Newly unveiled in the Cary Audio room was the CAD 211 Founders Edition amplifier. This fully balanced monoblock retails for $20,000/pair. The amps have taps for 4, 8 and 16 ohm speakers and specified as putting out 70W in class-A, increasing to 110W when pushed into class-AB. They also employ zero feedback so I'm not going to send them to JA's test bench (low-feedback designs seem to make him grumpy). They sounded sweet and full-bodied driving the Marten Coltrane speakers, with cabling by Tara Labs. It is ironic, however, noted JA, that Cary founder Dennis Had retired from Cary in the fall of 2009.
As I wandered the halls looking for the next audio fix, a friendly voice with a thick Swedish accent called out to me. Since I'm pretty new at the magazine, I wondered who might be calling out my name let alone who might be calling out name that's from Scandinavia. It turned out it was Timo Engstrom, the maker of The Lars two-chassis, tube integrated amplifier that Art Dudley wrote about in June 2009. Somehow Timo read my badge and knew I was covering amplification at CES for Stereophilehe must have good eyes. He invited me in to have a listen to the Lars.
The folks at Simaudio were happy to leave the frozen tundra of Canada and bring their wares to the mild climate of Las Vegas. This year they showed off their new Moon 600i integrated amplifier ($8000). The 600i is a beautifully built, dual-mono amplifier that puts out 125Wpc into 8 ohms and sounded lovely.
Musical Fidelity, now distributed in the US by Tempo, had a room at the Mirage and were displaying lots of new equipment. As part of their newly released M series, Antony Michaelson's company showed off the M6i dual-mono integrated amplifier. The amps' circuitry design trickles down from the Musical Fidelity Titan amp reviewed last June by Michael Fremer. The amp puts out 200Wpc, retails for $3000, and, surprisingly, features a USB input.
Every time I see a Nagra piece I get lust in my heart, Jimmy Swaggart style. I think it all goes back to the old days when I produced CDs with JA and he used his Nagra D digital tape recorder. It was a great -sounding and awesome-looking recorder. Of course these days when we record, that old Nagra has, for better or worse, been replaced with a laptop or Mac mini or something else nowhere near as sexy.
Because of the Stereophile writers' need to share a cab (and keep costs down) I visited the Nagra suite at the Mirage hotel with JA, JI, KR, and LG. As we walked through the Mirage I felt like we weren't a group of audio writers, we were a posse. I kept humming the music Quintin Tarantino used in Kill Bill for the Crazy 88's whenever we walked around. All right, we weren't that bad ass.
I recently spent the past few months listening to and reviewing the new Manley Stingray iTube integrated amplifier (the review will appear the March issue of Stereophile). So when I stepped into the Manley room at CES, it felt a bit like I was back at my own listening room at home. The Stingray iTube is based on four EL84 tubes per channel and puts out 32Wpc in Ultralinear mode and 18Wpc in Triode mode. It features an Apple certified iPod dock in addition to its regular single-ended inputs.
One of my favorite things I experienced at CES this year was encountering new audio companies I'd never heard of, especially the ones that seem to be making high-quality components at real-world prices. One of these new surprises was Mystère Audio, distributed in the US by Kevin Deal. Made, like PrimaLuna, in China for Durob Audio, a Dutch company who has been making gear for over 30 years, Mystère showed a full line of amplification components but were playing their pa21 stereo power amplifier ($2995) and ca21 preamplifier ($2195).
One of my favorite sounds of the show came out of the PrimaLuna room. Their sound was full of dynamics, texture, body and balance. Kevin Deal of Prima Luna (seen here like a proud Papa) was one of the few people at CES who made sure that folks visiting his room got the right mix of information, listening time, and fun. At least that was the vibe when I visited. At Kevin's feet are the DiaLogue Seven monoblocks ($5499 per pair), which Art Dudley wrote about in the December 2009 issue of Stereophile.