"Here's something a little different for us," CJ's Lew Johnson continued his tour. "The $10,000 TEA1 triode equalization amplifier embodies our current understanding of the state-of-the-art in phono stage design. It's a zero loop feedback design with two tube gain stages and a passive equalization network. We put a high-current buffer stage isolates the unit from cable and other loading elements."
Joseph Audio's Jeff Joseph didn't bring any new goodies to the show this year. He once again demonstrated the $2495/pair Insider. "I'm still trying to demonstrate how incredible an in-wall loudspeaker can sound—if it uses an infinite slope crossover, that is."
Bel Canto's John Stronczer made a bold decision to demonstrate exclusively with a music server streaming Music Giants. He ran the output from his laptop to the $2495 e.One DAC3 digital-to-analog processor and then directly to a pair of e.One REF1000 1000W monoblocks ($1995 each).
Lew Johnson pointed at the LP275M ($12,500). "This is something CJ hasn't done in a while: a high output tube monoblock. We use four pairs of 6550s to obtain 275W with our proprietary translinear transformers. We can configure it for 2, 4, 8, or 16 Ohm loads (standard is 4 Ohm). Like our most recent designs, we're using metal foil resistors and Teflon CJD capacitors. We'll be shipping them by February."
Ypsilon Electronics was a new name to me, so I wasn't sure what Jon Iverson and I would see when we entered its room. Whatever we expected, it wasn't the ginormous hybrid SET-100 monoblock amplifiers ($69,000/pair).
Von Schweikert Audio's VR-5 SEs ($25,000/pair) aren't new, but once again they impressed Jon Iverson and me with their verve and natural presentation of acoustic guitar. Nils Lofgren's "Keith Don't Go" kept us nailed to our seats for the whole 12 minutes—which, in CES Show mode, is equivalent to seven human years.