Jason Victor Serinus

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Jason Victor Serinus Posted: Mar 10, 2010 2 comments
Jim Smith, author of Get Better Sound, spent a full hour discussing a host of topics from his book. Among the subjects he was prepared to cover were optimal use of subwoofers, loudspeaker set-up, multi-channel system requirements, room acoustics and treatments, system enhancements, bi-amping, and analog vs digital. In the brief time I spent in the room, questions were lively and plentiful. One in particular, on compression in modern pop recordings, harked back to John Atkinson's recent "As We See It" and his Rocky Mountain Audio Fest presentations on the subject.
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Jason Victor Serinus Posted: Mar 10, 2010 4 comments
At last, after 16 years, the South East has again hosted an audio show of considerable merit. Even more significant than the number of attendees, which according to many seasoned observers exceeded attendees at the first Rocky Mountain Audio Fest six years ago, the first of what will hopefully be many Axponas connected dealers, distributors, and manufacturers with music lovers in deep and satisfying ways.
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Jason Victor Serinus Posted: Mar 10, 2010 1 comments
After much too long a hiatus, Stereophile again pierced the digital shield with the return of its “Meet the Editors” panel. Although a poorly publicized schedule shift from Friday to Saturday afternoon diminished attendance in the seminar room, those present asked about everything from Stereophile's influence on the High End and integrity amongst audiophile publications to our favorite rooms at the show. While an objective report is impossible —as far as I know, there are no prices on our heads that we can list—it's fair to say that attendees got a pretty good sense of who we are as both dedicated listener/reviewer/critics and as human beings. Seen in the photo are (left to right): senior editor Michael Fremer, editor John Atkinson, and yours truly.
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Jason Victor Serinus Posted: Mar 10, 2010 0 comments
Mistral, a registered trademark in the UK and China, is a Chinese company, based near Canton, that began marketing its audio products overseas in 2002. According to their PR, they are recognized "all over the world for creativity, reliability and credibility." Judging from the rest of their written copy, they must believe that their credibility is so strong that they can dispense with the services of a bilingual writer with a firm command of English grammar.
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Jason Victor Serinus Posted: Mar 09, 2010 1 comments
One of several low-cost, high quality exhibits at Axpona came from Jaton. Based in Fremont, CA, Jaton sources its speaker components from Germany and other parts of Europe, but assembles them in China. It amps, which include 14 Mundorf caps in the amp proper and four more in the power sector, are assembled in Fremont. Everything is designed by the company's unnamed and extremely secretive CEO, who only began to enter the high-end market a few years ago.
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Jason Victor Serinus Posted: Mar 09, 2010 4 comments
Sonist of Studio City, CA was touting the premier of the Recital 3 all-wood floorstanders ($2195/pair), with a lower-price black textured finish model ($1795/pair) also available. . Featuring a 6" woofer and ribbon tweeter, the 8 ohm speaker has 93dB sensitivity, and a frequency response of 45Hz–40kHz. Audience and Cardas parts point to high quality. Shown next to the larger Concerto 3 ($4195/pair with all-wood cabinets, otherwise $3495 and reviewed by Art Dudley in April 2009), the Recital 3 is an 8 ohm, 95dB-sensitivity speaker with a frequency response of 30Hz–40kHz. Current production of the Concerto 3 has fixed the cabinet resonance problem JA found in our review.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
You can always count on several things from Soundsmith: rich, luscious, extremely seductive sound (especially from the moderately romantic Strain Gauge cartridge/phono preamp), and a flashing light show from multiple components that is curiously at odds with the refinement of most of the vinyl Peter Ledermann plays.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
Although I didn't get a chance to audition them—Roy Hall tried to ply me and just about everyone present with Scotch or something to get me to linger, but this extremely moderate drinker decided I could do a better job if I didn't stumble from room to room, dragging cables behind me—I was quite intrigued by the AktiMate Mini ($695/pair) in the Music Hall room. This Australian baby, engineered by folks from Creek Audio and Epos, is an active speaker, similar to the popular AudioEngines, and the master unit is equipped with an iPod dock as well as stereo RCA phono and mini-jack inputs. There is even an RCA stereo out to enable connection to a subwoofer, as well as a volume remote.
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Jason Victor Serinus Posted: Mar 09, 2010 25 comments
As I walked into the Emotiva room, a blast from the distant past greeted me with a smile. It was the Eagles, live, welcoming me to Hotel California. Resisting the temptation to declare, "But I've just come from there," I instead noted the solidity of the bass line, the powerful slam, and the sonic warmth that really did feel like a welcome. "Welcome to Emotiva land," the system seemed to sing.
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Jason Victor Serinus Posted: Mar 09, 2010 0 comments
As I entered Jeffrey Catalano's High Water Sound exhibit, I was immediately taken by the beauty of Herbie Hancock's Watermelon Man (Cisco LP re-issue). Listening to a recording of the music of Heinrich Biber further underscored the beauty of this system's midrange. Heard were the turntable owned by the First Chair violinist of the Vienna Philharmonic, the TW Acustic BlackNight ($40,000) with TW 10.5 tonearm ($5500) and Dynavector XV1T cartridge ($9000), TW Acustic Raven phonostage ($9000), Thöress linestage ($8000), Thöress 300B 6W monoblocks ($10,000), Horning Aristotle 98dB-sensitive loudspeakers ($15,000) with Zigma Ultimate Plus Lowther DX65 drive-units, Stealth cables, and Silent Running Audio Equipment rack ($12,000).

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