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Jason Victor Serinus Posted: Jun 09, 2012 1 comments
This was a very special show. It was a joy to be there.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Late on Saturday afternoon, Emotiva's hall-end room at the Hilton shifted into college fraternity mode. The Emotiva Stealth 8s ($1499/pair) and ProDAC ($699), connected with Emotiva cables, were blasting mono-tonality assaultive rock that, for all I could tell, was sourced from MP3. The bass was huge, the highs searing, the outcome lamentable. I'll bet, if John Atkinson had analyzed what was playing for one of his seminars on how compression is ruining the pop music industry, his meters would have read red, red, red.

As you will read in the next story, it was a very different story in Emotiva's second room. Thank God.

Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Scaena's imposing systems never fail to provide one of the highlights of the Show experience. Once the flashing light show on the VAC tube equipment was turned off, I was able to settle in and enjoy sensational sound through the Scaena Spiritus 3.6 System with Trifecta subwoofers ($130,000), VAC Statement 450 monoblock amplifiers ($78,000, presumably for the pair), VAC Signature MK2a preamp with phono option ($19,500), Audience Adept aR-12-TSS power conditioner ($10,000) and, for analog, the Kronos counter-rotating dual platter turntable ($28,000) with Graham Phantom Supreme 12" arm ($6000), Clearaudio Goldfinger Statement cartridge ($15,000), and Audio Research Ref phono 2 ($11,995).
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
The sound from Richard Kohlruss' VMAX Services room excelled in warmth and soundstage width. It wasn't the most subtle or detailed system I encountered, but it definitely made a movement from Haydn's Trumpet Concerto a pleasure to listen to. Given that I have heard a movement from this concerto whistled at the whistling contest I've frequently attended and judged far more times than I wish to recount, this was no mean feat.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Tucked in back of the FritzSpeakers room was a display from eNetFusion's Fusion Plinths. As explained by company owner Sunil, the company's made-to-order plinths are precision crafted to your turntable using exotic woods.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Bless Len Miller of Soundstring Cable Technologies for providing me with a solid presentation of John Travolta's "Stayin' Alive." As my pace increased as I attempted to cover four floors in three days, this music became a mantra of sorts.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Dynamic Sound Systems of Carlsbad, CA demmed bi-amped Plinius 310Wpc stereo amplifiers ($10,300 each), Plinius stereo preamplifier ($11,350 line, $12,500 phono), and Plinius Tiki DLNA compatible Digital Audio Renderer ($4775) in a system that also included the PMC IB2 three-way loudspeaker ($18,490/pair), and Analysis Plus Oval 9 speaker cables as well as Solo Crystal interconnects and Power Oval 2 power cables.

On tracks from Nils Lofgren and Vivaldi, I found the sound solid and dynamic, but also hard, and opaque, perhaps due to the sub-optimal room acoustics. Yes, traps had been used in the corners of this room, but an exhibitor at a Show is always at the mercy of whichever room they have been allocated.

Jason Victor Serinus Posted: Jun 09, 2012 2 comments
Eric Hudgins' Tailored Technologies of Santa Clara, CA somehow packed a lot of equipment and sound into a small space. Audreal's PA-80 class-A amplifier ($5995), XA-3200 preamplifier ($1899), and LP-2 phono stage ($1295) were brightening up the room with the SoTM DAC 200HD ($2200) and server ($2200) and the new version of Volent VL-3 Mk.II loudspeakers ($11,000). The turntable was the Clearaudio Ovation ($5500) with MC cartridge ($800).
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
Zu Audio's room was like no other. While the "normal" set-up has components facing attendees and carefully stacked on equipment racks, Zu more or less duplicated the DJ experience. Spinning vinyl as if in a cage, and very happy to be there, I might add, sat Zu owner Sean Casey's delightfully high-spirited son, Ian.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
You couldn't miss the signage for PrimaLuna and Nola; it was as big as the excellent signage for T.H.E. Show itself. You also couldn't miss the sound: lovely, warm, and extremely inviting. Although the system was playing a bit too loud for the room, the system handled bass extremely well, and made timbres on a (yes) Diana Krall recording pretty natural. Doing the honors were the Nola Ko loudspeaker ($9800/pair) and three components from PrimaLuna: Premium CD player ($3995), DiaLogue 3 linestage preamplifier ($2695), and DiaLogue 7 monoblock amplifiers ($5495/pair).

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