Michael Lavorgna

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Michael Lavorgna Posted: Jun 06, 2011 2 comments
Speaking of people who enjoy spinning great music, next up was Dan Meinwald, the US Distributor for E.A.R. electronics, Mårten loudspeakers, Jorma Design cables, and Townshend Audio. We listened to the Mårten Coltrane loudspeakers ($70,000/pair), EAR 890 amplifier ($7995), EAR 912 preamplifier ($12,500), EAR Acute III CD player ($5895 in black, $6595 in chrome), and Helius Omega tonearm ($2900) fitted with a London Reference cartridge ($5295). Cabling was from Jorma Design and included the Origo interconnects ($5250/1m pair) and the Jorma Origo speaker cables ($7000/1m pair).

Neil Young’s Love and War nearly had me in tears (I think I may have been over-tired) but the experience was completely enveloping, erasing all thoughts of hi-fi and other distractions. I wonder if the people in the hi-fi industry who have a real love for music—and I don’t think they all do—necessarily also have a love for reproducing it in a way that pays more attention to it, the music, than the hi-fi. I tend to think so.

Michael Lavorgna Posted: Jun 06, 2011 0 comments
On Saturday and Sunday. T.H.E. Show attendees had the opportunity to see who was the tallest reviewer among the group. And ask them questions. I was only able to stay for a few minutes but the room was nearly full with eager attendees, with at least one audiophile dying to understand why, oh why, do hi-fi publications review things that he thinks are too expensive. The panel astutely observed, they don’t.

From left to right: Steve Rochlin (EnjoytheMusic.com), Robert Harley (The Absolute Sound), David Robinson and David Clark (Positive Feedback Online), Michael Fremer (Stereophile, but you already knew that), Paul Seydor and Neil Gader (The Absolute Sound).

Michael Lavorgna Posted: Jun 06, 2011 0 comments
I’ve been hearing about Fritz Loudspeakers, which are available via direct sales only, for years but I hadn’t heard any until now. The Fritz Carbon 7 speakers ($1795/pair–$2395/pair) were connected to the 100Wpc Modwright KWA 100 SE stereo amplifier ($4295), which was connected to the Modwright LS 100 preamplifier ($3495). This has a phono stage but there was also a Zesto Audio Andros 1 tube phono stage in the room ($3900), which I'm assuming was in use since Zesto was also listed as one of the exhibitors in this room. Sources were the Thorens TD 309 turntable ($1900), an Esoteric SA60 universal disc player ($4995), and a PS Audio DAC Link III ($995) connected to a laptop. Cables were from Wywires, power cords were plugged into a Cryo-Parts Power Strip ($299), and everything sat on a Steve Blinn Designs Reference Equipment Rack ($1899).

I’m embarrassed to admit that I somehow neglected to take a photo of the inside of the Fritz Loudspeakers room, so the photo was supplied by Fritz Heiler. I did note that we listened to Jimmy Rogers' "Blue Bird" on vinyl and it sounded finely detailed yet not too etched. Harmonica in particular, which can be a difficult instrument to get right, sounded very natural.

Michael Lavorgna Posted: Jun 06, 2011 0 comments
The Episode V ($12,500/pair) is a "ground-breaking wide-dispersion speaker" and you can pretty much intuit from the photo of the speaker the angle they’ve taken. The 88dB/4 ohm Episode V was driven by the Simaudio Moon 600i integrated amplifier and a Simaudio Moon SuperNova CD player handled the discs. (Both Simaudio components were courtesy of Definition Audio.) All cable was, and I quote, "audio grade cable." I'd like to tell you more about the dispersion characteristics of this loudspeaker and if it in fact broke any ground but there was not enough time for me to play musical chairs. Sitting centered, out of habit, I found the Episodes sounded airy.
Michael Lavorgna Posted: Jun 06, 2011 0 comments
Distributor Fidelis AV was showing products from its worldly stable, including the Harbeth Compact 7ES speaker ($3950/pair in Rosewood, $3650/pair in Cherry), the Perreaux Audiant 80i, an 80Wpc integrated amplifier that comes with an internal USB DAC and phono stage ($2995), the Palmer Audio 2.5 turntable ($6000), with an Audio Oragami tonearm ($3000) and Dynavector 20X2 cartridge ($850), all tied together by LFD cables. The more astute observer may notice a little black box sitting on a thin white stand behind the left loudspeaker. That's . . .
Michael Lavorgna Posted: Jun 06, 2011 6 comments
"Tons of body, weight, speed, great, big and open. How big can a flamenco guitar be?" read my notes from the sonically impressive YG Acoustics room. Speakers were the YG Kipod 2 ($49,000/pair). Associated electronics: Tenor 350M monoblocks (Cdn$100,000/pair), Tenor Line 1/Power 1 preamplifier (Cdn$75,000), Bryston BDP-1, dCS Scarlatti DAC, with cable by Kubala-Sosna.
Michael Lavorgna Posted: Jun 06, 2011 1 comments
"Gut wrenching." That’s from my notes and they appear to have been written in a shaky hand. Joe Cohen of the Lotus Group gathered a group of gear together that can knock you off your seat or perhaps soothe your inner savage beast with some delicacy when called for.

