Joseph Audio's Jeff Joseph didn't bring any new goodies to the show this year. He once again demonstrated the $2495/pair Insider. "I'm still trying to demonstrate how incredible an in-wall loudspeaker can sound—if it uses an infinite slope crossover, that is."
Bel Canto's John Stronczer made a bold decision to demonstrate exclusively with a music server streaming Music Giants. He ran the output from his laptop to the $2495 e.One DAC3 digital-to-analog processor and then directly to a pair of e.One REF1000 1000W monoblocks ($1995 each).
Lew Johnson pointed at the LP275M ($12,500). "This is something CJ hasn't done in a while: a high output tube monoblock. We use four pairs of 6550s to obtain 275W with our proprietary translinear transformers. We can configure it for 2, 4, 8, or 16 Ohm loads (standard is 4 Ohm). Like our most recent designs, we're using metal foil resistors and Teflon CJD capacitors. We'll be shipping them by February."
Ypsilon Electronics was a new name to me, so I wasn't sure what Jon Iverson and I would see when we entered its room. Whatever we expected, it wasn't the ginormous hybrid SET-100 monoblock amplifiers ($69,000/pair).
Von Schweikert Audio's VR-5 SEs ($25,000/pair) aren't new, but once again they impressed Jon Iverson and me with their verve and natural presentation of acoustic guitar. Nils Lofgren's "Keith Don't Go" kept us nailed to our seats for the whole 12 minutes—which, in CES Show mode, is equivalent to seven human years.
"I have a theory," I said to Jon Iverson. "There are two types of rooms at CES: The ones that make you want to sit down and listen forever and the ones that make you want to cover your ears and run into the halls screaming. This room," I said, encompassing Naim's $85,000 system with my sweeping arm, "is one of the former."