Jason Victor Serinus

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Jason Victor Serinus Posted: Aug 01, 2010 5 comments
How this Oakland resident has lived all these years without knowing about the Profundo distributors in El Cerrito, just two cities over, is beyond me. Regardless, I'm sure glad I got to meet them, because their combination of Transfiguration, Trenner & Friedl, and Heed was making extremely mellow sound. Whether it was Norah Jones singing "Not Too Late" or Bruce Springstein's LP, Ghost of Tom Joad, the system sounded beautiful, smooth, and extremely musical.
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Jason Victor Serinus Posted: Aug 01, 2010 13 comments
The Simon Yorke S10 Record Player ($19,950), now imported into the US by Tim Nguyen's Tone of Audio in San Francisco, is the replacement for the former Simon Yorke S7. That's the table Michael Fremer used as his reference for 10 years until the far, far more expensive Continuum Labs Caliburn entered his life in 2006. The new S10 is completely hand-machined on a lathe by Simon and his son Spencer from solid raw blocks of aluminum and non-magnetic iron.
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
Teresonic's pairing with Garth Leerer's Musical Surroundings was full of surprises. I confess that I have not enjoyed Mike Zivkovic's single-driver Lowther-powered speakers in the past, finding them unduly bright. Here, they sounded very warm and inviting.
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
Electrocompaniet's display had something for everyone. In their entry room, Electrocompaniet's US distributor, Peder Beckman of Oakland, was demming a small system and a medium system. With prayers that I am not assailed in the comments section for going for Electrocompaniet's high-end system, I headed through a terribly squeaky door for the second room, where Peder's partner, Adam Piotrowski, was showing the Nordic Tone loudspeakers ($29,500/pair), EMC-1UP CD player ($7290), EMP-1 SACD/DVD player ($9990), EC4.8 preamp ($4990), and AW600 Nemo monoblocks ($8950 each). I was especially interested in hearing the Nordic Tones, which created a fair amount of buzz at CES 2010.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Acoustic Science Corp's Chris Klein had his work cut out for him. His Tube Traps were in eight rooms at the show.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Back in the Audio Image room, one day later, Bob Kehn was showing the King Audio The King electrostats ($8500/pair). Before I arrived, these lovely panels were paired with VAC amplification. Unfortunately, those babies didn't have enough juice for the Kings. Upon the urging of Bob Walters, coordinator of the Bay Area Audiophile Society, the VACs that sounded so good on the Magico V-2 were traded for Aesthetix's Atlas Hybrid amp ($8000) and Janus Signature preamp/phono ($10,000).
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Jason Victor Serinus Posted: Jul 31, 2010 7 comments
Gary Leonard Koh's Genesis 7.1 loudspeaker ($7999/pair) has never sounded as good, clear, and invitingly transparent as it does right now in Marc Silver's Soundscape Audio & Video Room (Santa Rosa, CA). I was mesmerized by an LP of Les Brown and His Band of Renown, and again in love with the FIM/Puget Sound Studios remastering of Oscar Peterson's We Get Requests.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Even if equipment is as excellent as it was in the Eficion/Stillpoints room, no system can sound better than its source material. On that score, I doubt any room save Cookie Marenco's Blue Coast Studios set-up, which was recording acoustic musicians live to DSD, could top Bruce A. Brown's hi-rez files. Bruce's Puget Sound Studios not only does all the mastering for Winston Ma's First Impressions Music (FIM), but also supplies all the 96/24 hi-res tracks for the Chesky Bros' HDTracks site.
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Jason Victor Serinus Posted: Jul 31, 2010 2 comments
Given how good Wireworld's Platinum Eclipse cabling sounded with deHavilland and Glow electronics, I was delighted to encounter Wireworld's David Salz demming another Glow/Sonist system in the adjoining room. I'm sure Wireworld's Equinox 6 interconnects ($200/pair), Equinox 6 bi-wire speaker cables ($750/pair), Stratus power cords ($100/2m), and Matrix power strip ($120) were doing just fine. So, I expect, was the source, a Cambridge 550C CD player ($595). But the Glow 832 SET 7wpc stereo amplifier ($795) was challenged driving the 93dB-sensitive Sonist Recital 3 floorstanding loudspeakers. Things sounded okay with the volume turned down low, but when you invited singers to come out from behind the closet door and stand in front of you, the sound began to distort and fall apart. It takes an extremely efficient loudspeaker to enable those amplifiers to truly glow. To its everlasting credit, Wireworld's cabling did not mask the problems associated with the mismatch.
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Jason Victor Serinus Posted: Jul 31, 2010 5 comments
Given how enthused my fellow Stereophile editors were over the sound of the Legacy Audio speakers at this year's Axpona Show, I was really looking forward to hearing them. I was also looking forward to hearing the pricey, eye-catching Win Analog SET electronics, which had not fared well at a recent demo for the Bay Area Audiophile Society (BAAS).

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