Erick Lichte

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Erick Lichte Posted: Jan 12, 2011 0 comments
I finally got to meet Roy Hall of Music Hall. I, along with many of you, have been recently delighting in his colorful and off-color manufacturer’s comments in the pages of Stereophile. New to the stable of products Roy distributes is Creek’s Wyndsor phono preamplifier ($2495). This is a fully adjustable phono preamp with all of the settings available as you scroll through the on-screen menus. The preamp is powered by an external power supply and has just started shipping.
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Erick Lichte Posted: Jan 12, 2011 1 comments
British Naim Audio showed an adorable new product in their room at this year’s CES. The appropriately named Unitiqute (pronounced Unity–cute, $2500) is an all-in-one streamer, DAC, preamp, amp, FM tuner and headphone amp. The Unitiqute also has the ability to pull the datastream off an iPod and be controlled by an iPad or iPod. The amplifier section puts out 30Wpc into 8 ohms and has just one button on its front plate. I thought the Unitiqute struck the perfect balance of functionality, cuteness and elegance.
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Erick Lichte Posted: Jan 12, 2011 0 comments
Constellation also showed a brand new line of products at a more “real-world” price point. The components of the new Performance line will each go for between $15,000 and $20,000 and feature (from left to right) a preamp, digital source, phono preamp, and power amp. I was told that the circuit designs of the Performance line are exactly the same as Constellation’s Reference line but use less expensive parts.
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Erick Lichte Posted: Jan 12, 2011 0 comments
All of Bel Canto’s equipment was powered by their VBS-1 Virtual Battery Supply ($1495), which effectively takes their equipment off the electrical grid. The VBS technology was debuted at last year’s CES, but new this year are the VB-Ref power cables which connect the 12V output of the VBS-1 power supply to the component. Having tried these cables out in my own system at home during my audition of the Bel Canto DAC3.5 VBS, I can testify to their ability to bring out the best in this new Bel Canto gear.
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Erick Lichte Posted: Jan 12, 2011 0 comments
I chilled with Lionel Goodfield of Simaudio in the Canadian manufacturer’s room around noon on Friday. We were both hitting our midday energy slump, so we sat on their comfy couch and chatted about two new products in Simaudio’s Evolution Series. The Moon 880M monoblock amplifiers ($38,000/pair) offer 800W into 8 ohms, 1600W into 4 ohms, and a staggering 2400W into 2 ohms. The amp utilizes bipolar output devices biased into class-A/B and uses zero global feedback. The amps sounded as relaxed as the Bob Marley tunes Lionel played near the end of our discussion. It was a great break from the CES frenzy.
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Erick Lichte Posted: Jan 12, 2011 0 comments
Melody Valve HiFi of Australia was a new company to me. Pictured here is the Pure Black 101 Preamplifier ($4499) and PM815 monoblock power amplifiers ($7959/pair). The Pure Black 101 features an Alps remote attenuator, point-to-point wiring and Jensen copper foil paper in oil capacitors. The PM815 delivers 70W of pure class-A power using 845 output tubes.
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Erick Lichte Posted: Jan 12, 2011 0 comments
Audio Research of Minnesota is located only a mile from my home, yet my visit to their room at this year’s CES was the first time I’d really met any of their staff. Getting pride-of-place in their CES system this year was the Reference Anniversary Preamplifier ($24,995), a two-chassis preamp celebrating the company’s 40th anniversary. According to the folks at Audio Research, this preamplifier has been a huge hit and has, to their own surprise, exceeded their sales expectations. Orders for the preamplifier will be taken through April 2011 and, unlike Brett Favre, will not come out of retirement.
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Erick Lichte Posted: Jan 12, 2011 0 comments
“Go check out the Constellation Audio room,” said Jon Iverson. So I did. As I entered the room filled with unworldly looking gear I spied Michael Fremer, engrossed in one of his famous mix CDs, burned from his vast vinyl collection. Michael, ever the gentleman, relinquished the sweet spot to me and both of us took in some big, clean, transparent sound. Driving a pair of $150,000 Tidal speakers was Constellation’s Hercules amplifiers ($70,000 each), which are each able to put out a kilowatt of juice into 8 ohms and runs its first 250W in class-A.

The visual design of the amps is both striking and understated, clad in an all aluminum chassis. Each side of the amp has a diffuser grid which hides the amp’s heatsinks and allows for a chimney action to help cool the amplifier. All that aluminum also serves the purpose of mass-loading the amps to control vibration. Internally the amps mechanically float the sensitive signal carrying parts. That attention to vibration damping could be heard as stillness and ease, particularly when I played a high-resolution file of Robert Silverman playing the final fugue from Brahms’ Variations on a Theme by Handel. My time in the Constellation room was stellar.

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Erick Lichte Posted: Jan 12, 2011 0 comments
Also on display was Bel Canto’s new headphone amplifier (shown right), a product so new it doesn’t yet have a proper model number or name. Bel Canto’s John Stronczer let me take a listen to the amp through a pair of in-ear headphones. The sound was lovely, but I couldn’t really get the cans to stay in my ears (I must have very large ear canals).

When I checked out the back of the headphone amp I noticed that it was in the signal path of the room’s big rig. The DAC3.5VBS’s outputs went into the headphone amp and the outputs of the headphone amp went to the rig’s amplifiers. I asked John, “What gives?” He told me that he has been experimenting with using the new headphone amplifier as a unity gain buffer, taking advantage of the headphone amp’s ultra-low output impedance. John said that he hears improvements in the system using this configuration and that Bel Canto is exploring new applications for this technique. No price has yet been set for this headphone amplifier.

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Erick Lichte Posted: Jan 12, 2011 3 comments
I was simply delighted by this clock’s slight cheekiness and subtle beauty. Seeing it also served as a reminder of how iconic the McIntosh faceplate has become in American audio. No price determined for this timepiece.

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