Wes Phillips & Jon Iverson

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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 3 comments
The Replay Turntable ($3499) is Revolver's re-entry into the turntable market after a lengthy absence. It comes packaged with a Jelco tonearm although the company might eventually supply a top plate that can be drilled for any arm. It has a decoupled suspension—which is not sprung–and a large flat belt driven by an AC motor with an outboard power supply. At 50 lbs, it's no lightweight.
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 0 comments
We were listening to Magico's fabulous V3s ($25,000/pair), which John Atkinson will be reviewing in the May issue, when we noticed a large music server. "What's that?"
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 0 comments
The Lyngdorf Server 1 is a music and video server had us drooling. Lyngdorf, of course, loves to keep signals digital until the last millimeter, building DACs into their active DSP-driven loudspeakers. The Server 1 sounded great—there was just one problem: It isn't available. Yet.
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 0 comments
We'd heard of Aurum Acoustics, of course. We read Stereophile and were impressed by Art Dudley's account of his adventures with the Integris 300B Active loudspeakers.
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 1 comments
"You know," Alon Wolf told us. A lot of what you liked about the sound of my music server was the Pacific Microsonics Model Two DAC I was using. But that's no longer manufactured, this is even better and only $5000."
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Wes Phillips & Jon Iverson Posted: Jan 08, 2008 1 comments
Audio Space's DAC-1 US ($3000) is a hybrid tube/Mosfet DAC with a difference.It has two pairs of RCA analog outputs: One deriving its signal from the tube DAC; the other taking its signal from the discrete Mosfet DAC.
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 9 comments
The three phase power supply is pure Ayre. There are three amplifiers, one for each phase. "Essentially, they are mini-MXRs," said Silberman. They are 120 degrees out of phase with one another, and we need to tune each one with a stethoscope to achieve absolute pitch stability. The result?
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 1 comments
We were stunned to see Roger Skoff in the Ultralink/XLO room—we thought he'd retired years ago. "I did," he explained, "but I was asked to design some new stuff incorporating new technologies and more advanced versions of our existing designs."
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 1 comments
Sumiko had a new Pro-Ject turntable on display, the "approximately $2000" Perspex, which sports the new 9CC Evolution tonearm.
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Wes Phillips & Jon Iverson Posted: Jan 07, 2008 3 comments
Ayre's Steve Silberman was excited about the new DPS Ayre turntable. Charlie Hansen had hipped Wes Phillips to the then pending debut of the DPS Ayre back in September.

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