The system—Lotus Group Granada G2 Loudspeakers with X-1 DSP crossover, room correction, and a 500W woofer amp ($74,500/system), Aesthetix Atlas hybrid stereo amplifier ($8000/each—the equipment list graciously provided by The Lotus Group lists 2), SMc Audio VRE-1B preamplifier ($15,950), Aesthetix Io Eclipse phono stage ($15,500), Hanss T-60 turntable ($7000), Oyaide STB-MS LP Stabilizer ($1599), Ortofon T-110 tonearm ($1599), Ortofon Winfield cartridge ($3750), dCS Puccini CD/SACD Player ($17,999), and a dCS Puccini Clock ($5499). All cable was from PranaWire, with the exception of the Acrolink 8N-RPH 5 Pin/RCA Phono cable ($2450). An Oyaide MTB-4 R1 Power Distribution box ($800) was also in use.

Michael Lavorgna Posted: Jun 06, 2011 0 comments

Retailer, Melody Audio distributor, and speaker manufacturer Angel City Audio was showing off its new Trinity Monitor Series Speaker ($1899/pair) a two-way that uses a Vifa XT Concentric Ring-Radiator Tweeter and a pair of custom 7" woofers in a rear-ported cabinet. Frequency range is stated as 40Hz–37kHz in their literature with sensitivity of 90dB and a nominal impedance of 4 ohms. A pair of Melody PM 845 monoblocks ($7959/pair) handled that load without breaking a sweat, with the Melody PB101 preamp ($4490) and Melody XCD 50 CD player ($3800) handling things up-stream. All cables are custom in-house, don't ask don't tell, Type Is and there is currently no pricing information available.

Michael Lavorgna Posted: Jun 05, 2011 1 comments
PBN Audio is the brainchild of Peter Bichel Noerbaek and its line of equipment runs end-to-end. On exhibit were the Liberty Innerchoic Loudspeakers ($15,000/pair) that use 48 layers of MDF in an “eggcrate” construction on the interior walls to “absorb unwanted reflective sound waves”, the Olympia EB-SA1 ($15,000/each), named in honor of Erno Borbely, can be run as a stereo amp or monoblocks with the flip of a switch, the Olympia PX Phono stage ($20,000), Olympia LX line stage ($20,000) and the Groovemaster turntable ($10,000) sporting a 12" SME tonearm. Speaker cable and interconnects were the XLO Signature 3 and a 75ohm BNC cable was used between the line-stage and amplifier.

While there was no room treatment in sight and the Liberty Innerchoic loudspeakers were not exactly bass shy, there were no room issues that plagued some other exhibitors. My notes on the sound read—"groovy."

Michael Lavorgna Posted: Jun 05, 2011 5 comments
Dynamic Contrasts manufactures the RTS Racking System, an equipment-support system that squeezes the bad vibes out of your gear. Okay, so that’s my interpretation but if you want to know what they’re talking about, I’d recommend a visit to their website. A three-shelf RTS Racking System will run you $12,900 and each additional shelf adds $2200. It's difficult to see in this picture (you can see part of an empty rack on the right side in front of the speaker), but this rack is very unconventional and instead of having support shelves, it has support arms that clamp your gear in place. So in effect, your gear is not "sitting," it's being gripped in place. Sort of like a medieval kind of rack. . .

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