Brian Damkroger

Sort By: Post Date | Title | Publish Date
Filed under
Brian Damkroger Posted: May 23, 2009 0 comments
If high-end audio were to carve its own Mt. Rushmore, whose faces would appear there—besides that of Stereophile founder J. Gordon Holt, of course? It's likely that no two audiophiles would ever come up with identical lists of subjects, but I wouldn't be surprised if they could agree on at least one name: Nelson Pass.
Brian Damkroger Posted: Jan 25, 2009 0 comments
Time thins the ranks of specialist industries. Trends, products, and companies come and go. High-end audio is a poster child for this reality, and most veteran audiophiles have evidence of the casualties—literature or orphaned products, stashed away somewhere. But a small number of true believers remain true to their visions, and persevere to help advance the state of the art.
Brian Damkroger Posted: Jan 24, 2008 0 comments
It's easy to be impressed by Simaudio's Moon Evolution Andromeda Reference CD player. Everything about it oozes quality and luxury, from its imposing two-chassis configuration to the multi-component disc clamp of machined aluminum. Even surrounded by my double-decker VTL amps, VPI HR-X turntable, and Ferrari Fly-yellow Wilson Audio Sophia 2 speakers, the Andromeda was usually the first thing guests asked about: "How much does that cost?" The answer is $12,500. The Andromeda should look impressive.
Brian Damkroger Posted: Nov 15, 2007 0 comments
A friend once described my audio ethos as "records, tubes, big amplifiers, and really big speakers"—I always picked warmth and musicality over antiseptic neutrality, even if the former came with a few extra colors in the tonal palette. Had I listed my criteria for an audio component, transparency wouldn't have been near the top, and might not have been listed at all.
Brian Damkroger Posted: Jul 22, 2007 0 comments
At $2295, the CD31 is the most expensive integrated CD player from Swedish manufacturer Primare, and an evolution of their D30.2, which I reviewed in the June 2004 Stereophile. I knew that the CD31 wasn't a clean-sheet design, but my first look suggested that it wasn't even much of an evolution—a comparison of its and the D30.2's spec sheets matched almost line for line. When I asked Terry Medalen of Sumiko, Primare's US distributor, about the similarity, and if the CD31 was just a mild tweaking of the D30.2, he said, "Well, yes and no. You really need to listen to it."
Brian Damkroger Posted: Apr 22, 2007 0 comments
I can't remember a time when I wasn't concerned about power quality. I grew up around finicky, home-brew ham-radio gear and labs full of instruments, and with both, power-conditioning gear was standard fare. When I moved into high-end audio, it seemed obvious that power quality was important. As a result, I've experimented with a wide range of power-conditioning equipment, from simple ferrite loops to huge isolation transformers, and even exotic laboratory power supplies that could vary the voltage, frequency spectrum, and shape of the AC signal.
Filed under
Brian Damkroger Posted: Feb 25, 2007 0 comments
Stereophile editor John Atkinson said one evening in 1995, "What I find fascinating is that, in an industry as mature as audio cables, a new company can appear out of the blue and upset everything." He was gently poking fun at my admission that I found cable design fascinating, in particular the practice of combining different conductor materials.
Brian Damkroger Posted: Aug 19, 2006 0 comments
When I went to my shelf of Stereophile back issues to find Paul Bolin's seminal review of the Halcro dm58, I was shocked to find myself leafing further and further back—through not only 2004 but 2003 as well, all the way back to October 2002 (Vol.25 No.10). It doesn't seem possible that it's been almost four years since Halcro exploded onto our radar screens, the dm58 emblazoned on that issue's cover alongside the banner headline "THE BEST AMPLIFIER EVER!"
Brian Damkroger Posted: May 28, 2006 0 comments
VPI Industries' TNT turntable and JMW Memorial tonearm have evolved through several iterations over the last two decades. Some changes have been large, such as the deletion of the three-pulley subchassis and the introduction of the SDS motor controller. Others have been invisible—a change in bearing or spindle material, for example, or the way the bearing attaches to the plinth. And, as longtime Stereophile readers know, I've been upgrading and evolving along with VPI, most recently reporting on the TNT V-HR turntable (Stereophile, December 2001).
Filed under
Brian Damkroger Posted: Apr 23, 2006 0 comments
The original plan, back in mid-2004, was to audition an entire Ensemble system and then review the individual components over the next two years. Most audio companies produce lines of matching products, but Ensemble takes it a bit further, with a modular approach and extensive commonality of everything from chassis to circuit boards. They firmly believe that everything affects sonic performance, and their approach helps ensure a consistent sound throughout their line.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading