Jason Victor Serinus

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Jason Victor Serinus Posted: Dec 02, 2010 6 comments
"We did this for audiophiles, really," says the San Francisco Symphony's general manager, John Kieser. "Our distributors around the world have been telling us that it would be terrific if our Mahler series were available as a complete set on vinyl. This is a major endeavor, in that we're talking about 22 LPs."
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Jason Victor Serinus Posted: Nov 07, 2010 0 comments
Robert Silverman, whose many recordings for Stereophile have made him a living legend among audiophiles, continues his series of performances of all of Beethoven's piano sonatas in San José, California, November 11 and 18. Held in San Jose's lovely and acoustically superior Le Petit Trianon Theatre, the concerts mark the halfway point in Silverman's eight-concert series. All proceeds go toward building, at Stanford Children's Hospital, an Elf Foundation Room of Magic: a private entertainment theater in which uplifting music and films can be shared with patients.
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Jason Victor Serinus Posted: Oct 28, 2010 0 comments
Axpona lives! The Audio Expo of North America, the consumer high-end audio show whose successful 2010 launch in Jacksonville, Florida, established it as the premier high-performance audio show on the East Coast, has moved to the far more accessible and convention-friendly Sheraton Atlanta, in Georgia. Scheduled for April 15–17, 2011, with a special four-hour trade preview on April 14, the show is cosponsored by Stereophile and Goldmine.
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Jason Victor Serinus Posted: Oct 22, 2010 1 comments
Jolida of Maryland sure knows how to produce good sound for people with limited budgets. Playing Leonard Cohen's classic "Back on Boogie Street" through iTunes, with all the sonic compromises that Apple's music server imposes on a system, Jolida's Glass FX tube DAC ($350) and Glass FX 25 Integrated hybrid amplifier ($350) still sounded great. This was not toy hi-fi; it was an indisputable portal into the real thing, with a musicality that put to shame some much more expensive systems I encountered at RMAF.
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Jason Victor Serinus Posted: Oct 22, 2010 10 comments
Photo: John Atkinson

t's one thing to know that you're attending what has quickly grown into the largest annual high-end show in the United States. It's something else entirely to try to take in even a third of the 180 exhibits that were spread over the width, breadth and height of the Denver Marriott Tech Center.

RMAF 2010 drew such a huge rush of attendees on the first day (October 15) as to cause at least one overly packed elevator to spend what seemed like a minute in limbo, considering whether it should dare try to ascend. When it finally determined to go up rather than crash down, it moved in fits and starts, and shuddered each time it reached a floor. I think more than one of its occupants took a vow then and there to finally lose some weight. Stereophile ran out of their new-at-the-Show November issue by the end of the second day, and when a member of the Colorado Audio Society donated his collection of back issues to us on Sunday (see the photo), they were all gone within minutes.

Show exhibits extended to eight packed floors, and down into the. . .

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Jason Victor Serinus Posted: Oct 22, 2010 4 comments
I was smitten by the sound of San Francisco-based dealer and distributor Tim Nguyen's Tone of Music equipment line-up at the California Audio Show. Tim's RMAF exhibit, which featured the Simon Yorke turntables he distributes, included the Simon Yorke S10 Record Player ($19,950), Convergent Audio Technology preamplifier ($9950) and Jl2 signature amp ($19,950), and Synergistic Research cabling. The big difference was the presence of the Lansche No.3 loudspeaker from Aaudio Imports ($30,000/pair in gloss black), a 2-way with 91dB sensitivity and frequency response of 40Hz–150Hz (!) ±3dB.
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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Stereophile editor John Atkinson in a pensive mood as he listens to Jonathan Reichbach of Sonic Studio/Amarra speak at the start of the Advances in Computer Audio seminar JA chaired on Sunday morning.
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Jason Victor Serinus Posted: Oct 22, 2010 1 comments
Big does not mean five figures in Jolida's book. The most expensive equipment in their main exhibit on the second floor of the Marriott Tower were the Phase 6 Tape Deck from United Home Audio ($15,000) that was playing master tapes from The Tape Project, the Von Schweikert factory-direct VR33 loudspeakers ($3750/pair), and the Fosgate tube phono preamp ($2500).
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Jason Victor Serinus Posted: Oct 22, 2010 2 comments
Here's an up-close look at the Merrill-Williams Audio table featured in the Quad room. The base is made of Rubber Elastomer Acoustic Laminate (aka R.E.A.L.—got it?), and the platter of Bakelite resin composite. tHE outboard power transformer, clamping ring, etc. are not pictured. Despite its English-sounding name, the company is based in Memphis.
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Jason Victor Serinus Posted: Oct 22, 2010 1 comments
Due to all the positive reviews Emerald Physics loudspeakers have earned, it took several attempts over a three-day span until the crowds in the two Emerald Physics rooms had thinned down enough to allow a brief listen.

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