The three phase power supply is pure Ayre. There are three amplifiers, one for each phase. "Essentially, they are mini-MXRs," said Silberman. They are 120 degrees out of phase with one another, and we need to tune each one with a stethoscope to achieve absolute pitch stability. The result?
We were stunned to see Roger Skoff in the Ultralink/XLO room—we thought he'd retired years ago. "I did," he explained, "but I was asked to design some new stuff incorporating new technologies and more advanced versions of our existing designs."
We ran into SinglePower Inc.'s Mikhail Rotenberg as he was sprinting down the hall to the Synergistic Research room. "Check these out," he said. "These are a 1932 Tung Argon 4327 and a 1943 722A (323), labeled Centennial, but manufactured by Western Electric."
We're stunned at how few exhibitors spend money for the larger rooms on the 35th floor of the Venetian, since they are so sonically impressive. Sumiko's room with the $28,000 SME 2012, $6000 Audio Research PH7, $10,000 Audio Research Reference 3, Audio Research Reference 210 monoblock amplifiers ($9000/each), and brand-spanking new $25,000/pair Vienna Acoustic Die Musik loudspeakers had us glued to the sweet spot.
"Check this out!" Boulder's Richard Maez palmed the remote that accompanies Boulder's 865 integrated amp and 810 preamplifier. "It really fits in your hand—and unlike most remotes, it fits whether you're using your right or your left hand."