Michael Lavorgna

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Michael Lavorgna Posted: Jun 05, 2011 5 comments
Dynamic Contrasts manufactures the RTS Racking System, an equipment-support system that squeezes the bad vibes out of your gear. Okay, so that’s my interpretation but if you want to know what they’re talking about, I’d recommend a visit to their website. A three-shelf RTS Racking System will run you $12,900 and each additional shelf adds $2200. It's difficult to see in this picture (you can see part of an empty rack on the right side in front of the speaker), but this rack is very unconventional and instead of having support shelves, it has support arms that clamp your gear in place. So in effect, your gear is not "sitting," it's being gripped in place. Sort of like a medieval kind of rack. . .
Michael Lavorgna Posted: Jun 05, 2011 0 comments
Albert von Schweikert was showing his factory-direct VR-33 speakers ($3750/pair) with Jolida electronics—Jolida JD 1000RC tube integrated amplifier ($2400) and the Jolida JD 100A vacuum-tube CD player ($1000). While I was in the room, we were treated to some real tape played by a United Home Audio UHA HQ open-reel deck (starting at $7998) and from my experience it’s really hard to make a decent tape sound bad. Interconnects and speaker cables were Master-Built Purple Line ($500/pair for the interconnects and $800/pair for the speaker cable).

With a system price of $8450 (not counting the tape deck), von Schweikert was calling his system “T.H.E. Show’s Best Value System,” at least on their literature, and I have no idea if that was the case or not (and I kinda doubt that anyone can know that kinda thing for sure). But I completely understand the impulse.

Michael Lavorgna Posted: Jun 05, 2011 0 comments
Antelope Audio is relatively new to the consumer audio market but relatively old to the pro audio market. Their first consumer product, the Zodiac line of DACs, is available in three levels—Silver ($1899), Black ($2899) and Gold ($4500). In use at T.H.E. Show was the Zodiac Gold with the optional Voltikus Analog Power Supply ($1000). Antelope Audio made their mark in the pro world with their jitter-free clocking products and they’ve brought this experience to the Zodiac line. The Gold features include a custom USB chip that streams audio up to 384kHz and the Antelope Oven Clock “for supreme stability.” Connections include: 2x headphone outputs on ¼" TRS, trimmable balanced analog outputs on XLR, unbalanced analog outputs on RCA, balanced analog Inputs on ¼" TRS, unbalanced analog Inputs on RCA, AES/EBU digital input, 2x S/PDIF coaxial Inputs, 2x optical Toslink inputs, USB on standard B type connector, Word Clock Input on BNC, de-jittered AES/EBU output, and de-jittered 2x S/PDIF outputs. Associated equipment in the room included. . .
Michael Lavorgna Posted: Jun 05, 2011 3 comments
Robert Lee of Acoustic Zen, one the most photogenic men in hi-fi, is shown here with his Crescendo loudspeakers ($16,000/pair) and electronics from Triode Corporation (Tri)—TRV-845SE amplifier ($6000), TRX-1 tube preamplifier ($3000), and the TRV-CD4SE tube CD player ($2200). Cables were from Acoustic Zen. I wrote down “gentle top end” in my scratch pad and that’s what I recall—this was an easy-to-like listen.
Michael Lavorgna Posted: Jun 05, 2011 3 comments
The Channel Islands Audio room featured two brand spankin' new products; the Soul Sister loudspeakers ($5000/pair with an optional up-charge of $1000 for custom veneer) which reach down to 27Hz and have a 90dB sensitivity according to Dusty Vawter of CI Audio. They should be available within two months. The other new product is so new it showed up in prototype plain clothes—the upcoming Asynchronous USB DAC ($1500 projected price), which should be available in the near future and feature 3 coax inputs, 3 Toslink inputs, and a USB input and will handle resolutions up to 32 bits and sampling rates as high as 384kHz. All electronics were. . .
Michael Lavorgna Posted: Jun 05, 2011 1 comments
Next up was Peter Bichel Noerbaek’s kit loudspeaker, the Pennywise, which costs $1250/pair for the parts (drivers and crossovers) and $3000/pair for the finished cabinets (with piano gloss finish). Unless you have some serious woodworking chops, you’d be pound foolish to take on this cabinet as a DIY weekend warrior project. Associated electronics included the Olympia AX amplifiers ($8500/each) run here as monoblocks but you can also flip a switch for stereo operation, the PS Audio PerfectWave Transport and DAC ($2999.99 each), and XLO Signature 3 cables.
Michael Lavorgna Posted: Jun 05, 2011 0 comments
Distributor Grant Fidelity was showing a bevy of products from China. On active display were the 89dB-sensitive Shengya V218 Wood Horn Monitors ($1900/pair), the Grant Fidelity W-30 Integrated All-In-One tube amp, which includes a built-in 24/192 DAC (though the DAC-part was not being used), a Consonance D-Linear 7 HD Interface ($1250), and a Consonance D-Linear8 Wireless HD D/A converter. Cables were the Grant Fidelity MRCA-1 Gold Coated Copper Reference Interconnects ($350/1m) and the Grant Fidelity MSC-2.5 Pure Copper Reference Speaker Cables ($450/2.5m).

