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Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Late on Saturday afternoon, Emotiva's hall-end room at the Hilton shifted into college fraternity mode. The Emotiva Stealth 8s ($1499/pair) and ProDAC ($699), connected with Emotiva cables, were blasting mono-tonality assaultive rock that, for all I could tell, was sourced from MP3. The bass was huge, the highs searing, the outcome lamentable. I'll bet, if John Atkinson had analyzed what was playing for one of his seminars on how compression is ruining the pop music industry, his meters would have read red, red, red.

As you will read in the next story, it was a very different story in Emotiva's second room. Thank God.

Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Tucked in back of the FritzSpeakers room was a display from eNetFusion's Fusion Plinths. As explained by company owner Sunil, the company's made-to-order plinths are precision crafted to your turntable using exotic woods.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
The sound from Richard Kohlruss' VMAX Services room excelled in warmth and soundstage width. It wasn't the most subtle or detailed system I encountered, but it definitely made a movement from Haydn's Trumpet Concerto a pleasure to listen to. Given that I have heard a movement from this concerto whistled at the whistling contest I've frequently attended and judged far more times than I wish to recount, this was no mean feat.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Dynamic Sound Systems of Carlsbad, CA demmed bi-amped Plinius 310Wpc stereo amplifiers ($10,300 each), Plinius stereo preamplifier ($11,350 line, $12,500 phono), and Plinius Tiki DLNA compatible Digital Audio Renderer ($4775) in a system that also included the PMC IB2 three-way loudspeaker ($18,490/pair), and Analysis Plus Oval 9 speaker cables as well as Solo Crystal interconnects and Power Oval 2 power cables.

On tracks from Nils Lofgren and Vivaldi, I found the sound solid and dynamic, but also hard, and opaque, perhaps due to the sub-optimal room acoustics. Yes, traps had been used in the corners of this room, but an exhibitor at a Show is always at the mercy of whichever room they have been allocated.

Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Bless Len Miller of Soundstring Cable Technologies for providing me with a solid presentation of John Travolta's "Stayin' Alive." As my pace increased as I attempted to cover four floors in three days, this music became a mantra of sorts.
Jason Victor Serinus Posted: Jun 08, 2012 2 comments
Finally, after encountering Israel Blume and his wife in the gym at several shows, I got a change to hear the Coincident speakers and electronics that have garnered so much praise in multiple publications. Although I may not have heard the system at its best—a discussion with Israel during a serious morning workout revealed that his tube sound was fluctuating from clear to soft, depending upon where the Hilton’s voltage was at any particular moment—I found the sound a bit warm and opaque, but remarkably extended on the low end.
Jason Victor Serinus Posted: Jun 08, 2012 2 comments
The Hegel room on the Irvine Hilton’s 5th floor was so packed that I was initially forced to sit outside the soundstage. While I feared that would leave me in no position to critically evaluate the system’s overall gestalt, eventually moving to the center enabled me to hear how solid the sound was.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
RSL, the reincarnation of California speaker manufacturer Rogersound Labs, was showing its economical CG stereo system ($1250 with free shipping, stands optional). The system was making bearable a 24/96 file of Diana Krall singing “S’Wonderful.” Usually this particular selection has me crawling out of my skin. No mean feat that it didn’t this time. The system includes a single subwoofer that was hidden behind me. The good news is that the speaker system comes with a 30-day money-back guarantee.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
An editor’s job isn’t always light and easy, but not every moment during Saturday’s hour-long panel (repeated on Sunday) was. Yours truly, who could only stay long enough to snap a few photos, listened closely as John Atkinson spoke about what he wants and does not want from his equipment reviewers. Pictured, left to right: Dave Clark and David Robinson, Positive Feedback Online; JA and Michael Fremer, Stereophile; Robert Harley, Paul Seydor, and Neil Gader, The Absolute Sound.
Jason Victor Serinus Posted: Jun 08, 2012 0 comments
Induction Dynamics of Overland Park, KS was showing its S1.8T 3-way tower loudspeaker ($13,500/pair). Using as a source an Oppo 85SE, paired with McIntosh’s MX150 pre/pro, MC 207 amplifier, and MT10 turntable, and wired with Kimber Kable, the system sounded far more neutral than I was expecting. Playing an LP of Billie Holiday singing “A Foggy Day in London Town” (Songs for Distingué Lovers), I marveled at the beauty, clarity, and warmth of the sound. Like a proverbial Dorothy searching for her Toto, I didn’t want to leave home without it.

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