Wes Phillips & Jon Iverson

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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 3 comments
We'd been told to check out Boulder's new music server, but that's not exactly what the $24,000 1021 Disc Player is. It's a CD player (with a few other formats "to be announced") that uses a computer disc drive to feed a one-minute buffer to "preserve the integrity of the audio signal delivered from the drive. "Also," confided Steve Rockwell, "the clock is about this far [pinches fingers together], so jitter is phenomenally low."
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 0 comments
Sumiko was showing the $2495 Primare DVD110 DVD/CD player/reciever. It's a two channel unit with a class-D 102Wpc amplifier and a couple of features you don't see on most stereo components: a subwoofer and 1080p video outs.
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 9 comments
The three phase power supply is pure Ayre. There are three amplifiers, one for each phase. "Essentially, they are mini-MXRs," said Silberman. They are 120 degrees out of phase with one another, and we need to tune each one with a stethoscope to achieve absolute pitch stability. The result?
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 1 comments
We were stunned to see Roger Skoff in the Ultralink/XLO room—we thought he'd retired years ago. "I did," he explained, "but I was asked to design some new stuff incorporating new technologies and more advanced versions of our existing designs."
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 1 comments
Sumiko had a new Pro-Ject turntable on display, the "approximately $2000" Perspex, which sports the new 9CC Evolution tonearm.
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 3 comments
Ayre's Steve Silberman was excited about the new DPS Ayre turntable. Charlie Hansen had hipped Wes Phillips to the then pending debut of the DPS Ayre back in September.
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 3 comments
The Music Player has tons of inputs: USB2.0, iPod (with control and display), S/PDIF digital coaxial, TOSlink digital optical, LAN, W-LAn, and RS232 for update and control interface.
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 7 comments
We ran into SinglePower Inc.'s Mikhail Rotenberg as he was sprinting down the hall to the Synergistic Research room. "Check these out," he said. "These are a 1932 Tung Argon 4327 and a 1943 722A (323), labeled Centennial, but manufactured by Western Electric."
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 1 comments
Behold bills itself as "true digital audio" since it maintains audio as a digital signal up to the amplifier stage. The 600Wpc BPA768 (US price TBD) incorporates 768kHz/24-bit signal processing, a switch-mode power supply, an analog output stage, and an integrated power conditioner.
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Wes Phillips & Jon Iverson Posted: Jan 12, 2007 3 comments
Many of the best-sounding rooms at the show employed Ayre's $16,500/pair 300W MX-R monoblock amplifiers. Yes, they look small enough to be class-D amplifiers, but they're pure analog. How'd they do it? The entire enclosure is the heatsink and Ayre's Charlie Hansen designed a special low-rise transformer, used in pairs, to keep the chassis so compact.

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