As I learned when he did a demo for members of the Bay Area Audiophile Society in my home some years back, Duke LeJeune is one of the sweetest people in an industry that has its share of sweet people. When I walked into his room, his 95dB-sensitivity, 16-ohm AudioKinesis Strato Prism loudspeakers ($4400/pair) were playing some New Age music of dubious worth. The sound through an Oppo BDP-83 used as a transport, Neko D100 Mk2 DAC ($1395), and Atma-sphere's MP-1 linestage ($4850) and S-30 amplifier ($3950) was enveloping, with particularly warmth in the midrange.
I'm afraid the companies exhibiting in this room will not be adequately served by this blog entry. David Salz of Wireworld was not available, and I never got details on his cabling other than word that his new, top-of-the-line USB cable got caught up in FedEx drama and didn't make it to the show on time. All I know is that the big speaker was the eye-catching, glass-enclosured Waterfall Niagara from France ($54,000/pair), which has 89dB sensitivity and a frequency response of 36Hz28kHz ±3dB, and a Cary 300T SACD player ($6500) and Cary monoblocks ($10,000) were called into action. Power was conditioned by the APC units that Kal Rubinson recommends. I don't know much more, unfortunately. As I just explained to the man who just answered the phone at Waterfall Audio USA, I owe them and Wireworld one.
Although their atmospherically lit room, which looks very different in this flash-illuminated photo, was dominated visually by 10-year old Genesis loudspeaker prototypes that never made it to market, PS Audio's electronics were what the room was about. The PS Audio Perfect Wave Transport ($2999), which I own; Perfect Wave DAC ($2999) with Bridge ($799); prototype Perfect Wave amp (under $5000); and award-winning Power Plant Premier ($1999), all using Perfect Wave AC-12 ($999/meter) sounded marvelous on a CD from Natasha Atlas. Playing the Pentatone SACD of Schubert's "Trout" Quintet, the highs were especially beautiful, with violins singing with estimable delicacy. It was the best sound I've ever heard from a PS Audio show set-up. This bodes very well for their forthcoming amplifier.
Little did I know, as I began my second day at RMAF 2010, how grateful I would be for the laid back sound in the LSA Group and AudioKinesis rooms by the time the day ended. The combination of LSA1 Statement monitors ($2600/pair) and and LSA speaker stands ($379/pair), LSA standard tube hybrid integrated amp ($5000), Exemplar/Oppo CD player ($2500), and Exemplar active cabling (approx. $8000) wasn't particularly fast on my fabulous Marta Gomez recording from Chesky, but it allowed me to slow down and enjoy what was there.
The pairing of Benchmark Audio and Studio Electric Loudspeakers had a new face, the Studio Electric Monitor ($2295/pair, or $2450/pair with handsome retro custom grill). With a frequency response of 44Hz22kHz (±4 dB), the 6 ohm impedance two-way offers 87dB sensitivity. The sound was impressive and musical, inviting extended listening.
J. Gordon Rankin, always at the forefront at computer audio technology, had paired Wavelength's beautiful-sounding electronics with Vaughn Zinfandel loudspeakers and AudioQuest top-of-the-line Sky interconnects and Meteor speaker cables to create a system with an absolutely gorgeous midrange. That is no small accomplishment, folks.
Tweak Studio, the Genesis dealer in Washington state, paired the new Genesis G7.1f loudspeaker ($8000/pair) with the Balanced Audio Technology (BAT) Vk-3ix preamp and VK 55SE amp. The match was fortuitous, with the BAT's tubey midrange bringing out the loudspeaker's considerable best. Completing the partnership were the SOTA Sapphire Series 5 turntable ($2700) with SME 4 arm and Denon 103 cartridge; Kosmic server w/500GB hybrid storage ($2295) and a bunch of options; Absolute Fidelity Component Interface cable ($1800/pair), Loudspeaker Interface cables ($3000/pair); and Power Interface cables ($1800); and a host of Kosmic Equipment stands (the stand base shelf is $1600).
Fidelis, distributors of Harbeth loudspeakers and other products, was playing the classic BBC style Harbeth Super HL5 ($4995/pair), Perreaux Prisma 350 350Wpc stereo power amplifier ($8995), Wadax Pre1 preamplifier/DAC ($19,995), Sound Science MV Diamond digital server ($4500 w/iPad), and Pyon Sound Muzika Ultima turntable ($18,995). Bringing out the best this equipment can offer were the excellent Echole Obsession cables that are poised to make a major impression in the U.S. market. Four Stein boxes (little black boxes with the blue light on silver stands), which I discussed in the TweekGeek report below, were the icing on the cake, adding air and ease to the presentation.
Audioquest's Joe Harley showed off a system using Ayre electronics and Vienna Acoustics speakers, whose lovely midrange and easy-on-the-ears presentation was made possible by Audioquest Sky interconnects, Meteor Flat Rock Series speaker cable, Energy 100 power cords, and the new top-of-the-line Diamond USB cable (the latter shown in the photo with Harley). All of these cables, including the USB, utilize Audioquest's DBS dielectric bias system to keep the cables at peak capability 24 hours a day. (A FireWire cable is in development).