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Michael Lavorgna Posted: Jun 05, 2011 0 comments
Antelope Audio is relatively new to the consumer audio market but relatively old to the pro audio market. Their first consumer product, the Zodiac line of DACs, is available in three levels—Silver ($1899), Black ($2899) and Gold ($4500). In use at T.H.E. Show was the Zodiac Gold with the optional Voltikus Analog Power Supply ($1000). Antelope Audio made their mark in the pro world with their jitter-free clocking products and they’ve brought this experience to the Zodiac line. The Gold features include a custom USB chip that streams audio up to 384kHz and the Antelope Oven Clock “for supreme stability.” Connections include: 2x headphone outputs on ¼" TRS, trimmable balanced analog outputs on XLR, unbalanced analog outputs on RCA, balanced analog Inputs on ¼" TRS, unbalanced analog Inputs on RCA, AES/EBU digital input, 2x S/PDIF coaxial Inputs, 2x optical Toslink inputs, USB on standard B type connector, Word Clock Input on BNC, de-jittered AES/EBU output, and de-jittered 2x S/PDIF outputs. Associated equipment in the room included. . .
Michael Lavorgna Posted: Jun 05, 2011 3 comments
Robert Lee of Acoustic Zen, one the most photogenic men in hi-fi, is shown here with his Crescendo loudspeakers ($16,000/pair) and electronics from Triode Corporation (Tri)—TRV-845SE amplifier ($6000), TRX-1 tube preamplifier ($3000), and the TRV-CD4SE tube CD player ($2200). Cables were from Acoustic Zen. I wrote down “gentle top end” in my scratch pad and that’s what I recall—this was an easy-to-like listen.
Michael Lavorgna Posted: Jun 05, 2011 3 comments
The Channel Islands Audio room featured two brand spankin' new products; the Soul Sister loudspeakers ($5000/pair with an optional up-charge of $1000 for custom veneer) which reach down to 27Hz and have a 90dB sensitivity according to Dusty Vawter of CI Audio. They should be available within two months. The other new product is so new it showed up in prototype plain clothes—the upcoming Asynchronous USB DAC ($1500 projected price), which should be available in the near future and feature 3 coax inputs, 3 Toslink inputs, and a USB input and will handle resolutions up to 32 bits and sampling rates as high as 384kHz. All electronics were. . .
Michael Lavorgna Posted: Jun 05, 2011 1 comments
Next up was Peter Bichel Noerbaek’s kit loudspeaker, the Pennywise, which costs $1250/pair for the parts (drivers and crossovers) and $3000/pair for the finished cabinets (with piano gloss finish). Unless you have some serious woodworking chops, you’d be pound foolish to take on this cabinet as a DIY weekend warrior project. Associated electronics included the Olympia AX amplifiers ($8500/each) run here as monoblocks but you can also flip a switch for stereo operation, the PS Audio PerfectWave Transport and DAC ($2999.99 each), and XLO Signature 3 cables.
Michael Lavorgna Posted: Jun 05, 2011 0 comments
Distributor Grant Fidelity was showing a bevy of products from China. On active display were the 89dB-sensitive Shengya V218 Wood Horn Monitors ($1900/pair), the Grant Fidelity W-30 Integrated All-In-One tube amp, which includes a built-in 24/192 DAC (though the DAC-part was not being used), a Consonance D-Linear 7 HD Interface ($1250), and a Consonance D-Linear8 Wireless HD D/A converter. Cables were the Grant Fidelity MRCA-1 Gold Coated Copper Reference Interconnects ($350/1m) and the Grant Fidelity MSC-2.5 Pure Copper Reference Speaker Cables ($450/2.5m).

A new line of electronics from Grant Fidelity called Psvane come with Treasure Tubes vacuum tubes from Grant Fidelity. These tubes are made in the Shuguang tube factory. Sitting on the outside of the other amps in the picture are the so-new-no-one-knows-about-'em Psvane T845 monoblock amplifiers ($8995/pair).

Michael Lavorgna Posted: Jun 05, 2011 0 comments
Yes, that ESS of Heil Air-Motion Transformer fame from the 1970s. On active display was a pair of the über-cool looking (especially nude) AMT Limited Edition loudspeakers ($5495/pair and pictured nearest to the side walls) which use the Heil Air-Motion Transformer for midrange and tweeter duties, while a 12" front-facing woofer and rear-firing passive radiator take care of the rest. The AMT Limited Editions were powered by a pair of CI Audio D-200 MkII monoblocks ($3500/pair), with a CI Audio PLC-1 MkII passive line controller ($900), CI Audio VDA-2 24-bit DAC ($599), and Sony NS3100ES SACD player following upstream. No one really wanted to talk abut cables here either.
Michael Lavorgna Posted: Jun 05, 2011 1 comments
PBN Audio is the brainchild of Peter Bichel Noerbaek and its line of equipment runs end-to-end. On exhibit were the Liberty Innerchoic Loudspeakers ($15,000/pair) that use 48 layers of MDF in an “eggcrate” construction on the interior walls to “absorb unwanted reflective sound waves”, the Olympia EB-SA1 ($15,000/each), named in honor of Erno Borbely, can be run as a stereo amp or monoblocks with the flip of a switch, the Olympia PX Phono stage ($20,000), Olympia LX line stage ($20,000) and the Groovemaster turntable ($10,000) sporting a 12" SME tonearm. Speaker cable and interconnects were the XLO Signature 3 and a 75ohm BNC cable was used between the line-stage and amplifier.

While there was no room treatment in sight and the Liberty Innerchoic loudspeakers were not exactly bass shy, there were no room issues that plagued some other exhibitors. My notes on the sound read—"groovy."

Michael Lavorgna Posted: Jun 05, 2011 5 comments
Dynamic Contrasts manufactures the RTS Racking System, an equipment-support system that squeezes the bad vibes out of your gear. Okay, so that’s my interpretation but if you want to know what they’re talking about, I’d recommend a visit to their website. A three-shelf RTS Racking System will run you $12,900 and each additional shelf adds $2200. It's difficult to see in this picture (you can see part of an empty rack on the right side in front of the speaker), but this rack is very unconventional and instead of having support shelves, it has support arms that clamp your gear in place. So in effect, your gear is not "sitting," it's being gripped in place. Sort of like a medieval kind of rack. . .
Michael Lavorgna Posted: Jun 04, 2011 0 comments
More ribbons this time, from Flat Panel Technologies. This company makes what its name suggests mainly for commercial installations—PA systems, car audio and more. Their tiny “Hybrid Speaker” uses a flat panel on one side and relies on the resonance of whatever it’s attached to on the other (metal and hard plastics work best according to FPS) for bass reinforcement. I guess resonance isn’t always bad.
Michael Lavorgna Posted: Jun 04, 2011 1 comments
Tonian Acoustics was showing its new loudspeaker, the TL-S1 ($4300/pair as shown and up to $5700/pair with alnico magnet and custom veneer), which uses a modified SEAS driver run full-range augmented with a modified Fountek ribbon tweeter in a semi-open baffle. The speaker comes with several panels that allow more or less sound through an opening in the back of the cabinet, thus the "semi-open" aspect. Driving the TL-S1s were a relatively modest pair of vintage 1980s components—the Audiolab 8000 integrated amp and the Magnavox 650 CD player. The system was wired with Tonian Acoustics cable, which is a copper, bronze, and brass composite with cotton insulation (8' speaker cable $480/pair, 1m interconnect $380/pair and power cords $370). Contrary to what you might expect from '80s-era digital (read harsh) and solid-state, this system was relaxed, smooth and easy to listen to.