George Reisch

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George Reisch Posted: Sep 01, 2004 Published: May 01, 1997 0 comments
I'm starting to hate computers. They take up all my time. Whether I'm writing, preparing classes to teach, toying with computer-generated music, managing finances, or (too often) upgrading hardware, I'm spending too much time in the computer chair, not enough in the listening chair.
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George Reisch Posted: Aug 29, 2004 Published: Mar 01, 1997 0 comments
Have you seen that advertisement running on the Arts & Entertainment channel? A girl and her brother are arguing in front of their TV: "Are not." "Are so." "Are not." Etc., etc. Finally, she punts: "Mom! He's calling me a neo-fatalist again!" From off-screen: "Do I have to come in there and demonstrate your free will?"
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George Reisch Posted: Jan 11, 1997 0 comments
Pollock, Rothko, Amperex, and Sylvania? Last spring I went to a contemporary art show out on Chicago's Navy Pier. I wanted to get away from things with wires and knobs—you know, rub elbows with Chicago's better-dressed, sip some wine, maybe practice talking about artistic creations that I usually don't understand ("It's so brutally honest...yet, somehow, still deceptive"). But there's no rest for the weary, confused audiophile. Along with artists, paintings, and sculptures from all over the world, thousands of vacuum tubes had descended on the Pier.
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George Reisch Posted: Nov 15, 1996 0 comments
Nature and Nature's laws lay hid in night; God said, Let Newton be! And all was light. —Alexander Pope
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George Reisch Posted: Sep 28, 1996 0 comments
Back in 1968, nothing sounded better to me than "Penny Lane"—one of my all-time favorite songs—blasting out over my Dad's home-built Eico gear (when no one else was around, of course). For some reason, the various sounds packed into that song grabbed my attention as much as that old integrated amp whose steel case got as hot as the tubes inside—ouch! When the Beatles broke up, I played Magical Mystery Tour over and over for days before I felt I'd paid them sufficient homage. Like everyone else, I heard a lot of the Beatles through the '70s and '80s. (And now, of course, it may as well be the '60s again: if you can stomach another "Magic Carpet Ride" every hour (or so it seems), just tune in your local "classic rock" station and you'll hear lots of "Penny Lane," too.)
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George Reisch Posted: May 30, 1996 0 comments
In debates about audio, philosophy, literature, fine art, or whatever, people often adhere to either absolutism or relativism. Absolutism supposes, for example, that either analog or digital is superior and that whichever is better holds for all parties concerned. Michael Fremer, for instance, is not just advertising his opinion about the superiority of analog; he believes that everyone would acknowledge it if they paid attention to the evidence. Relativism, on the other hand, teaches that no such absolute and univocal consensus can be reached. In the end, we all have our own subjective preferences, and that, quite simply, is that. If we disagree about whether tube amps are better than solid-state, or single-ended is better than push-pull, c'est la vie.

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