Ariel Bitran

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Ariel Bitran Posted: Apr 18, 2012 1 comments
Ask the Editors, Round Two on day three of the New York Audio & AV show was decidedly more laid back than Ask the Editors, Round One possibly because there were less panelists clamoring over a single microphone. In fact, I’m not even sure if the microphone was used this time around, since everyone could hear each other clearly in the room.

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Ariel Bitran Posted: Apr 17, 2012 Published: Apr 18, 2012 1 comments
The open and relaxed feel of the orchestral music immediately impressed me upon entry to the Wes Bender Studio room. One showgoer played his demo track of Thus Spoke Zarathustra by Richard Strauss, and immediately again, I was overwhelmed by the size these speakers could create yet how relaxed the remained. Music flowed from their pores (and drivers).

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Ariel Bitran Posted: Apr 16, 2012 Published: Apr 18, 2012 0 comments
I got to know Steve, head of VAS Audio over in New Jersey, after he picked up the Cayin SP-10a that Bob Reina reviewed in our April 2012 issue from the Stereophile Manhattan office. Steve invited me to the back of the VPI/VAS Audio Room to share a cocktail and a cookie where we discussed the hi-fi show business and our audiophile neighbors in Brooklyn and New Jersey. Steve's original home, in Bay Ridge, Brooklyn, places him in close proximity to some Stereophile staff, past and present, and his co-exhibitor VPI, led by the Weisfeld family, lives next door to him in Jersey. Hi-fi, like cookies, is more fun when shared with neighbors.
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Ariel Bitran Posted: Apr 16, 2012 Published: Apr 18, 2012 3 comments
The relaxed and crystal-clear sound of the Legacy Whisper XDs tempted my entire CD collection, but I knew what I really wanted to hear: Phish’s Lawn Boy. Both Page McConnel’s and Trey Anastasio’s nuanced phrasing and John Fishman’s tasteful drumming would shimmer in the clean layout projected by these speakers. Legacy’s Bill Duddleston put on my CD. An audiophile in front of me turns around...
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Ariel Bitran Posted: Apr 18, 2012 2 comments
From an email’s distance, Jeff Catalano and his dealership High Water Sound seemed an enigmatic business in my mind, selling esoteric hi-fi from a downtown NYC loft. So, I was a little intimidated to visit his room, but to my surprise, Catalano is as non-elusive as you can get, beaming with joy about hi-fi and music and even wearing a Triumph shirt(!), the true sign of an everyman. He tells me he is committed to selling gear that brings the most emotion out the music.

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Ariel Bitran Posted: Apr 16, 2012 Published: Apr 17, 2012 3 comments
I will state up-front that the Audio Note AN-E Lexus loudspeakers ($19,000/pair) and accompanying Audio Note gear was not my favorite system at the show. I did not have a favorite, as I particularly enjoyed the sound of many systems including the Sony room, the Innovative Audio room, and the High Water Sound room. Yet, I easily spent the most time at Audio Note. Why?

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Ariel Bitran Posted: Apr 15, 2012 Published: Apr 17, 2012 0 comments
On Day 1 of the New York Audio & AV show, I let the exhibitors play their demo tracks in hopes to hear some cool, new music, but I just ended up hearing Stevie Ray Vaughan, Wagner’s Ride of the Valkyries or ZZ Top’s “La Grange” over and over and over again, so on Day 2, I brought my own records.
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Ariel Bitran Posted: Apr 17, 2012 0 comments
There’s been lots of excitement slash praise over the Bricasti M1 DAC ($7,995) here at Stereophile from the two Johns (that’s Atkinson and Marks for the kids at home), so I made sure to take my chance to hear this DAC. I was struck by the DAC’s analog sensibilities, committing warmth and space to the music, and enjoyed how the minimum phase filters showcased options for gentler roll-offs at higher frequencies, allowing listeners to choose just how much bite and space surrounding each leading edge they care for. Since the supplied speaker stands were not tall enough for seated listeners, Brian Zolner had to stand his Harbeths on dresser drawers. Check out our reviews of the Bricasti M1 here and here
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Ariel Bitran Posted: Apr 16, 2012 Published: Apr 17, 2012 1 comments
At 10am on Saturday morning, my first stop was to visit Gideon Schwartz in the AudioArts room. Gideon and I had met the night before and shared hearty handshakes while basking in our Semitic auras. Schwartz welcomed listeners to come spin vinyl in his room, as indicated by his pre-show email, “Please bring your own LP's and it would be my pleasure to play them for you.” And that I did.
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Ariel Bitran Posted: Apr 17, 2012 0 comments
The Music First Audio room was getting a lot of buzz around the show for its sound: delicate and detailed, a sound which emphasized Chet Atkins’ nimble shredding on “Snowbird” perfectly. Like his fast-fingered attacks, the playback from a Revox reel-to-reel A77 fed to the passive Music First Baby Reference Preamp ($7900) into Rogers LS35A speakers powered by a Bel Canto S300 was nuanced and swift. Sam Tellig reviews a similar Music First Audio Classic Magnetic Preamplifier ($4185) in our upcoming June issue. Also appealing in this room were gorgeous and compact stands from Hi-Fi Racks.

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