Michael Lavorgna

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Michael Lavorgna Posted: Jun 06, 2011 0 comments
Distributor Fidelis AV was showing products from its worldly stable, including the Harbeth Compact 7ES speaker ($3950/pair in Rosewood, $3650/pair in Cherry), the Perreaux Audiant 80i, an 80Wpc integrated amplifier that comes with an internal USB DAC and phono stage ($2995), the Palmer Audio 2.5 turntable ($6000), with an Audio Oragami tonearm ($3000) and Dynavector 20X2 cartridge ($850), all tied together by LFD cables. The more astute observer may notice a little black box sitting on a thin white stand behind the left loudspeaker. That's . . .
Michael Lavorgna Posted: Jun 06, 2011 6 comments
"Tons of body, weight, speed, great, big and open. How big can a flamenco guitar be?" read my notes from the sonically impressive YG Acoustics room. Speakers were the YG Kipod 2 ($49,000/pair). Associated electronics: Tenor 350M monoblocks (Cdn$100,000/pair), Tenor Line 1/Power 1 preamplifier (Cdn$75,000), Bryston BDP-1, dCS Scarlatti DAC, with cable by Kubala-Sosna.
Michael Lavorgna Posted: Jun 06, 2011 1 comments
"Gut wrenching." That’s from my notes and they appear to have been written in a shaky hand. Joe Cohen of the Lotus Group gathered a group of gear together that can knock you off your seat or perhaps soothe your inner savage beast with some delicacy when called for.

The system—Lotus Group Granada G2 Loudspeakers with X-1 DSP crossover, room correction, and a 500W woofer amp ($74,500/system), Aesthetix Atlas hybrid stereo amplifier ($8000/each—the equipment list graciously provided by The Lotus Group lists 2), SMc Audio VRE-1B preamplifier ($15,950), Aesthetix Io Eclipse phono stage ($15,500), Hanss T-60 turntable ($7000), Oyaide STB-MS LP Stabilizer ($1599), Ortofon T-110 tonearm ($1599), Ortofon Winfield cartridge ($3750), dCS Puccini CD/SACD Player ($17,999), and a dCS Puccini Clock ($5499). All cable was from PranaWire, with the exception of the Acrolink 8N-RPH 5 Pin/RCA Phono cable ($2450). An Oyaide MTB-4 R1 Power Distribution box ($800) was also in use.

Michael Lavorgna Posted: Jun 06, 2011 0 comments

Retailer, Melody Audio distributor, and speaker manufacturer Angel City Audio was showing off its new Trinity Monitor Series Speaker ($1899/pair) a two-way that uses a Vifa XT Concentric Ring-Radiator Tweeter and a pair of custom 7" woofers in a rear-ported cabinet. Frequency range is stated as 40Hz–37kHz in their literature with sensitivity of 90dB and a nominal impedance of 4 ohms. A pair of Melody PM 845 monoblocks ($7959/pair) handled that load without breaking a sweat, with the Melody PB101 preamp ($4490) and Melody XCD 50 CD player ($3800) handling things up-stream. All cables are custom in-house, don't ask don't tell, Type Is and there is currently no pricing information available.

Michael Lavorgna Posted: Jun 05, 2011 1 comments
PBN Audio is the brainchild of Peter Bichel Noerbaek and its line of equipment runs end-to-end. On exhibit were the Liberty Innerchoic Loudspeakers ($15,000/pair) that use 48 layers of MDF in an “eggcrate” construction on the interior walls to “absorb unwanted reflective sound waves”, the Olympia EB-SA1 ($15,000/each), named in honor of Erno Borbely, can be run as a stereo amp or monoblocks with the flip of a switch, the Olympia PX Phono stage ($20,000), Olympia LX line stage ($20,000) and the Groovemaster turntable ($10,000) sporting a 12" SME tonearm. Speaker cable and interconnects were the XLO Signature 3 and a 75ohm BNC cable was used between the line-stage and amplifier.

