Jason Victor Serinus

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Jason Victor Serinus Posted: Jan 12, 2011 0 comments
Wireworld’s David Salz released two new USB cables, the Platinum Starlight ($600/1m) and the Silver Starlight ($300/1m). The Platinum Starlight USB uses molded carbon-fiber connectors, while the Silver Starlight uses aluminum connectors.

Both cables use a new technology, called DNA Helix, that Salz originally developed for use in Wireworld’s premiere PS and SS HDMI cables. DNA Helix utilizes twice as many signal conductors as conventional USB cable designs.

When Salz was first developing the DNA Helix design, he began to measure the transmission speed of cables. By designing a more efficient cable, he found he was able to increase transmission speed by 20%.

“I always start with the direct connection as my reference,” he explains. “What I heard from cables at the start of my work was really disappointing. This new design allows me to get substantially closer to the purity of the direct connection.”

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Jason Victor Serinus Posted: Jan 12, 2011 0 comments
After Thursday’s full day at the Venetian’s high-performance audio exhibits, it was time to throw all caution to the winds and head to some of the major headphone exhibits at CES’ official three-ring circus, aka the Las Vegas Convention Center’s South, Central, and North Halls.

I’m glad that John Atkinson suggested I spend no more than a half-day at the LVCC. That’s how long it took to navigate through tens of thousands of people (or so it seemed) in the South and Central Halls to reach the displays of Audio-Technica, Sennheiser, and Monster.

First stop was Audio-Technica, where I encountered former audiophile critic turned publicist Frank Doris. Together we examined three new over-ear “Audiophile headphones” and one set of in-ear noise-canceling headphones.

I sampled the most expensive of the audiophile bunch, the Audio-Technica ATH-W1000x Grandioso ($699.95) that Tyll Hertsens writes about elsewhere in this report. I also briefly checked out their new in-ear QuietPoint active noise-canceling (ANC) ATH-ANC23 headphones ($99.95). Complete with an in-line volume control, the phones will first reach the market in February 2011. I found them a pleasure to use. Unfortunately, Unfortunately, all that was available to audition were MP3s of highly compressed, noisy pop and rock.

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Jason Victor Serinus Posted: Jan 12, 2011 0 comments
At T.H.E. Show in the Flamingo hotel, a mere half mile, 500 hawkers, and 2000 gambling-addicted alcoholics away from the bulk of high-performance audio exhibits in the Venetian, John McDonald of Audience was showing his new Adept Response aR6-TS power conditioner. Each unit comes complete with an Audience powerChord. The units sell at two different price points, depending upon choice of Audience power cords ($5000 with a standard Audience powerChord e, or $6550 with the Au24 powerChord).

The 6-outlet version of the Adept Response aR6-TS was in use in the room. A 12-outlet version is also available ($8600 or $10,150, depending upon powerChord choice).

What’s new about the unit is the “S” in aR6-TS. “T” stands for the Teflon version of power conditioner, and “S” for its new Audience Teflon aura-TO capacitors. John McDonald says the new capacitors are significantly more resolute and transparent.

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Jason Victor Serinus Posted: Jan 12, 2011 0 comments
Derived from Finite Elemente’s Emperor rack, the Soundbase equipment shelf ($1800) is filled with aluminum foam whose random patterning allows it to absorb energy and dissipate it as heat. Immedia’s Stirling Trayle notes that the shelf works as well for turntables as for other components.

Each Soundbase comes complete with four Cerabase Slimline coupling feet that use a combination of three internal ceramic ball bearings and stainless steel for ultra-efficient energy transfer. The Cerabase Slimlines are also sold separately for use under components ($550/set of four). Their three internal ceramic balls represent an advance in “resonance deflection” technology for the company.

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Jason Victor Serinus Posted: Jan 11, 2011 0 comments
Furutech is introducing a new speaker cable brand in 2011, ADL, Alpha Design Labs. Designed to make OCC cable products available to entry-level buyers, ADL cables are the lowest priced cables in Furutech’s current line-up. Prices start at $100/1m pair interconnects, with USB and LAN cables going for around the same price.

