The PS Audio Memory Link ($1695) is a CD/DVD/RAM drive. It's a mechanical player (ie, it still spins the discs), but it has an unusually large cache. Conventional players have caches of around 8–16MB, the Memory Link has a 64MB cache. Why is this better?
The Replay Turntable ($3499) is Revolver's re-entry into the turntable market after a lengthy absence. It comes packaged with a Jelco tonearm although the company might eventually supply a top plate that can be drilled for any arm. It has a decoupled suspension—which is not sprung–and a large flat belt driven by an AC motor with an outboard power supply. At 50 lbs, it's no lightweight.
The Lyngdorf Server 1 is a music and video server had us drooling. Lyngdorf, of course, loves to keep signals digital until the last millimeter, building DACs into their active DSP-driven loudspeakers. The Server 1 sounded great—there was just one problem: It isn't available. Yet.
"You know," Alon Wolf told us. A lot of what you liked about the sound of my music server was the Pacific Microsonics Model Two DAC I was using. But that's no longer manufactured, this is even better and only $5000."
We'd been told to check out Boulder's new music server, but that's not exactly what the $24,000 1021 Disc Player is. It's a CD player (with a few other formats "to be announced") that uses a computer disc drive to feed a one-minute buffer to "preserve the integrity of the audio signal delivered from the drive. "Also," confided Steve Rockwell, "the clock is about this far [pinches fingers together], so jitter is phenomenally low."
Sumiko was showing the $2495 Primare DVD110 DVD/CD player/reciever. It's a two channel unit with a class-D 102Wpc amplifier and a couple of features you don't see on most stereo components: a subwoofer and 1080p video outs.
The three phase power supply is pure Ayre. There are three amplifiers, one for each phase. "Essentially, they are mini-MXRs," said Silberman. They are 120 degrees out of phase with one another, and we need to tune each one with a stethoscope to achieve absolute pitch stability. The result?
We were stunned to see Roger Skoff in the Ultralink/XLO room—we thought he'd retired years ago. "I did," he explained, "but I was asked to design some new stuff incorporating new technologies and more advanced versions of our existing designs."