Fred Kaplan
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Fred Kaplan
Fred Kaplan Mar 05, 2013 13 comments
A little over two years ago, I raved in this space over Rhino's 180-gram vinyl pressing of Ornette Coleman's 1959 album The Shape of Jazz to Come, one of the greatest and most important in all of jazz. Now I'm here to rave louder still (with one frustrating caveat) about another reissue, mastered by Bernie Grundman at 45rpm for the audiophile label ORG.
Fred Kaplan
Fred Kaplan Feb 22, 2013 8 comments
Ben Goldberg's Subatomic Particle Homesick Blues (on his self-owned BAG Production label), is an album as seriously playful as its title. There's a deceptive looseness in the music's rhythm, veering toward New Orleans bar stomp, but braced by modern harmonies (Steve Lacy, Monk, and Andrew Hill are heavy influences), and swung from an early Ornette-ish sense of blues (one of Goldberg's 9 originals on the album, "Study of the Blues," is a Cubist riff on the opening bars of "Lonely Woman"), though rooted more in Coleman's deep melody than his Free velocity.
Fred Kaplan
Fred Kaplan Dec 13, 2012 0 comments
My column on the best jazz albums of 2012 is up on Slate this morning. Here’s the list (readers will note that I’ve written about all the albums in this space over the past 12 months):
Fred Kaplan
Fred Kaplan Dec 05, 2012 33 comments
Dave Brubeck died today, just short of 92 years old. He was a plodding pianist and a less inventive composer than many obits are suggesting. (It was his alto saxophonist Paul Desmond who wrote the biggest hit "Take Five" in 5/4 time, and while Brubeck wrote many pieces in more exotic times still, they didn't swing or flow like Desmond's.) Still, Brubeck was a colossal figure of modern jazz in many ways.
Fred Kaplan
Fred Kaplan Nov 30, 2012 1 comments
Ted Nash and Frank Kimbrough—co-founders of the Jazz Composers Collective, which I recently wrote about in this space—have new albums, and they're both among the year's best.
Fred Kaplan
Fred Kaplan Nov 21, 2012 3 comments
Photo: http://jasonmoran.com/look.html

Those of you in the New York area for the holidays (or for all times) should know that two of the best jazz groups around are playing at the two best jazz clubs: Maria Schneider and her Jazz Orchestra make their traditional Thanksgiving-week appearance at the Jazz Standard, and Jason Moran and his Bandwagon trio are at the Village Vanguard.

Fred Kaplan
Fred Kaplan Nov 07, 2012 1 comments
Photo: Lourdes Delgado

All this week, the Jazz Standard in New York will be celebrating the 20th anniversary of the Jazz Composers Collective, the brainchild of five musicians who formed five distinct bands: the personnel would remain the same, but each player would lead his own band and compose all of its music. Both concepts were unusual at the time: the continuity of players and the insistence on original compositions. Back then, jazz musicians rotated in and out of bands, not the other way around; and the emphasis was on covering standards or blowing improvisations.

Fred Kaplan
Fred Kaplan Nov 01, 2012 4 comments
Donald Fagen isn't exactly a jazz musician, but he is a musician who plays jazz and whose music is suffused with a jazz sensibility, whether on his own or as co-leader of Steely Dan, so here we go. His 4th solo disc, Sunken Condos (on Reprise), is one of his best and maybe the best-sounding since the Dan heyday . . .
Fred Kaplan
Fred Kaplan Oct 12, 2012 1 comments
One drawback of the New York-centric jazz world (and I say this as a New Yorker) is that musicians who live elsewhere too often go ignored. Oral histories are full of tales about some tenor saxophonist in Mississippi, or a guitarist in Nevada, who influenced someone who influenced everyone else. And so you should definitely check out the Denver trumpeter Ron Miles’ riveting new CD, Quiver (on the Enja label).
Fred Kaplan
Fred Kaplan Oct 08, 2012 1 comments
Dave Douglas' Be Still (on the trumpeter's own Greenleaf Music label) is his most sheer-gorgeous album since the 1998 Charms of the Night Sky and one of the best-sounding new recordings that I've heard by anybody in quite a while. And it's available on LP as well as CD (more about which, later).
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