We've all got our pet peeves, and one of mine is stiff, unwieldy audio cables that simply refuse to bend to my will—or to bend at all. Instructions like "carefully bend to final configuration, ensuring that no bend is sharper than a 36" radius" make my blood boil. At the opposite end of the spectrum, Audience's willowy Au24 cable and wonderfully flexible powerChord positively warmed my heart when I encountered them at the 2002 Consumer Electronics Show in Las Vegas.
My life is characterized by periods of relative calm interrupted by huge transitions. This last year has been a doozie, with changes in just about every aspect of my life: new cars, motorcycles, and guitars, new jobs and relationships, and, finally, the contemplation of a cross-country move. With a little bit of luck, all of this upheaval will end in a long period of relative calm.
I'm a tinkerer. From homemade audio isolation and room-treatment products to a local area network (LAN) connecting my Macintosh laptops, I'm always building or modifying something. One of my latest projects is a combination of parts swaps and custom-machined bits to better adapt the ergonomics of my exotic Italian Bimota motorcycle to my distinctly un-Italian 6'3" frame. But regardless of what I'm into, I can't resist the urge to tinker.
One of the highlights of any Consumer Electronics Show, I have found, is Nordost Corporation's demonstration of their cables. Using a relatively modest system and non-audiophile source material, they run through a simple, straightforward sequence, climbing up through their product line, culminating with their new, just-introduced model. At each step, the system sounds distinctly better—clearer, cleaner, with more body and tonal purity—than with the previous model. There's no hype, artifice, or magic, just a clear demonstration of the progress that Nordost is making as they refine their designs.
Everyone loves a bargain. Everyone loves finding an undiscovered gem. But for audiophiles on a budget, finding good, reasonably priced cables isn't a luxury but a necessity. In a $1000 or $2500 system, there simply isn't money for $500 interconnects or $1000 speaker cables. Even a $5000 systemwhich most of my well-educated, music-loving, affluent friends view as pretty extravagant, by the waycan't accommodate premium cables like the Nirvana, Synergistic Research, or Nordost models that we reviewers rave about as "critical to getting the most out of your system."
As part of my employer's never-ending attempts to transform me from an engineer into a manager, I am constantly being sent to seminars and courses, some of which are eminently practical—like "Managers and the Law," which taught us how to avoid getting ourselves and our company sued. Others are more esoteric, like a recent seminar on "paradigm shifts." A paradigm shift, we were told, is a fundamental change in the way we look at things, arising from a change in a belief so inherent that it's unconscious.
After two decades of motorcycling, I recently achieved a long-held goal by buying a bike built by Bimota, a tiny Italian manufacturer. Although Bimota engages in a wide range of activities, from two-stroke engine design to racing, they're best known for their exotic, hand-built street bikes. They always include the very best components and feature cutting-edge engineering and performance, but what they're truly revered for is their style. Bimotas unfailingly combine shapes, textures, and finishes into motorcycles that are most often referred to as "works of art."