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Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Although Roger Sanders was not in the room when I finally got there on the third day, his "handcrafted in Colorado" electrostats were singing as if he were. In addition to the superb transparency that one expects from a good electrostat, the bass was not just convincing, but simply amazing. The sound was a bit sharp in the small room, and at one point, in an unfortunate performance of Puccini's "O mio babbino caro," distorted on top. Since I've not had either experience in previous auditions of Sanders electrostats, I have a hunch the distortion probably due to the mikes used to record this unsuited-for-the-role-of-Lauretta soprano. (I have a number of recordings from EMI that grow harsh and noisy on vocals due to the choice of microphones).
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
It may seem strange to introduce a huge show report—actually my final blog, since, in time-honored biblical fashion, the last shall always be first in the blogisphere —with a photo of a Bentley Mulsanne (over $400,000). But inside this gorgeously outfitted automobile, a machine that even closes its doors for you should you be too occupied trading stocks via iPhone to pull the handle, is a custom-enhanced sound system by Reus Systems of Orange. (It was part of the exotic car exhibition that was part of T.H.E. Show.)
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
In the more extensive of its two set-ups, Emotiva produced lovely, welcomingly smooth sound. Although bass control was elusive, as it was for many systems in these small "sleeping rooms" at the Hilton, the system's impressive clarity on top and nice tonality confirmed its reputation as a bargain bonanza. Playing were the XRT 6.2 tower loudspeakers ($699/pair), XPA-1 monoblock amplifiers ($999/each), XSP-1 stereo preamplifier ($899), ERC-2 CD player ($449), and XDA-2 Reference DAC ($399). Watch for Bob Reina's rave review of Emotiva's smaller XRT-5.2 towers in the August issue of Stereophile.
Jason Victor Serinus Posted: Jun 09, 2012 2 comments
"Whoa!" said self to self upon entering the KT Audio Imports room. This display is so dazzling, how can I begin to take it all in?

Arrayed before me were the Triangle Art Referent turntable ($13,990); GamuT CD3 ($6500); NAT Audio Magma 160W amplifiers ($45,000/pair), Symmetrical dual balanced preamplifier ($8700), Signature battery phono stage ($7800); Eventus Audio Nebula loudspeakers ($65,000/pair), and Wireworld cabling. Not playing were the Triangle Art Signature turntable ($9990), NAT Single Integrated ($7800), and NAT Magnastotat battery preamplifier ($17,490). Some of this, as well as two other Eventus loudspeakers, was off to the side.

Jason Victor Serinus Posted: Jun 09, 2012 0 comments
One of my favorite visits at T.H.E. Show was to the Tannoy/Cary/Synergistic Room sponsored by The Home Theater Experience of Carlsbad, CA. As luck would have it, 40-year industry veteran Tony Weber, a sound engineer on many of Delos' early recordings and currently Regional Sale Manager for Cary Audio, was at the helm.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Audioengine, which made a deservedly major mark a few years back with its perfect-for-desktop-computers, self-powered loudspeakers, has just issued the W3 as a replacement for the W1 ($149, I believe). A plug-and-play "premium wireless audio adapter" designed to move computer audio around your home or office, it can transmit 16-bit signals to up to three receivers ($89 for a receiver kit) via a closed 802.11 network. (Those desiring to send 24-bit signals can opt for the D2.) Also fairly new are the Audioengine 5+ powered loudspeakers ($399 and up).
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
For audiophiles who may remember Legend Audio and their fascinating water-cooled amps, they have changed their name to Von Gaylord, and moved from Berkeley, CA to West Sacramento. Their sound has gotten even better in the process: lovely, warm, and refreshingly sweet, with eye and ear-opening sound staging, set far behind the speakers, and inviting air around images.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Episode Audio's Ira Pazandeh had one of the few home theater displays at T.H.E. Show. Arrayed before and around me were Episode Audio loudspeakers: Model EP-V front for two-channel and home theater front ($12,500/pair), Model EP-C for center channel ($6500), BASSY subwoofer ($2300), and, in the rear, two KOBRA surrounds ($4800/pair). Giving them juice were an Onkyo TX-NR 809 receiver ($995), Sony BDP-S580 CD/Blu-ray player ($149.99), AudioQuest speaker wire (approx. $50), and Monster interconnects. Playing Marta Gomez's "Maria Mulatta," I was struck with the nice depiction of air and space around the flute, as well as overwhelming bass (a problem shared by more set-ups in the Hilton sleeping rooms than I wish to count). I'd like to hear the system again, next time with adequate room treatment.
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
The Thiel CS 3.7 loudspeakers ($12,900/pair) were making bright and incisive sound with PrimaLuna's ProLogue Premium monoblock amplifiers ($4395/pair), DiaLogue 3 preamplifier ($2700), and ProLogue CD player ($3000); PS Audio Perfect Wave II DAC with Bridge/NAS server ($4795) and P10 Power Regenerator ($4495); and Analysis Plus Oval speaker cable ($500/pair).
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
In a handsomely equipped room that showcased the dual-mono lithium battery-powered Veloce LS-1 linestage ($18,000), Veloce V6 400Wpc monoblock amplifiers ($15,000/pair) with their tube input and class-D output stage, YG Acoustics Carmel loudspeakers ($18,000/pair), none-too-shabby Audio Aero “La Source” CD/SACD player (approx. $40,000), and Kubala-Sosna’s Emotion and Elation cabling (no price supplied), I initially thought the sound a tad dry. But then I warmed to the remarkably clear and unencumbered presentation of jazz, which was also distinguished by engaging three-dimensionality. On tracks by Tommy Flanagan and Holly Cole, I found the transparency remarkable, and greatly enjoyed the height and space of the images.

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