A new line of electronics from Grant Fidelity called Psvane come with Treasure Tubes vacuum tubes from Grant Fidelity. These tubes are made in the Shuguang tube factory. Sitting on the outside of the other amps in the picture are the so-new-no-one-knows-about-'em Psvane T845 monoblock amplifiers ($8995/pair).

Michael Lavorgna Posted: Jun 04, 2011 0 comments
Inex’s innovation involves the use of fiber-optic cable in its A200 preamp ($12500) and Inex CD Player ($7500). The Inex A100 monoblock amplifiers ($14,000/pair) were manhandling a pair of Märten Heritage Getz speakers ($20,000/pair) at light speed. Of course this could only be possible if the cables were up to task and luckily the Harmonic Technology Photon Amp interconnects ($2000/1.5m pair) use “analog domain laser and fiber optic technology” to convert the audio signal to light pulses and back again.
Michael Lavorgna Posted: Jun 04, 2011 0 comments
Do you see that picture of Zu Audio’s Sean Casey? See him smiling? I took a whole bunch of pictures in the Zu room and I’ll be damned if Sean isn’t smiling in every one. Part of the reason he’s smiling, I’m guessing, is because he’s enjoying himself and the music he’s spinning on those tricked out Technics turntables (Rega RB700 tonearms “with nuts” and Zu Denon 301 cartridges). In the brief time I was there we heard Beck, The Silver Jews, and Steve Earle on the Zu Soul Superfly loudspeakers ($3000/pair), with the Audion Silver Knight integrated amp and a Rane pre/mixer. You can't see it in the picture but I was smiling too.

One other way to get more people interested in this wonderful hobby of ours is to have fun listening to great music and to show it.

Michael Lavorgna Posted: Jun 04, 2011 0 comments
The GamuT room was chock-full of gear from GamuT, LA Audio, and Triangle Art Turntables. In use was the GamuT M250 monoblocks ($20,995/pair), GamuT D31 preamp ($7500), GamuT CD3 ($6500), the M’inenT M7 loudspeakers ($17,000/pair), and the Triangle Art Reference Turntable ($20,995). While the sound from this system was intriguing in a visceral way, there was too much speaker and power for this poor little battered hotel room to handle. Even though the speakers were angled way in to avoid room boundary reinforcement, there was still some sonic boom.

I heard a number of exhibitors complaining about the bass issues caused by these rooms, oddly not so much from the subwoofer guys, so it's worth repeating that old show report caveat—we’re only talking about a very brief listen to unfamiliar components in unfamiliar systems in typically lousy rooms at times involving typically lousy music (albeit well-recorded), so I try to keep personal commentary on sound quality to a minimum.

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