Monitor Audio has now moved to its second-generation Platinum series loudspeakers, which Monitor presents as "most accurate and beautiful loudspeakers" the company has ever made. Shown was the top-of-the-line, towering PL500 II ($28,995/pair), whose front baffles are hand-upholstered in the same Ingleston leather used in many luxury British brands.
Good sound was a notable achievement given that the new Genesis Forte loudspeakers ($140,000/pair) had been shipped to Las Vegas a mere two days after assembly, and had only three days of break-in on them.
Jeff Rowland's Model 725 S2 monoblocks ($34,000/pair) have been out maybe four years, but now include new error-correction circuitry originally developed for the Jeff Rowland 625 S2. Also of import are ceramic circuit boards, 4-pole Jensen capacitors, and virtually immeasurable distortion from 20Hz20kHz. The class-A/B amps deliver 330Wpc into 8 ohms, and have fully balanced transformer coupled inputs as well as switch-mode power supplies with power-factor correction. The display was passive, with Rowland's active system, complete with Nordost cabling, showcasing other products.
I find it hard to believe, but only in the last 5 or 10 years did the museum in Cremona, Italy, where famed violinmaker Antonio Stradivari was born in 1644, receive the first violin that Stradivari ever made. To honor the occasion, Sonus Faber loudspeakers has issued Il Cremonese ($45,000/pair), whose price is far lower than that violin. An extension of Sonus Faber's Cremona and Stradivarius series, Il Cremonese incorporates technology from the company's higher-level models. Paolo Tezzon custom-designed all drivers to achieve greater accuracy and coherency.
Stunning to behold, eh? Cast your eyes on the US debut of Aries Cerat's new line of equipment from Cyprus, imported by Joshua Masongsong of Texas-based Believe High Fidelity. In the middle of crazy, crazy Las Vegas, I felt as though I was immersed in a nice warm bath as I listened to Aries Cerat's Symphonia Aries Limited Edition 3-way horn loudspeakers ($125,000/pair gets you 101dB sensitivity and only one of five pairs in existence), Concero 65 SET class-A monoblocks ($35,000/pair), Impera Signature Edition Mk.II preamp ($82,500), and Kassandra Reference Mk II PCM DAC ($35,000).
Far more sonically successful was the larger Lamm room. There, $266,950 worth of Lamm components, including the new LL 1.1 Signature line level preamplifier ($45,390/pair) and ML3 Signature SET mono power amplifiers ($139,490/pair), joined the big Kharma Exquisite Midi Grand speakers with F-drivers ($225,000/pair), a mostly not-in-production EMT/SME/ZYX turntable set-up, inexpensive Sanus racks ($840 total), and Kubala-Sosna Elation series cabling ($130,600 total) to draw sweeter, warmer, and more accurate sound from the same LP tracks.
With an older Grand Prix Audio Monaco 1.5 turntable ($23,500) outfitted with a Tri-Planar Ultimate 12" tonearm ($9800) and PC-1S cartridge ($8500) as source, Japanese manufactured Zanden Audio Systems electronics, cables, and room treatment allied with Canadian sourced Verity Audio Sarastro IIS 3-way loudspeakers in custom finish ($55,195/pair) to produce great soundstaging on a Bach LP. Equally wining was the enticing sound on an LP from Ray Brown.
Pass Labs may laugh a bit at its excess, as in the XS series, but Vladimir Lamm saves his smiles for the sounds of his brand-new, four-box LL 1.1 Signature line level preamplifier ($45,390/pair). That "pair" in the price is not a typo. This baby consists of two mono preamps plus two separate power supplies!
Even though Robert Deutsch has blogged about Magico's new S1, Alon Wolf (right) prevailed upon me to take a (brief) listen. Paired with Convergent Audio Technology (CAT) monoblock amplifiers, the sound was lovely and warm. I did catch a bit of distortion on the right channel at one point, cause unknown, but Joni Mitchell's aging, low voice was maximally evocative, with an extra kiss of tube warmth.