Jason Victor Serinus

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Jason Victor Serinus Posted: Mar 10, 2010 0 comments
Mistral, a registered trademark in the UK and China, is a Chinese company, based near Canton, that began marketing its audio products overseas in 2002. According to their PR, they are recognized "all over the world for creativity, reliability and credibility." Judging from the rest of their written copy, they must believe that their credibility is so strong that they can dispense with the services of a bilingual writer with a firm command of English grammar.
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Jason Victor Serinus Posted: Mar 10, 2010 1 comments
I almost missed the Nightingale display. The first time I tried to enter the room, there were so many people involved in post-listening conversation that I skipped it. Happily, the Axpona organizers alerted me to my omission, enabling me to leave the show on a high note. And once I took a listen, I understood why people were spending so much time discussing what they heard.
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Jason Victor Serinus Posted: Mar 10, 2010 0 comments
In the aptly titled Navigator Room, Fernando Cruze of cruzeFIRST Audio of Miami had quite a stunning display of gear imported by Chris Sommovigo of Atlanta. At its head was the fabled Continuum Audio Labs Caliburn LP system ($150,000), equipped with a Lyra Titian I cartridge ($5800) and Chris' own tonearm cable. Sending its signal via the two-chassis Audio Premier Quattro preamp ($15,000) and Belles SA-500 stereo amplifier ($9000) to the Lansche 4.1 loudspeakers ($55,595/pair) with their plasma tweeter, 25Hzצ150kHz capability and extreme 99dB sensitivity, the system also benefited from two Tri-Point power conditioners, the Troy ($12,000) and Spartan ($35,000) and a full complement of Stereolab cables (loudspeaker, $3750/2.5m, interconnect, $3500/1m). If you can say that all in one breath, and pay for it without blinking your eyes, more power to you.
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Jason Victor Serinus Posted: Mar 10, 2010 9 comments
Did Koetsu USA's room have the best sound at the show? It's hard to tell. Since my goal was to cover every single room at Axpona without playing slam, bam, thank you ma'am, I intentionally skipped set-ups John intended to cover. Those included some of the big players: YG Acoustics/Krell, Acapella/Einstein, the huge Legacy speakers, Belles/Advanced, and Mark Waldrep's huge, powerful AIX surround set-up with its five Thiel CS3.7s, two Thiel subs, four or more Boulder amps, DH Labs cabling, and Oppo player. Unfortunately, I also skipped the Ayon Audio exhibit, which I thought John was covering because it shared a room with Legacy.
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Jason Victor Serinus Posted: Mar 10, 2010 17 comments
"Reference Audio on a Budget" was the tagline for the exhibit from Darren and Bonnie Censullo's Avatar Acoustics of Fayetteville, GA. Most important, the room featured two world premieres. First was a product you're sure to hear more about, the Axis Voicebox S loudspeaker ($3000/pair). A 5 ohm, 83dB sensitive model with a frequency response of 45Hz–20kHz ±3dB, this little baby was paired with Abbingdon Music Research's AMR AM 777 60Wpc hybrid integrated amplifier ($4500), AMR CD-777 player ($4500), Dr. Feickert Analogue Woodpecker turntable ($4995) with DFA 10.5 tonearm ($1000), AMR PH-77 phono preamp ($11,995, and soon to be reviewed by Michael Fremer)), and DFA premium tonearm cable ($600). Throw in $11,265 worth of cabling and power distribution from Acoustic System International and Avatar Acoustics, including the world premier of the Avatar Acoustics Mach 4 Power Distributor ($1800 with power cable), and $10,240 worth of Acoustic System International Resonators, and your hypothetical budget would top $50,000.
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Jason Victor Serinus Posted: Mar 10, 2010 2 comments
Jim Smith, author of Get Better Sound, spent a full hour discussing a host of topics from his book. Among the subjects he was prepared to cover were optimal use of subwoofers, loudspeaker set-up, multi-channel system requirements, room acoustics and treatments, system enhancements, bi-amping, and analog vs digital. In the brief time I spent in the room, questions were lively and plentiful. One in particular, on compression in modern pop recordings, harked back to John Atkinson's recent "As We See It" and his Rocky Mountain Audio Fest presentations on the subject.
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Jason Victor Serinus Posted: Mar 09, 2010 14 comments
Midway through Axpona, Norbert Mundorf, maker of the fabled Mundorf capacitors, flew in from Germany to bring the Steinmusic Harmonizer H2a and H2b to the Jaton room. Although I had already blogged the room, I happened to be in the right place to learn what was going on.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Roy Hall's Music Hall was showing several nifty little systems. Making its official debut as well as show debut, the Creek Audio Evolution 5350 Integrated amplifier ($1795), which has been around for perhaps a decade in various proven incarnations, was sending its 120Wpcs into 8 ohms signal from the Creek Destiny CD player ($2495) into the handsomely slim (were we all only as. . .) Epos M22i loudspeakers ($2599/pair). This system was uncompromising in its portrayal of brash rock as exactly that. No euphonic roll-off or soft-pedaling allowed! Switch to the Oscar Peterson Trio, and you'll hear a very different, sweet sound on piano and bass.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Audio Plus Services, Toronto, distributes a luscious batch of products that includes Pathos, Focal, Cambridge Audio, MicroMega, Crystal cable, Siltech cable, and Solid Tech racks. At Axpona, throwing aesthetics to the dogs in an attempt to tame the room, APS's Ian McArthur sent files wirelessly from his Macbook Pro or a PC running the Airfoil utility via the MicroMega WM-10 Airstream wireless receiver ($1595) to the Pathos TT Anniversary 35W class-A hybrid integrated amp ($7695) and Focal-JM Lab Electra 1028BE loudspeakers ($8495/pair). Cabling was Crystal Cable Reference for both interconnect ($2400/1m) and speaker cable ($7500/3m), and the industrial-look rack was Solid Tech ROS Reference 3 ($1495). The Airstream basically incorporates a self-configuring WiFi router to feed audio data (limited to Red Book at present) to its DAC. Although use of iTunes as the media server, without benefit of either the Amarra or Channel D's Pure Music interfaces, undoubtedly contributed to a lack of transparency, cellos sounded extremely deep and solid, and Marta Gomez's debut CD on Chesky (played directly from the computer's CD drive without benefit of burning) was rewardingly crisp and extremely fast.
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Jason Victor Serinus Posted: Mar 09, 2010 5 comments
Don't even think about the juxtaposition of so-called "modern art" with the kitsch figurines of Nipper and the parrot. Instead gaze upon the Classic Audio T1.3 Reference loudspeakers ($36,500), shown here with Classic's John Wolff. The T1.3 uses two 15" woofers , a TAD compression-loaded tweeter, and the jewel of the design, a 4" compression-loaded midrange dome feeding a Tractrix-flare horn designed by Bruce Edgar. All the drive-units are energized by field-coil magnets rather than permanent magnets. The rest of the system comprised Atma-Sphere MA-60 MUIII monoblocks ($6800), an Atma-Sphere MP-1 preamp ($12,100), Esoteric DU-50 CD player, Kuzma Reference table ($8900), TriPlanar arm ($4850), Van den Hul The Grasshopper cartridge, 59-cent hook-up wire, and my feeble attempts to decipher illegible handwriting. (So much for the "You don't have a sheet listing your products; you do the writing while I listen" approach). Playing the same Mahler as auditioned in the fabulous Koetsu USA room, this system certainly nailed the sound of the cymbals.

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