Jack English
Sort By: Post Date | Title | Publish Date
Jack English Nov 06, 2005 Published: Sep 06, 1996 0 comments
Beauty is in the eye of the beholder—but all too often there is little of beauty to be found in high-end audio. In these aesthetic dark ages, we have been indoctrinated to forsake grace and elegance; we all know that every underlying penny should be spent only in the pursuit of superior sonic performance.
Jack English Mar 29, 2012 Published: May 01, 1996 0 comments
When you wish upon a star,
Makes no difference who you are;
Anything your heart desires,
Will come to you
.—Jiminy Cricket

12-21-92-17-52-46. Big deal, another $100,000 lottery winner. Where's Jean-Phillipe? Probably off getting us something to drink. Who can blame him? I can't believe people sit around dreaming and waiting to hear all these winning numbers. J-P, you out there?

Young, good-looking, bright—J-P had a lot going for him. He certainly didn't need to sit here listening to winning lottery numbers. Ah, there you are. What are you mumbling about?

"12-21-92-17-52-46. I've won! I've won! I've won!" He shouted over and over, almost crushing me in a bear hug.

My oh my, J-P had really won a big one. And what was it he'd been dreaming about while buying all those tickets every payday for the last three years? Speakers! He'd wanted to own the best loudspeakers in the world, and now he could.

Jack English Feb 25, 2007 Published: Feb 25, 1996 0 comments
If reviewers can be believed, the diminutive, $995/pair Epos ES11 loudspeaker has been a phenomenal success worldwide since its 1990 introduction. Stereophile added its voice to this hallelujah chorus in Vol.14 No.7, when the '11 kicked butt in a blind-listening-panel evaluation of inexpensive small speakers. While the ES11 did plenty of things extremely well, it was inevitable that it was limited in terms of ultimate sound-pressure levels (spls), deep-bass extension, and dynamic persuasiveness. While the ES11 was an unqualified success given its modest size and price, one couldn't help but wonder what Epos might be capable of in a larger model. (While a larger Epos model already existed in the $1695/pair ES14, it predated the technology of the ES11 by four years.)
Reference
Jack English May 31, 1995 0 comments
If you read Stereophile regularly, you already know that all audio equipment does not sound the same. But did you know that a given piece of gear can sound better or worse depending upon how it's set up and used? With a few simple tweaks, you can bring out the best in your audio system.
Jack English Apr 23, 2013 Published: Oct 01, 1994 8 comments
Immedia introduced the German Audio Physic speakers at the 1994 Winter CES. As I mentioned in my Show report (Vol.17 No.4), I felt the price:performance ratios of the three models displayed was an indirect one: the least-expensive—the Step—sounded best. Since I'm always looking for products that offer great bang for the buck, I arranged to receive a pair of review samples.
Jack English Oct 03, 2004 Published: Mar 01, 1994 0 comments
Reviewing audio equipment has always been a blast. With each passing month, some potentially wonderful new piece of audio gear finds its way into my system. But as an audiophile, I don't want to be constantly changing the equipment in my system—I want to put together the best setup I can and spend my time optimizing its performance. In spite of the revolving equipment door, I try to listen to the majority of music on my own equipment.
Features
Jack English Jan 23, 2013 Published: Jan 01, 1994 78 comments
Slowly, painfully, high-end audio seems to be dying. We all know it but we're apparently unable to resuscitate the patient. US dealers are closing at alarming rates—it must be the economy. Women continue to avoid the High End—it must be the technobabble combined with male equipment fetishism. Younger people aren't hopping aboard—it must be all those other things competing for their money. (Then again, it might be the High End's abhorrence of rock'n'roll.)
Jack English Sep 05, 2008 Published: Dec 05, 1993 0 comments
Despite displaying its products at nearly every CES since 1985, Merlin remains essentially unknown in the US. Problems have plagued the company in this country: key suppliers have gone under, marketing efforts have lacked focus, and the principals of the company seemed to have gotten caught up in audio politics.
Jack English, John Atkinson Apr 15, 2014 Published: Aug 01, 1993 2 comments
893count.250.jpgWhile Clearfield Audio may be a new name to many of you, it represents the marriage of two well-established members of the high-end community: Counterpoint and designer Albert Von Schweikert. Counterpoint had been working to add speakers to its product lineup for some time. The partnership with Von Schweikert, whom Stereophile readers will remember as the designer of the Vortex Screen favorably reviewed by Robert Harley in July 1989, fills out Counterpoint's high-end product line from source—the company showed a CD transport at the June 1993 CES—to speaker.

The Metropolitan
The developmental history of Vortex speakers provides a meaningful framework for the design of the Clearfield offerings, especially the Metropolitans, or Mets. Like the Vortex designs, the Mets are three-ways with transmission-loaded bass. Like the Kevlar Reference Screen (reviewed by Robert Greene in The Abso!ute Sound's "double-issue" 83/84, December '92), the Mets use Kevlar-coned midrange units from Focal that cover a broad range from 125Hz to 2kHz. What's dramatically different is the overall driver layout.

Jack English Mar 07, 2008 Published: Jun 07, 1993 0 comments
All right, class. Your assignment is to write a paper persuading people to do something good for themselves that they really don't want to do.
Site Map / Direct Links