While there was no room treatment in sight and the Liberty Innerchoic loudspeakers were not exactly bass shy, there were no room issues that plagued some other exhibitors. My notes on the sound read—"groovy."

Michael Lavorgna Posted: Jun 05, 2011 5 comments
Dynamic Contrasts manufactures the RTS Racking System, an equipment-support system that squeezes the bad vibes out of your gear. Okay, so that’s my interpretation but if you want to know what they’re talking about, I’d recommend a visit to their website. A three-shelf RTS Racking System will run you $12,900 and each additional shelf adds $2200. It's difficult to see in this picture (you can see part of an empty rack on the right side in front of the speaker), but this rack is very unconventional and instead of having support shelves, it has support arms that clamp your gear in place. So in effect, your gear is not "sitting," it's being gripped in place. Sort of like a medieval kind of rack. . .
Michael Lavorgna Posted: Jun 05, 2011 0 comments
Albert von Schweikert was showing his factory-direct VR-33 speakers ($3750/pair) with Jolida electronics—Jolida JD 1000RC tube integrated amplifier ($2400) and the Jolida JD 100A vacuum-tube CD player ($1000). While I was in the room, we were treated to some real tape played by a United Home Audio UHA HQ open-reel deck (starting at $7998) and from my experience it’s really hard to make a decent tape sound bad. Interconnects and speaker cables were Master-Built Purple Line ($500/pair for the interconnects and $800/pair for the speaker cable).

With a system price of $8450 (not counting the tape deck), von Schweikert was calling his system “T.H.E. Show’s Best Value System,” at least on their literature, and I have no idea if that was the case or not (and I kinda doubt that anyone can know that kinda thing for sure). But I completely understand the impulse.

Michael Lavorgna Posted: Jun 05, 2011 0 comments
Antelope Audio is relatively new to the consumer audio market but relatively old to the pro audio market. Their first consumer product, the Zodiac line of DACs, is available in three levels—Silver ($1899), Black ($2899) and Gold ($4500). In use at T.H.E. Show was the Zodiac Gold with the optional Voltikus Analog Power Supply ($1000). Antelope Audio made their mark in the pro world with their jitter-free clocking products and they’ve brought this experience to the Zodiac line. The Gold features include a custom USB chip that streams audio up to 384kHz and the Antelope Oven Clock “for supreme stability.” Connections include: 2x headphone outputs on ¼" TRS, trimmable balanced analog outputs on XLR, unbalanced analog outputs on RCA, balanced analog Inputs on ¼" TRS, unbalanced analog Inputs on RCA, AES/EBU digital input, 2x S/PDIF coaxial Inputs, 2x optical Toslink inputs, USB on standard B type connector, Word Clock Input on BNC, de-jittered AES/EBU output, and de-jittered 2x S/PDIF outputs. Associated equipment in the room included. . .
Michael Lavorgna Posted: Jun 05, 2011 3 comments
Robert Lee of Acoustic Zen, one the most photogenic men in hi-fi, is shown here with his Crescendo loudspeakers ($16,000/pair) and electronics from Triode Corporation (Tri)—TRV-845SE amplifier ($6000), TRX-1 tube preamplifier ($3000), and the TRV-CD4SE tube CD player ($2200). Cables were from Acoustic Zen. I wrote down “gentle top end” in my scratch pad and that’s what I recall—this was an easy-to-like listen.
Michael Lavorgna Posted: Jun 05, 2011 3 comments
The Channel Islands Audio room featured two brand spankin' new products; the Soul Sister loudspeakers ($5000/pair with an optional up-charge of $1000 for custom veneer) which reach down to 27Hz and have a 90dB sensitivity according to Dusty Vawter of CI Audio. They should be available within two months. The other new product is so new it showed up in prototype plain clothes—the upcoming Asynchronous USB DAC ($1500 projected price), which should be available in the near future and feature 3 coax inputs, 3 Toslink inputs, and a USB input and will handle resolutions up to 32 bits and sampling rates as high as 384kHz. All electronics were. . .

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