Pathos products don't resemble anything else in the audio world, but the $35,000/pair 150W Adrenaline Class-A monoblock is stunning even in a room packed with other Pathos gear. It's a zero feedback design and it sounded even more stunning than it looked.
Zanden's Kazutoshi Yamada builds amplifiers like Medieval villages built cathedrals: To glorify the quintessence. Jon Iverson and I were lured into his room because his Model 9600s were so . . . shiny (hey, we're guys, we're not complicated). Then we heard 'em driving the Ascendo System Z-F3 loudspeakers. Wowsers.
"I'm not done," Lew Johnson said. "I showed you our high-aspiration products, now here's one more from the heart: the ET250S is a more realistically priced product at $7500 for 250Wpc. At the heart of the amp is a single-ended triode amplifier that supplies the voltage gain. A high-current buffer stage couples that to the speaker load. That architecture gives you tube grace and finesse, but deliver all the brute force you need for any loudspeaker. We'll ship them in February."
Paul McGowan's $2500 PS Audio Power Plant Premier is radically different from his earlier power regenerating products. "For one thing, it's 85% efficient, which means it runs cooler and uses less energy," McGowan explained. "It has 10 Power Port receptacles with Nano Crystalline filters. It's even remote controlled."
Pathos Acoustics has one of the uniquest design esthetics in audio. Paolo Anriolo and Giaani Borinato beamed with delight as Jon Iverson and I oohed and ahhed over the $8000 Endorphin CD player and $1950 InControl preamplifier.
VAS Audio's Sze Leung is the most consistently up audiophile we know—he's always raving about his latest listening session or discovery. "This one's incredible," he exclaimed, pointing to the 80Wpc Cayin H-80A Class-A tube hybrid integrated amplifier (approximately $4000)."