One of the many graphs Nordost and Vertex displayed at their research presentation was of time-domain error in a CD player, ie, the difference between the data on a disc and the output of the CD player. It ain't pretty. Other graphs showed reduction in error with the addition of cables, supports, and power products (specifically, Nordost's Quantum). All these graphs will be downloadable from the websites of Nordost and Vertex EQ within a matter of weeks.
What has become a familiar site at shows, Acoustic Zen loudspeakers and cabling mated with Triode electronics, has also become a welcome sound. Here, I experienced a beautiful airiness around female vocalists. "Just gorgeous," I wrote in my notes. The bass, however, was challenged, perhaps because of the room.
I first heard the Eficion F300 loudspeaker at RMAF or some other show perhaps two years ago. Bob Walters of the Bay Area Audiophile Society, who urged me to audition it, raved about the Eficion F300 and bought a pair. Two years later, the Eficion F-300 and Stillpoints amplifier stands and stainless steel supports have transformed my system.
At RMAF 2009, Nordost shook up quite a few audiophiles by announcing preliminary results of research that can measure and validate the positive effects after market cabling, supports, and power products. One year later, Nordost announced that the research, jointly conducted by Nordost's competitor, Vertex AQ of the UK in collaboration with military electronic-engineering consultant and sonar expert Gareth Humphries-Jones of North Wales, has taken a major step forward.
Ray Lombardi's international set-up was getting much better sound from JBL's 1400 Array ($11,500/pair) than at the first California Audio Show (CAS) a few months back. In fact, Diana Krall's semi-lethargic rendition of "Let's Face the Music and Dance" sounded much less doped-up than it did when I last heard it at the Aurum Cantus factory in China. The presentation featured crisp and sweet highs, and a natural midrange. Neither Sound Applications power treatment (model not specified) nor ASC Tube Traps could totally tighten up the speaker's soft bottom, but I don't recall it sounding very tight at CAS either.
Oh my, did Muddy Waters' Folk Singer sound good. I hadn't heard this audiophile classic in many a year, and my time in Mike Garner of TweekGeek.com's room convinced me that it was time for an extended revisit. Garner achieved gorgeous clarity and marvelous quiet on this recording. As I wrote in my notes, "A very special moment."
Doshi Audio of Virginia was proudly displaying their handcrafted Jhor monoblock amplifiers ($18,995/pair) and Alaap V2.1 full-function preamplifier ($14,995). Partnered with the oft-encountered Wilson Audio Sasha, and Transparent XL series cabling, the system excelled in midrange strength as it threw an exciting soundstage. Although lacking ultimate bass control, the system rendered take-no-prisoners rock in accurately brash and brazen fashion.
Applause rang out after Silverman's performances. Among the most appreciative were those in the standing room section in heaven, aka the mezzanine balcony. Notice Roy Hall (third from left), who really socks it to Mikey Fremer in the "Manufacturers Comments" section of the November issue, among the admirers. On the second night, Gary Koh of Genesis was spied in rapt attention.
Taking this year's novel room treatment prize lying down was Artemis Labs of Simi Valley, CA. Undoubtedly wishing to imprint a message that their equipment produces the sound of your dreams, on display were the Artemis Labs SA-1S ($11,000) and SA-1 ($7800) turntables; Schröder Reference SQ ($5600 Euros) and Artemis Labs TA-1 ($3500) tonearms; Artemis Labs cartridge (not yet priced), PX-1 (LCR) phono pre (ditto), LX-1 linestage (ditto encore), LA-1 linestage ($3500), and SP-1 18Wpc power amp ($18,000). Rounding out the system were the fine Verity Audio Leonore loudspeaker ($15,995/pair) and Purist Audio Design cabling.
Reasonably priced cabling from Soundstring Cable Technologies of South Norwalk, CT created a polite, welcoming feel in a room that also featured ModWright and Oppo electronics and Nola bookshelf speakers.