Etymotic's Albert Arends was showing four models of the company's earphones. The Etymotic ER3SE (Studio Edition$179) has a flatter response than the ER3XR (Extended Response$179), which has "a bit of a bass lift" in the 100Hz-1kHz region. One major difference between these models and the higher level ER4 SR (Studio Reference$349) and ER4XR (Extended Response$349) is that only the latter are channel-matched to within 1dB.
I spent some time listening to systems from two companies of which Brian Barr is President: SAE (Scientific Audio Electronics) and CAT (California Audio Technology). In the first, two SAE 2HP-D amplifiers ($20,000/each), which graced the cover of Stereophile when Michael Fremer reviewed the amp in the October 2016 issue, drove new bi-amped Eggleston Works 20th anniversary Limited Edition Andra Viginti speakers ($40,000/pair). Michael is currently reviewing these speakers, whose 4 ohm nominal impedance indicates that they were driven by a mere 1200Wpc of SAE power.
Paired with the same Theta Gen. VIII DAC/preamp ($15,995)/Theta Compli Blu transport ($3995) combo and VPI Avenger reference turntable ($20,000) as in the SAE room, but with a TR phono cartridge ($7000) replacing the Zu, this room showcased CAT's brand new MBX 1250.2 FD XPR twin monoblock amplifier ($30,000), which outputs 1250Wpc in to 4 ohms, and MBX 320.2 FD ($10,000) twin monoblock amplifier, which outputs 320W into 8 ohms. The amps were driving a bi-amped pair of CAT loudspeakers, specifically voiced for this hotel room, which consisted of CAT MBX 900 Trinity satellites resting upon MBX Miramar subwoofers ($100,000/pair for all). Analog crossovers were employed, and the subs were dialed-in through a CAT MBX DSP8x8 digital signal processor ($15,000).
Both Andrew Jones, who designs Elac loudspeakers, and Peter Madnick, who is responsible for Elac's Alchemy series of components (the successors to the Audio Alchemy brand), were on hand to demonstrate a system that sounded equally wonderful on both of the "Red Book" files I heard there. I loved how beautifully this system captured the seductive midrange of David Roth's voice on "Before I Die" as it conveyed his music with captivating warmth and lovely layering. Timbres on Count Basie's 88 Basin Street were also natural and compelling.
Andrew Jones's first active speaker, the tri-amped Argo Series B51 ($2000/pair), offers 250W of class-AB power in the form of a 150W AB amplifier for the woofer, 70W AB amp for the midrange, and 30W class-A amp for the tweeter. The B51s can be used either wired or wirelessly, but need an external DAC, DAC-equipped server, or other device to produce sound from digital.
Because Art Dudley is writing a Follow-Up review to Michael Fremer's take on the Audio Technica AT-ART1000 direct-power stereo MC phono cartridge ($4999), I shall replace lots of words with this blow-up of a cartridge whose coils sit at the tip of the cantilever, right over its diamond stylus.
Esoteric's N-01 network player ($20,000), which debuted at the Rocky Mountain Audio Fest in October, is now equipped to decode MQA. It was part of a system that produced very direct, fast sound and that, on LP, rendered Ray Charles' voice with exceptional clarity.
In the room sponsored by distributor Musical Surroundings, I spied Clearaudio's new Concept Active turntable ($2600 to $4400, depending upon choice of three plinths, three tonearms, and three cartridges). The version I saw was $3200 in black and silver with Concept tonearm and Concept MC cartridge. This all-in-one, ready-to-play system incorporates a high quality internal phono stage and headphone amp.
Beautiful and warm sound, gorgeous midrange, absolutely quiet surfaces with silence between the notesthese were some of my impressions upon hearing Natalie Merchant's performance of "The Butcher's Boy," from the LP version of Kronos Quartet's Folk Songs, on this brightly backlit, hard to photograph system from Musical Surroundings.
Paul Barton of PSB was on hand to demonstrate the RoomFeel technology he uses in his headphones. "Headphone listeners listen to recorded music that was designed to be heard in a room," he said. Therefore, his RoomFeel technology adds a simulated room response to music.