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Jason Victor Serinus Posted: Jun 09, 2012 2 comments
One of the three rooms at T.H.E. Show created by Scott Walker Audio of Anaheim excelled in solid, grounded sound with a firm bottom and natural tonalities. Ah, don't we all long for a firm bottom and natural toning. But I digress. In this room, YG Acoustics paired its excellent Kipod II Signature loudspeaker ($49,000/pair) with Sim Audio's Moon Evolution 700i 175Wpc integrated amplifier ($13,000) and 650D CD player ($9000)—both products that have been highly praised in Stereophile's pages—and Synergistic Research's Galileo cables, PowerCell 10 SE (probably Mk.III), and full complement of Acoustic ART devices. The latter were doing an excellent job, because the two Kipod II's powered woofers were in firm control in a room that rendered many other speakers' bass boom city. "Beautiful triangle. . .wonderful midrange. . .good three-dimensionality" I wrote in my notes. I wasn't handed a price sheet for the Synergistic Research products, but the company makes its entire price list available online here.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
As someone who reviews speakers infrequently, and usually listens to floorstanders, I find the world of mini-monitors and bookshelf speakers confusing. There are so many different price points for the latter, with a pair of monitors listing for under $300 somehow meriting the same adjectives (at least from some reviewers) as those that cost 10, 20, and 30 times more. With FritzSpeakers, however, I have no question about quality.
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
Okay, I'm running out of clever titles, but NAD had no problem producing beautifully controlled, welcomingly sweet sound from its all-new Masters Digital Suite. The M50 Digital Music Player ($2500) and M52 Digital Music Vault ($2000), a combo that can stream, store and manage your digital music collection, was performing wonderfully with the M2 Direct Digital 250W digital-input amplifier ($6000 and a John Atkinson favorite), Tannoy Glenaire 10 loudspeakers ($7500/pair), and Synergistic Acoustic ART resonance control system.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Duplicating the system that had me enthralled at AXPONA 2012 with its clear, warm, and deliciously color-saturated sonic canvas, Peter Ledermann of Soundsmith was showing four cartridges at THE Show. Chief among them was the still-new Sussuro Hyperion OCL ($7000) with its cactus spine CL assembly. Available in an OCL diamond profile for the same price, this baby comes with a 10-year warranty including diamond retipping. Nearby were the Sussurro ($4500) and Sussurro Paua ($3500).
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
At the Irvine Hilton, T.H.E. Show Newport Beach offered hospitality suites from Sunny's Components, Positive Feedback Online, and the Los Angeles & Orange County Audio Society. Since the President of the latter is Bob Levi, the co-sponsor of T.H.E. Show, who not only thinks big and acts big, but also consistently delivers on his promises, the massive LA&OCAS commandeered two adjacent rooms on the fifth floor for its suite where Showgoers could chill out in a very effective manner.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
The first time I encountered the Napa Acoustic display at a show, I thought these little babies so adorable that I wanted to take all of them home so that our canine daughter, Daisy Mae Doven, would have a system of her own. But then I remembered that Daisy plays only one tune—"Get Da Bone"—and came to my senses.

Okay. I know what you're thinking. I'm an audiophile. I've never come to my senses. Touché.

Jason Victor Serinus Posted: Jun 09, 2012 1 comments
Okay. I know what you're wondering. So do Jason and Lisa Stoddard, whose curiously named headphone amplifier and headphone DAC company celebrates its second anniversary on June 17. In fact, your curiosity is one of the reasons why Lisa is smiling so.
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
Although Roger Sanders was not in the room when I finally got there on the third day, his "handcrafted in Colorado" electrostats were singing as if he were. In addition to the superb transparency that one expects from a good electrostat, the bass was not just convincing, but simply amazing. The sound was a bit sharp in the small room, and at one point, in an unfortunate performance of Puccini's "O mio babbino caro," distorted on top. Since I've not had either experience in previous auditions of Sanders electrostats, I have a hunch the distortion probably due to the mikes used to record this unsuited-for-the-role-of-Lauretta soprano. (I have a number of recordings from EMI that grow harsh and noisy on vocals due to the choice of microphones).
Jason Victor Serinus Posted: Jun 09, 2012 0 comments
It may seem strange to introduce a huge show report—actually my final blog, since, in time-honored biblical fashion, the last shall always be first in the blogisphere —with a photo of a Bentley Mulsanne (over $400,000). But inside this gorgeously outfitted automobile, a machine that even closes its doors for you should you be too occupied trading stocks via iPhone to pull the handle, is a custom-enhanced sound system by Reus Systems of Orange. (It was part of the exotic car exhibition that was part of T.H.E. Show.)
Jason Victor Serinus Posted: Jun 09, 2012 1 comments
In the more extensive of its two set-ups, Emotiva produced lovely, welcomingly smooth sound. Although bass control was elusive, as it was for many systems in these small "sleeping rooms" at the Hilton, the system's impressive clarity on top and nice tonality confirmed its reputation as a bargain bonanza. Playing were the XRT 6.2 tower loudspeakers ($699/pair), XPA-1 monoblock amplifiers ($999/each), XSP-1 stereo preamplifier ($899), ERC-2 CD player ($449), and XDA-2 Reference DAC ($399). Watch for Bob Reina's rave review of Emotiva's smaller XRT-5.2 towers in the August issue of Stereophile.

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