Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 21, 2010 0 comments
"Bring the concert home!" declared the Jones Audio brochure. The 18-month old company, whose products are "handcrafted" in Seattle, took advantage of RMAF to debut the Jones Audio PA-M300 monoblock amplifier ($24,000/pair). This 300W into 8 ohms, 560W into 4 ohms baby, which uses a 35 lb toroidal transformer, kept company with the Jones Pre-S2 preamplifier (approx. $11,000), the Revel Ultima Salon2 loudspeakers I've lusted after on multiple occasions ($22,000/pair), a Benchmark DAC1 Pre, and Kimber cabling with WBT connectors (approx. $1000 worth).
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Jason Victor Serinus Posted: Oct 21, 2010 0 comments
Here's an up-close look at the Townshend table and rack, as well as EAR USA's fabled preamp. Note the classic Blue Note jazz that Dan Meinwald favors. A great match for this system.
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Jason Victor Serinus Posted: Oct 21, 2010 3 comments
Having greatly enjoyed YG Acoustics' two-way Carmel loudspeaker ($18,000/pair) at the California Audio Show this past summer, I was eager to hear it in a different setting. This was the opportunity, paired with Veloce Audio's battery-powered set-up. The system also featured Kubala-Sosna Emotion cabling (price not supplied), the LS-1 Pure Tube linestage ($15,000)—are there any impure tubes?—and LP-1 Pure Tube phono module ($3000), and V-6 monoblock amplifiers ($14,000, presumably for the pair). Also doing the honors were the Amazon One turntable (price not available), and the PS Audio Perfect Wave transport/DAC combo (approx. $6000).
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Jason Victor Serinus Posted: Oct 21, 2010 2 comments
After building ModWright Instruments' reputation as a quality source for equipment mods, Dan Wright has expanded his business to include manufacturing his own components. Perhaps because his gear was called into play in a number of rooms, his own room was mobbed until Sunday, when crowds traditionally lighten up.
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Jason Victor Serinus Posted: Oct 21, 2010 0 comments
You can always count on EAR's Dan Meinwald to be spinning some great platters. When I walked in, whatever jazz recording was playing sounded very alive and incisive. (EAR's electronics and Marten's speakers are not shy and recalcitrant). When Dan switched to an old classic LP, Meeting at the River, the Vishwa Mohan Bhatt's unique guitar sounded uncommonly beautiful and clear. Had I not had 18 rooms left to visit on Saturday, with a lot more screaming for attention, I would have stayed longer.
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Jason Victor Serinus Posted: Oct 21, 2010 0 comments
We audiophiles can't resist pushing the boundaries of intimacy. Step on those cables, jostle them amps—we just gotta take a look at what's going on from all angles. Trying not to do permanent damage, here's what I spied on the back of Lowther America's Field-Coil EXR Open-Baffle loudspeaker (estimated price of $15,000/pair).
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Jason Victor Serinus Posted: Oct 20, 2010 0 comments
Selah Audio, a North Carolina speaker manufacturer that sells its products direct on the net, was showing the Verita sealed box loudspeaker ($2000/pair, or $2650 with the veneer displayed at the show). A sealed box with 84dB sensitivity and a frequency range of 60Hz–20kHz, it combines the excellent RAAL ribbon tweeter from Serbia's Aleksandar Rasisavijevic with a ScanSpeak woofer.
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Jason Victor Serinus Posted: Oct 20, 2010 4 comments
I confess. Ever since I heard Evolution Acoustics loudspeakers at T.H.E. Show Las Vegas some years back, I have lusted after a pair. In fact, one of the big excitements on my trip to China a few months back—story forthcoming sometime before the Twelfth of Never—was visiting the same Aurum Cantus factory that manufactures Evolution's tweeter. The combination of Evolution Acoustics MMtwo loudspeakers ($35,000/pair), darTZeel NHB-458 monoblocks ($135,000/pair), and darTZeel NHB-18 NS reference preamplifier with MC phono section ($29,000) earned my personal best of the show for the systems I auditioned at CES and T.H.E. Show 2010.
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Jason Victor Serinus Posted: Oct 20, 2010 0 comments
Sam Laufer of Laufer Teknik was showing the German Physiks HRS-120 loudspeaker in high gloss finish ($33,500/pair). Helping this omnidirectional design sing were Abis Shuhgetsu monoblock amps (price to be determined), The Memory Player source and preamp ($22,500), Paul Kaplan cabling including speaker cables ($1995), Halcyonics Active Isolation Platform ($11,500), five LessLoss BlackBodys ($959 each), and the wonderful Stein Music Harmonizers (two A and two B units plus 12 stones for $4900) with their new matching stands (price not supplied). You can see one of the Stein Music Harmonizers, aka that little black box with the blue light that doesn't have to be on for the box to be working, peeking out from behind the loudspeaker.
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Jason Victor Serinus Posted: Oct 20, 2010 16 comments
I was delighted to discover that AudioPrism, originators of the infamous green pen (aka the AudioPrism CD Stoplight), is still in business. For newbies who do not know about the green pen, Collett and those who reviewed it shook skeptics to the core when they declared that painting the edge of CDs with the green pen lowered digital edge and improved data retrieval. The backlash was tremendous. Then Krell began bathing its CD tray in green light, some people found that green-tinted CD-Rs and then black discs sounded better, CD mats with green undersides made a demonstrable improvement in sound, and the skepticism was transferred to the next tweak on the horizon.

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