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Jason Victor Serinus Posted: Jan 08, 2013 5 comments
Robert Deutsch had yet to make his appearance, fresh from performing in two musicals in Canada, when I snapped this photo of some of Stereophile's CES team stressing the show account and plotting our on-line coverage at the Mirage's classy BLT Burger. Pictured, L–R, are John Atkinson, Jon Iverson, Stephen Mejias, and Audiostream.com's Michael Lavorgna.
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Jason Victor Serinus Posted: Jan 02, 2013 5 comments
David Manley, 73, founder of VTL, Manley Laboratories, and the ViTaL record label, died of a heart attack on December 26, 2012, at a hospital near his home in Varrennes-Jarcy, France. Famously described in the pages of Stereophile by Robert Harley in a 1991 interview as expressing "his strongly held beliefs with a passion and conviction that the printed word does not adequately convey," Manley leaves behind a rich legacy that continues to grow under the leadership of, for VTL, his son Luke Manley and daughter-in-law Beatrice Lam, and for Manley Labs, his fifth wife, EveAnna Manley.
Jason Victor Serinus Posted: Dec 24, 2012 7 comments
Just in time for the New Year, Cookie Marenco of Blue Coast Records has released the first-ever DSD (Direct-Stream-Digital) download of the San Francisco Symphony Orchestra's recording of Mahler's Symphony No.1. Recorded live in Davies Symphony Hall in September 2001, shortly after 9/11, and first released as a hybrid SACD in 2003, the recording is one of the only four Mahler symphonies in SFSO's complete Mahler cycle that were recorded directly to DSD.

The Mahler 1 files, available in four formats, are all derived directly from San Francisco Symphony's master, not from a copy of the SACD. The formats include two DSD formats: DFF and DSF. For those whose computer playback software or DACs are not equipped to play DSD files, 24/96 and 16/44.1 PCM files in WAV format are also available.

Jason Victor Serinus Posted: Dec 12, 2012 5 comments
In order to get in the right mindset for the Dallas Wind Symphony's first ever Christmas CD, Horns for the Holidays, from Reference Recordings and recording engineer Keith O. Johnson, you have to understand something about Dallas.
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Jason Victor Serinus Posted: Nov 29, 2012 Published: Dec 01, 2012 1 comments
Every music-loving audiophile has a unique story—a story of the first time he or she was grabbed, body and soul, by a first, usually low-budget listen to a 78, LP, CD, open-reel, cassette, or MP3—a story that continues today in that audiophile's quest for high-end bliss. For me, it was my desire to move closer to the voices of the singers I most loved.
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Jason Victor Serinus Posted: Nov 23, 2012 7 comments
At the 133rd Audio Engineering Society (AES) Convention at San Francisco's Moscone Convention Center, a full house flocked to aptly numbered Room 133 on October 27 to hear Stereophile's John Atkinson and four other major audio professionals deliver a two-hour presentation, Loudness Wars: The Wrong Drug? Sharing the stage were the panel's chair, Thomas Lund of TC Electronic A/S from Risskov, Denmark; Florian Camerer of ORF of Vienna, Austria; fabled recording and mastering engineer Bob Katz of Digital Domain in Orlando, Florida; and the equally fabled George Massenburg, McGill University, Montreal, Quebec, Canada, who engineered, among other things, that audiophile favorite, Jennifer Warnes' "Bird on a Wire."
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Jason Victor Serinus Posted: Nov 12, 2012 18 comments
Rather than debut its new $13,000 DSX1000 Network Music Player in the UK, where the company is based, Chord founder and chief scientist, John Franks (above), traveled to Mountain View, CA on November 8 for the unveiling. The site was the spacious, extremely attractive Northern California showroom of Audio High, one of the high-end dealers in the US that display Chord's top-end Reference products.
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Jason Victor Serinus Posted: Nov 11, 2012 5 comments
Nelson Pass in full flight

It was no accident that residential architect Mark Cronander, aka Variac, scheduled the Sixth Burning Amp DIY Fest for October 28, on the same weekend that the AES Convention (Audio Engineering Society) took place in San Francisco. Not only did Cronander attract a fair number of new folks who came into town for the convention, but he also scored, as a speaker, class-D amplification expert Bruno Putzeys of Belgium's Hypex Electronics.

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Jason Victor Serinus Posted: Oct 21, 2012 1 comments
Peering behind the curtain in a Show room reveals, not the Wizard of Oz, but instead. . .
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Jason Victor Serinus Posted: Oct 21, 2012 1 comments
Listening to HDTracks’ 24/192 download of the Jimmy Cobb Quartet’s Jazz in the Key of Blue, I finally heard what a well-tuned MSB system can do. “So musical!” I wrote in my notes. Instrumental timbres were excellent, with the warmth and fullness of Roy Hargrove’s trumpet portrayed with near tube-like roundness and warmth. Combined with the air and depth conveyed by the high-res recording, and the sheer presence of the drums, the experience opened a portal to audio nirvana. I could have spent hours exploring music in multiple formats on this system, and still have wanted more. It killed me to have to leave the room so soon. Only the reality of many more rooms to cover before show’s end kept me from staying longer.

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