ever.
Filed under
Robert Baird Posted: Jun 10, 2016 0 comments
Sinatra Again?
Filed under
Robert Baird Posted: Jun 09, 2016 6 comments
What a songwriter!
Filed under
Robert Baird Posted: Jun 03, 2016 1 comments
"I mixed it before we recorded it."
Robert Baird Posted: May 17, 2016 Published: Jun 01, 2016 3 comments
Esperanza Spalding: Emily's D+Evolution
Concord 7238281 (LP, 24/96 FLAC from PonoMusic). 2016. Esperanza Spalding, Tony Visconti, prods.; Kyle Hoffman, Tim Price, engs.; Martin Cooke, Kyle McAulay, Erin Tonkon, asst. engs.; Paul Blakemore, mastering; Rich Costey, mix. Mario Borgatta, mix assist. DDA? TT: 43:41
Performance ****½
Sonics ****½

It may have started back in 2011, when the crowd at the Grammy Awards let out a collective "Who?" as Esperanza Spalding was named Best New Artist, an award almost everyone had thought would go straight to Justin Bieber. Spalding was the first jazz artist ever to win that award.

The resulting notoriety took the jazz bassist and singer, who'd lived almost entirely in the rather insular world of jazz, by surprise. A child prodigy who played violin at five, and soon after learned oboe and clarinet, Spalding sings in Portuguese, Spanish, and English, and became one of the youngest teachers in the history of her alma mater, Boston's prestigious Berklee College of Music.

Pages

X