Pictured is Furutech’s Flux series of cables, which was introduced last year. The Flux power cable runs $1200/6ft, while speaker cables cost $2000/2m pair. On the left is publicist extraordinaire Jonathan Scull, standing aside Furutech’s Graeme Coley. Also present, albeit unpictured, was Furutech’s Engineer and VP, Frank Yoo.

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Jason Victor Serinus Posted: Jan 11, 2011 0 comments
George Cardas stands darped in the new Cardas cables whie the company's Operations Manager Josh Meredith was happy to show off Cardas’ Clear Light Speaker cable ($1048/2m pair). Now the lower end of the Clear speaker cable line, it will soon move up a notch to middle position as another model of speaker cable comes out. A simplified version of Clear speaker cable ($3726/2m pair), its ability to be produced more rapidly results in its considerably lower price.

Also on hand was the Clear Light Rev 1 interconnect ($856/1.5m pair). Now with a larger diameter, improved shield, and nicer RCA connector, it is still substantially lower in price that the Clear interconnect ($2360/1.5m pair). Next on the horizon is a Clear power cable.

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Jason Victor Serinus Posted: Jan 11, 2011 0 comments
Nate Mansfield, Sales Manager of Kimber Kable, happily showed off the company’s newest products, the complete line of Kimber Select KS 6000 series speaker cables ($4400–$18,800/8ft pair, depending upon level and wiring). Introduced in prototype form at CES 2010, the KS series has been shipping for the last six months, and is available in either all-copper, copper-silver hybrid, or full silver configurations. Designed by Ray Kimber, the cable also features a new multi-layer braid that combines stranded and solid core conductors in the same cable. The Kimber Select KS 6000 series represents a technological evolution of the old Black Pearl 88, a highly regarded all solid-core cable which Kimber manufactured in the early 1990s.
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Jason Victor Serinus Posted: Jan 11, 2011 0 comments
Allen Sung, owner of XLO (left), introduced the Purple Rush power cord ($7000/6ft). The first product in the company’s new Purple Reigns series, this substantial baby is heavy enough to easily yank a poorly positioned component off the shelf. IMHO, the cable’s oversized proprietary connectors are as impressive as its girth.

XLO’s designer, Jay Victor (right), explained that he wanted to design a power cable that he could use on high-current power amps in his own system. “I started dabbling in cable design when I was in charge of product development at Monster Cable with Demian Martin,” he said. “We were marveling at how much of a difference different power cables made to a system’s sound. I kept refining my ideas of power cable design, until I came up with idea of mixing different conductor shapes to best convey the whole range of bass sound.”

Victor believes that a large solid conductor is great for low bass, a flat conductor is best for mid bass, and a polymer coated Litz works best for highs and transients. He has combined all three in the Purple Rush power cord. The cord also employs an exotic field-balanced winding technique to lower the noise floor and cancel magnetic effects. All in all, five patents are associated with the Purple Rush power cord, which took eight years to develop and refine.

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Jason Victor Serinus Posted: Jan 11, 2011 8 comments
Synergistic Research’s Ted Denney was eager to show off the great midrange and bass transmitted by his Galileo System of hand-built cables. His choice of music: Michel Jonaz’ “Le Temps Passé,” a classic recording whose abundance of space and choice of contrasting, slightly gimmicky instrumental timbres makes for one of those ideal audiophile demo discs.

The Galileo System of cables includes speaker wire ($40,000/8ft pair) and interconnects ($25,000/1m pair), the PowerCell LE (limited edition—only 20 are being built for $10,000 each), and the Galileo Element series. All cables work universally, with switchable XLR and RCA terminations. If you switch gear from single-ended to balanced, you don’t have to buy an entirely new set of cables with different terminations. Very neat.

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Jason Victor Serinus Posted: Jan 11, 2011 0 comments
Joe Skubinski of JPS Labs introduced its first two USB cables, the Superconductor Q USB (approximately $399/1m) and Superconductor 3 USB (approximately $799/1m). The cables are so new that Skubinski had to guess at the prices. Both boast a precision twisted-quad design with dual shields and gold-plated connectors.

Skubinski’s design goals were to transfer the digital signal as flawlessly as possible without radiating noise into adjacent cables. As I left the room, he and the folks from Usher loudspeakers were about to conduct an experiment to see if the Superconductor 3 could successfully transmit music recorded at 352.8kHz.

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