Jason Victor Serinus

The three best lower-cost systems that I heard at CES were this one ($7105 total) and others from Chord/Spendor and Music Hall; thanks in no small part to Totem's founder, Vince Bruzzese, whose extensive traveling has brought him in touch with a treasure chest's worth of eclectic titles that he searched out on Tidal and then purchased in physical form, this one was hands down the most musically enjoyable.

KEF has just upped the ante on the LS50W, the wireless version of its lauded LS50 bookshelf speaker, with the release of the LS50W Nocturne Special Edition ($2499.99/pair). Engineered by KEF Head of Acoustics Jack Oclee-Brown and sporting an eye-catching design by Dutch Designer Marcel Wanders—I regret that my photo fails to capture all the graphic detail on KEF's Uni-Q driver and cabinet—the LS50W Nocturne Edition will be available on January 15.

dCS, D'Agostino, Wilson, Transparent, and HRS—how often have we found products from these companies making a synergistic and most musical match? As you'll learn from Jana Dagdagan's video once it's posted, Jana, John Atkinson, and I visited the spacious suite in the Mirage Hotel in which these companies paired a dCS limited edition Vivaldi 1 ($80,000 or, in the striking bright nickel finish seen in this room, $92,000) and Rossini clock ($7999); an HRS VXR rack; D'Agostino Master Systems Progression preamplifier ($22,000) and Progression stereo amplifier ($22,000); Wilson Audio Sasha 2 speaker, with Transparent Generation 5 XL cabling (approx. $50,000 total); and Transparent Reference Power Isolator ($5995).

Chord Electronics, distributed by Bluebird Music, took pride of place in two systems in their multi-chambered suite on the 35th floor…