Jason Victor Serinus

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Jason Victor Serinus Posted: Jun 03, 2014 3 comments
Friday morning, May 30, was Day One of T.H.E Show Newport Beach. With the opening bell struck, as it were, by a ribbon-cutting ceremony in the lobby of the Hilton that I miss due to a very slow kitchen at the adjacent Atrium hotel, I dash from hotel to hotel to discover, instead of a frayed red Mylar ribbon or a row of hot, class-A amplifiers, a line of audio hot-rodded classic and contemporary cars.
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Jason Victor Serinus Posted: May 26, 2014 0 comments
Wilson Audio Specialties' Sasha Series 2 loudspeaker ($29,500/pair), which began shipping in March, celebrated its formal California debut on Saturday, May 24, at Music Lovers Audio in San Francisco. Handsomely accompanied by recording engineer Peter McGrath (above), Wilson's Director of Sales for North America, and Rich Maez of Boulder Amplifiers, whose electronics joined a dCS front end and cabling from Shunyata, Transparent, and Synergistic Research, the Sasha Series 2, aka Sasha 2, more than lived up to its promise in a less-than-ideal room whose set-up included Synergistic Research’s HFTs and FEQ and Grand Prix Audio’s Monaco equipment racks.
Jason Victor Serinus Posted: May 26, 2014 8 comments
No sooner has the Munich Show ended than T.H.E. Show Newport Beach is set to commence. Running from May 30 through June 1 in the Hilton/Atrium hotel complex that lies directly across the street from Orange County's John Wayne Airport, Southern California's installment of T.H.E. Show promises well over 300 exhibitors in 180 active sound rooms, 40–45 additional headphone exhibits scattered over two Headphoniums and other locations, and at least 15 vendor booths crammed with goodies galore.
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Jason Victor Serinus Posted: May 01, 2014 3 comments
Is this the third consecutive show where the sound of Balanced Audio Technology (BAT) electronics has won me over? BAT doesn't need to either sugar-coat or tone down its tube sound, because its openness, clarity, and musical truth are so spot-on. IMHO, of course. The sound was so good that I didn't even bother to take notes on the music I heard.
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Jason Victor Serinus Posted: May 01, 2014 1 comments
I enjoyed my short time with the Vienna Acoustics Imperial Series Liszt loudspeaker system ($15,000/pair). The Liszt incorporates Vienna Acoustics' flat-spider 6" coincident midrange driver and 1.2" vented silk-dome/neo-coated motor, as well as three 7" woofers that cover the 26–200Hz range of a speaker that extends up to 25kHz. Mated with a Primare I32 integrated amplifier ($4750), whose pre-installed full media board option allowed a wired LAN connection to a NAS drive, and AudioQuest cabling, the system depicted a file of a recording of Mahler's Symphony 3 with superior midrange, fine bass, and appropriate top-end bite. Percussive slam was tight, if a bit shallow, but that may have been due to the recording itself.
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Jason Victor Serinus Posted: May 01, 2014 0 comments
This compact system, in which Monitor Audio's Gold GX 200 loudspeakers ($4500/pair) and brand new Silver 10 loudspeakers ($2500/pair) mated with the Cyrus Lyric 09 all-in-one class-D system ($6499, due in June or July), sounded very fine through Nordost Red Dawn cabling. Especially when I moved up a bit from the back wall, I noted how controlled and musical the system sounded at the start of the Budapest Festival Orchestra's Channel Classics recording of Mahler Symphony 2, and how good the bass was.
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Jason Victor Serinus Posted: May 01, 2014 0 comments
Some of the best sound at AXPONA filled Chicago-based dealer/concert pianist George Vatchnadze's room. With more than a little help from industry veteran Dan Meinwald, who not only claimed to have simply plunked everything down, but also called the large room at the end of the 3rd floor of the Westin O'Hare "the best hotel showroom I've ever been in," Ella's "Angel Eyes" from her universally lauded LP, Let No Man Write My Epitaph, sounded drop-dead gorgeous. The midrange felt like a warm embrace, inviting me in without fear of witnessing Fitzgerald's emotion drowned in a sea of euphonia.
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Jason Victor Serinus Posted: May 01, 2014 0 comments
Mated with the new Avid Ingenium turntable with Pro-ject tonearm ($1999), Marantz PM14S integrated amplifier, and Audioquest cabling, a not fully broken-in set of Wharfedale Jade 1 loudspeakers ($1199/pair) sounded very impressive for the price. On the Cowboy Junkies Whites Off Earth Now LP, a take-no-prisoners depiction of electric guitar was balanced by a decent midrange, good bass, and a fine depiction of female voice. Abetting bass response was Wharfedale's Diamond 10.2 subwoofer ($799), which filled in between 35 and 65Hz.
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Jason Victor Serinus Posted: May 01, 2014 2 comments
"I really wanted people not to say that the electronics are why the speakers sound good, so I brought a very minimalistic set-up," said Milwaukee-based Jeff Permanian of his very first display at an audio show. Granted, his imposing, Internet-direct JTR Noesis 215RT ($7000/pair), a 3-way loudspeaker with a claimed 95dB sensitivity and impressive frequency response of 18Hz–24kHz, may not be a visual work of art. But in the company of an Oppo BDP-95, Adcom integrated, and Cardas cabling, its reproduction of Norah Jones' "Come Away with Me" exhibited sufficient warmth to make me want to hear the Noesis loudspeakers in superior company next time around.
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Jason Victor Serinus Posted: May 01, 2014 0 comments
I don't want to wax biblical here, but in Stereophile's world of show reports, the last shall be first, and the first, last. Thus we begin our coverage of the final day with the last system I auditioned at AXPONA 2014. Welcome to Goerner Communications' room on the Westin O'Hare's third floor.

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